Categories
Manga Reviews

Working Kentauros by Est Em

Working Kentauros is available on Jmanga.com

As someone who reads a lot of manga every month, it is easy for me to get a little jaded. I do enjoy the commercial manga that comes out from mainstream publishers, but it is nice to experiment a bit and try something different now and then. Working Kentauros is exactly the type of title I was hoping for when Jmanga launched. I was hoping that the online format would result in some quirky titles being translated, and my wishes were fulfilled to some degree when Jmanga translated a manga that I’d heard about but never hoped to read, Ekiben Hitoritabi. Working Kentauros is about the work lives of centaurs who have entered modern society and it is without a doubt one of the most surprising and well-executed manga that I’ve read recently. I knew I was in for a treat when I saw that the first page featured a businessman in full gallop, clutching a briefcase and stuffing a carrot in his mouth. The next page features a diagram of the contents of a Kentaur’s briefcase, starting with his company cellphone and ending up with a protective charm against traffic accidents. There was more humor and charm packed into the first couple pages of illustrations of Working Kentauros than I see in many full chapters of manga.

So, centaur businessmen is a great gimmick for a manga story, but part of what makes this book so great is the way Est Em integrated what might seem like a goofy concept into her manga. Kentaurs have much longer lifespans than humans, and anti-discrimination laws have only recently been passed that allow them to work in human office environments. The first few chapters deal with the daily life of Kentaro, a Kentaur who has recently been hired by a harness making company. He has to run up flights of stairs to get to work, arriving at the office so sweaty that his senpai has to groom him before they go to a business meeting. Kentaro’s senpai has a certain amount of grudging respect for him. Even when he yells in disbelief “How dare you carry a cordovan leather briefcase!” he says that Kentaro is a good worker. Then he straps boxes to Kentaro to help in an office move, leaving Kentaro to wonder if he’s experiencing workplace bullying. When Kentaro finally is able to ride the larger elevator at his new office building, he finds himself the target of an anonymous molester. Kentaro’s senpai helps him track down the pervert, and it ends up being a horse-crazy lady he has a crush on! Throughout the next few chapters Kentaro and his senpai get to know each other better, and Est Em slips in interesting details about Kentaur society. They add on names based on their work with humans over the years and since they are so long lived, the oldest Kentaurs have names that are so long it is difficult to introduce themselves in one breath. While Kentaro seems like a man who has just graduated college, he’s around fifty years old.

Est Em’s art has simple but mobile line work, and she’s great at portraying Kentaro’s thrilled excitement about an elevator he can fit in as well as his habits of galloping off on sales calls. The character designs are attractive and in proportion, which ends up highlighting some of the difficulties the Kentaurs face when they are navigating through a world that wasn’t originally designed for people with half-horse bodies. The second half of this series focuses on Kentaurs with dreams of other jobs like opening up a noodle stand or becoming a messenger. There’s a chapter that focuses on a successful male model Kentaur who is only able to get work with a stand-in serving as his Photoshopped human legs. As goofy as the concept of Working Kentauros might seem, it is very clear that Est Em has spent plenty of time thinking about her characters and their relationships with each other. There’s a great page towards the end of the book that shows the difference in lifespans of the characters for a Kentaur and human who have gone into business together as partners in a shoe company. A quick succession of images shows the human aging while the Kentaur stays the same age, working at his job the entire time. Working Kentaurous blends plenty of whimsy and humor with the more serious topic of showing people who are just trying to make their way in the world even though they might have hooves instead of feet.

This book was carefully designed too, and sadly one thing that gets lost in the transformation from print to digital are the tiny Kentaur animated flipbook illustrations that are placed at the bottom of each page. This was the first manga by Est Em that I’ve read, but it definitely won’t be the last. If you’re a Jamanga subscriber already, reading this book is a no-brainer. If you haven’t signed up for the site yet, this is a great first title to try.

Access to electronic copy provided by Jmanga.

Categories
Manga Blogging

Aniblog Tourney

Apparently this is the first year a bunch of manga blogs have been in the Aniblog Tourney. Not being a participant before, I wasn’t sure what to expect but apparently there are already scandalous accusations of vote fixing!

Here’s my bracket, and welcome to anyone who is checking out my blog for the first time. If you’re here and you like shoujo manga, you can enter my current giveaway!

Next week I plan to review Blue Exorcist, Est Em’s manga about Centaurs, Story of Saiunkoku, and Ai Ore.

Categories
Manga News

PR: New Shojo Titles from Viz Strobe Edge and Demon Love Spell

It was fun seeing @shojobeat on twitter this afternoon announcing these titles, and here’s the official press release from Viz.

Here’s the cover of Strobe Edge, which has some appealing looking art.
The cover of Demon Love Spell features a hero in the classic Mayu Shinjo mold. I’ve been happy with the recent titles coming out from Shojo Beat. Dawn of the Arcana and A Devil and Her Love Song have been entertaining and quirky enough to seem fresh. I was excited to see another Shinjo series announced. I enjoyed Sensual Phrase, and while I haven’t been getting into Ai Ore as much, I suspect that I’ll like Demon Love Spell quite a lot, if only because the hero looks like Sakuya. I’m shallow that way!

Read on for all the details.

VIZ MEDIA ANNOUNCES NORTH AMERICAN PUBLISHING LICENSES FOR NEW SHOJO MANGA SERIES STROBE EDGE AND DEMON LOVE SPELL

VIZ Media announces its latest manga (graphic novel) licenses with the acquisition of the domestic publishing rights to two new shojo series – STROBE EDGE, by Io Sakisaka, and DEMON LOVE SPELL, by Mayu Shinjo. Both titles are scheduled to begin publication later this year under the company’s Shojo Beat imprint.

