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Manga Reviews

Ai Ore Volumes 4 and 5



Ai Ore
has an interesting publication history, because what is being published here as a continuous series was actually two series in Japan split between two different magazines. I think the US volume 4 is the first volume of the second series, just based on the recap incorporated in the beginning of the book and the dramatic shift in tone. These volumes really felt different than the previous volume of Ai Ore that I sampled, so much so that I’d recommend that anyone who was turned off by the angsty romance and gender politics in the first volume give the series a try again as it evolves into a pretty amusing school comedy. As the volume opens boyish girl Mizuki and girlish boy Akira are finally dating but their romance is about to be derailed by school politics. Mizuki’s St. Nobara Girls Academy is an elite school, but Akira’s Dankaisan Boys School is populated solely by juvenile delinquents. St. Nobara’s meddling student council president Ageha (is there any other kind in manga?) decrees that Mizuki must not sully the reputation of their school, so naturally Mizuki is sentenced to detention which involves being locked in a cell complete with iron bars. Akira decides that he’s going to raise the reputation of his school, so he goes along with the plans of his own meddling student council president to open a dorm, redesign the school uniforms, and raise test scores. There were a bunch of amusing little touches in this manga. I enjoyed seeing Akira’s deranged classmates debate the “cosplay ratio” of their new uniforms, and Ageha’s fainting act when she comes into contact with the Dankaisan students is melodrama in overdrive. Overall, I enjoyed this volume much more than the first over-sized volume of Ai Ore since there was less focus on romance and more focus on wacky school hijinks.

Volume 5 starts off with the introduction of a new character – Akira’s former tutor in manliness Sho Kasuga, who reminds Akira of a shameful moment of his past. Kasuga also ends up being St. Nobara Academy’s first male teacher. He manages to secure the position by mentioning that he’s gay as a cover story, but he is actually a shameless womanizer. Akira finds an unexpected ally in his new roommate, a tough yakuza guy named Bambi. Akira and Mizuki manage to have some rough times in their relationship, mostly due to Mizuki’s idiotic habit of jumping to conclusions and Akiria’s guilt-ridden shiftiness. This volume was a little less funny than volume 4, but I have to give it props if only because the St. Nobara school director used the phrase “Sex Terrorist” to describe Kasuga. As Akira and Mizuki begin to take their relationship to the next level, they face the next step in most manga school romances – planning their summer vacation. Even though Ai Ore does manage to hit upon most shoujo cliches, the lighter tone in these tow volumes made it much more enjoyable. It isn’t as frenetically funny as Oresama Teacher, but I still put these volumes down amused and entertained.
If you tried the first volume of the series and didn’t enjoy it, it is worth skipping ahead to see if these later volumes are more to your liking.

Review copies provided by the publisher.

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Manga Reviews

We Were There Volume 14

I’ve somehow fallen horribly behind in reading We Were There. This is one of those manga that I tend to like to read after stockpiling several volumes. I think I own up to volume 6, and read up to volume 9 or so from the library, but it has been some time since I’ve read it. This is a shame because We Were There is one of those unique shoujo series that really skews a bit older, just because we actually see the characters grow up and become adults. So fans of more complex series like Nana or Sand Chronicles will enjoy We Were There, which tends to excel at showing the heartrending drama that good people can create for each other due to bad combinations of personality and circumstances.

Nanami and Yano were high school sweethearts, of a sort, as she fell in love with him but he is unable to move on due to the memory of his dead girlfriend. Complications ensue when Yano’s best friend Takeuchi also falls in love with Nana. Yano is also entangled with Yuri, the little sister of his former girlfriend. We Were There is one of the best manga series out there for readers wanting full-blown melodrama, and the 14th volume certainly delivers. Yano and Takeuchi confront each other over over Takeuchi’s rejected proposal. Although the situation is certainly grim, Obata infuses the confrontation with the type of bickering cameraderie that you’d expect from old friends. Yano and Takeuchi’s text balloons overlap, taking up a whole panel as they debate their respective relationships with Nanami, and learn that neither of them has slept with her yet. Takeuchi’s ring box gets batted around the floor like a hockey puck. Nanami thinks that she’s not being fair to Takeuchi, but she doesn’t want to be hurt or hurt other people. She’s still haunted by Yano, and expects that she might be going crazy which prompts a nice reference to the “Get thee to a nunnery” speech from Hamlet. An additional element of comedy in this volume happens when Nanami goes out to drown her sorrows with Aki, and they get so drunk that Aki mistakenly calls Yano to pick Nana up, thinking that she’s talking to Takeuchi. Yano takes care of Nanami when she’s almost deliriously drunk, and blurting out her true feelings the way only someone with no inhibitions can. She tells him that she’s decided that she’s not going to die before him, and she won’t die. Yano holds her and says “Don’t be stupid…I’m well aware that you’re not dead.”

Yano and Nanami are slowly being pulled back together again, but there are plenty of complications that prevent them from hopping back into a relationship. Yano’s guilt is still directing his actions, as he is living with and taking care of the Yamamoto family. Nanami is aware that she’s never going to feel more for anyone but Yano, but they’ve both changed so much as they’ve moved on into the adult world. They start tentatively communicating, after getting a push from Aki. Obata really packs an incredible amount of drama in one volume. As Yano and Nanami start to confide in each other again, she puts close ups of eyes and facial expressions in a larger scene of the couple standing in the city, other passers-by reduced to silhouette, showing that their focus has narrowed again to only each other.