Creator Io Sakisaka’s STROBE EDGE (rated ‘T’ for Teens) asks the timeless question, “What is love?” Ninako Kinoshita’s friends tell her it’s one thing, but Ninako wants to discover this mysterious emotion herself. When she meets Ren Ichinose, a handsome, enigmatic guy worshipped by all the girls at her school, she finds her heartbeat quickening with excitement! Is Ninako about to experience the many facets of love?

Celebrated manga creator Mayu Shinjo (AI ORE!, SENSUAL PHRASE) also returns with her new supernatural romance, DEMON LOVE SPELL (rated ‘T+’ for Older Teens). In the series, Miko is a shrine maiden who has never had much success at seeing or banishing spirits. Then she meets Kagura, a sexy demon who feeds off of women’s feelings of passion and love. Kagura’s insatiable appetite has left many girls brokenhearted at school, so Miko casts a spell to seal his powers. Surprisingly the spell works – sort of – but now Kagura is after her!

“STROBE EDGE has been one of the most requested titles that our readers have asked to be licensed, and the romantic coming-of-age story will be a perfect series for young teen readers in particular,” says Leyla Aker, Vice President, Publishing. “Mayu Shinjo’s new series, DEMON LOVE SPELL, will intrigue older teen readers and young adults with its fun mix of comedic supernatural romance and gorgeous artwork. We look forward to launching both series later this year and will be announcing more information on the forthcoming debuts soon!”

For more information on Shojo Beat manga titles, please visit: www.ShojoBeat.com

Categories
Manga Reviews Reread Reviews

Basara Volumes 11 and 12 by Yumi Tamura

Getting back into my great reread of Basara, I’m going to tackle Volumes 11 and 12, where Sarasa finds herself in a very unpleasant prison in Hokkaido. When she discovers Hayato’s ship abandoned with curse markings that include splashed blood and voodoo dolls, she’s dismayed that he’s gone missing. Her concern for Hayato is taken over with her excitement when she discovers that the Red King is still alive “So I can kill him…with my own two hands!” Sarasa promptly decides to visit the Kazuno people who kidnapped her friend, hoping to get him back and recruit more allies she can use in her battle against the Red King. The Kazuno have an elaborate set of traps which Sarasa wins through with her usual resilience and personal integrity, but it isn’t enough to prevent her from being thrown into a horrible prison with Ageha and Asagi. One of the prison guards looks suspiciously like Shuri, and it turns out that the self proclaimed “King of the Northern Seas” aka “Wind Owl” is Shuri’s cousin.

When Ageha is away from Sarasa being secretive and snarky it is easy to forget just how much he cares for Sarasa and his role as Tatara. As soon as they wind up in prison he makes protecting Sarasa’s secret his first priority, offering up his body as a distraction so no one will suspect that Tatara is a girl. Sarasa is overcome with emotion at Ageha’s sacrifice and wonders if there’s anything she can do to make things better. Ageha tells her that he knew she was the child of destiny the first time he saw her in the desert, and if she can focus on rebuilding their country he’ll be happy. Even Asagi is now on watch to protect Sarasa in prison, but when she’s used as a canary in a prison mine, she’s taken away by the “King of the Northern Seas.” Seeing Sarasa and Ageha endure a horrible situation together after being parted for so long showed the strength of their relationship, and as horrible as Asagi would like to think he is, he’s gradually being changed just by being exposed to Tatara as well.

It is PRISON BREAK TIME in Volume 12! One of the ways that Tamura is such a pro in the way she presents this sprawling adventure with a large cast is that each character gets a moment that provides some insight into their personality, motivations, or relationships. When Shuri’s cousin discovers that Tatara is a woman, he immediately starts groping her, leading her to reflect that the terror she’s experiencing “reminds me of all the terror that women go through…reminds me that I’m a woman…even while I’m trying to live as a man!” Ageha rescues her, but not before they’re doused with icy water, and Sarasa takes care of him tenderly. Sarasa is beginning to wonder if Shuri is the Red King after her encounter with Wind Owl, but the ever sneaky Asagi assures her that they look nothing alike. Sarasa manages to find Hayato, and he undergoes his own trial as he fights against the drugs he’s been dosed with to warn Sarasa about the dangers that lie ahead in the prison. Asagi spends most of his time in prison commenting about how much he dislikes the events he’s experienced. One of my favorite moments occurred when Sarasa was distracted after learning the histories of the prison guards. She’s distracted and lost in her own thoughts, so Ageha promptly sweeps her off her feet and gives her a dramatic kiss before asking her what she needs as a leader. As always it is a combination of Sarasa’s confidence and insight and the help of her friends that lead her out of the prison. Old Kaku turns out to have been the only successful escapee from the prison, and he, Nakajin, and Asagi’s spy Muratake work to help as well. After the political intrigue and tropical idyll everyone experienced in Okinawa, the prison in the North provides a great contrast to the earlier story arc. This volume ends on a cliffhanger (literally) and I haven’t read these middle volumes of Basara recently at all, so I’m eagerly looking forward to the next volume!

Categories
Giveaway

Ultra Mega Super Shoujo Giveaway!

Update: Winner according to random.org is Furry Saint, comment number 5!

I’m going to give away a box of assorted shoujo goodies, first volumes from Viz, Tokyopop, and Yen Press. Leave a comment on this post with the name of your favorite shoujo heroine! Giveaway will be open until the end of April, U.S. residents only please, as shipping a box of books outside the US can get expensive.

I’m giving away:

Gaba Kawa
Happy Cafe Volumes 1 and 2
Venus Capriccio Volume 1
Million Tears Volume 1
Beast Master Volume 1
Pig Bride Volume 1
Sugarholic Volume 1