Even though I tend to think of We Were There as a three hankie manga series, the moments of humor and lightness that Obata includes in this melodrama help keep the series from being too heavy or oppressive. That’s unusual in a series with this much angst! Also, while breakups and guilt might abound, most of the characters are remarkably sympathetic, just because the manga so clearly develops the quirks and personality traits that so clearly explain the motivations for their actions, hurtful as they might be sometimes. There are only two more volumes left, and this one was so packed with emotional confrontations, I’m hoping that Yano and Nanami get some measure of peace by the end of the series.

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Manga Reviews

A Devil and Her Love Song Volume 3

I have to say, the cover for the third volume of A Devil and Her Love Song is one of my favorite recent manga covers. It does a great job portraying the characters’ personalities as Maria is calmly holding her necklace while Shin looks all flustered by the attention of being on a manga cover, throwing up his hand as if he is fending off paparazzi. Like Dawn of the Arcana, A Devil and Her Love Song is one of those shoujo titles that keeps getting better with each subsequent volume. The first two volumes grabbed my attention with the novelty of Maria’s personality but there were still occasionally some awkward transitions and exposition that sometimes took me out of the story. Volume 3 dives into a common situation in shoujo manga, the mean nice girl, but it does it in a very entertaining way that is made more interesting by Maria’s reactions to her new “frenemy.”

Hana is a returning student who has been absent for Maria’s arrival due to illness. When she meets with her teacher she comments on Maria’s confiscated necklace and receives it as a gift. All the mean girls welcome Hana back, and when she’s introduced to Maria Hana manages to call attention to Maria’s facial expressions by immediately bowing and apologizing because she thinks Maria is mad at her. When Maria asks Yasuke about Hana, he comments “She’s a nice girl” but Maria notices that his expression looks forced. When Hana notices that the class is divided over the upcoming choral competition she exclaims “We should be doing this together!” Maria thinks that Hana is the exact opposite of her. Where Maria comes out and says exactly what she’s thinking, Hana gets her way with passive-aggressive niceness and faux apologies. Maria thinks that even though Hana says nice things, she feels uneasy. Hana’s true motivations come out when she sees how close Hana is to Yasuke, and Hana ends up making things even worse for Maria by playing the victim whenever she has an audience. Maria struggles to hold together her choral rehearsals and her new core group of friends continues to encourage her. It was nice to see that Shin had more of a role in this volume after the Yasuke-centric volume 2.

A Devil and Her Love Song
is turning into a very entertaining soapy manga. There’s plenty of underhanded plots to be found with the teachers and students that target Maria, but the fact that her reactions are almost the exact opposite of what the reader would expect from a more typical shoujo heroine makes this manga seem fresh. All the Machiavellian plots are balanced out by the slowly growing friendships that Maria has with Yasuke, Shin, and Tomoyo. There’s a core element of sweetness that balances out the fact that Maria is navigating in a very cynical world. I’m looking forward to volume 4 to see if Maria’s unique solution is going to save her concert and repair some of the toxic relationships in her school.

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Manga Blogging

New Bringing the Drama Post

Head over to Manga Bookshelf for a new Bringing the Drama discussion of the show Rooftop Prince!

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Manga Reviews

Dawn of the Arcana Volume 4 by Rei Toma

One of the things I was happy to see in this volume of Dawn of the Arcana is the heroine Nakaba acting a bit more like an action hero. In the first volume she was introduced as not being hesitant about getting physical sometimes, and while in the subsequent volumes she hasn’t really been passive she has been busy dealing with her love/hate relationship with her new husband and the perils of living in a hostile country. She’s been busy!

Nakaba turns down Prince Akhil’s invitation to run away with him to his country, but not before she begins to get a sense of how valued her power of supernatural sight is. Akhil says “Your power is a gift. Believe in it. Unleash it. Let it be your strength.” Nakaba has a vision showing her a young girl being killed, and discovers that the girl is Bellinus’ younger sister Lemiria. After discovering a cache of weapons, Nakaba, Caesar, Bellinus and Loki decide to use the pretext of a honeymoon to travel towards the north, where the army might be targeting an Ajin village to test the weapons. Lemiria stows away, which isn’t good as the terrain begins to match up with Nakaba’s vision. Still she befriends Lemiria while being determined to protect her. Nakaba and Lemiria get menaced when they take a much needed shopping break and Nakaba shows herself to be quite tricky with a dagger. While she might have fended off one danger, she reflects that being able to strike a hit isn’t enough if she needs to protect someone and concludes “I have to get stronger.”

Caesar and Nakaba’s adorably awkward relationship continues to evolve on their honeymoon. Loki and Lemiria have an interesting encounter when she confronts him about his feelings for Nakaba, saying that he’s lonely, wounded, lovestruck, spiteful, but most of all, “a little frighting.” Loki just smiles a little bit and says “You don’t say…” Nakaba shows just how much she’s grown when she decides to spill her own blood to produce additional visions when Lemiria is in danger. By the end of the volume we see Nakaba evolving as she accepts her new power as well as her new country, and Bellinus has turned into a new ally. Slowly there’s a group of people forming around Nakaba that seem to be willing to protect her. This volume definitely seemed like the end of the first story arc in the series, and Toma’s writing and art has gotten more assured with each volume. Dawn of the Arcana is the type of series that rewards the reader the longer you keep reading it.


Review copy provided by the publisher.