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Library Wars: Love and War, Vol. 9

Library Wars: Love and War, Vol 9 by Kiiro Yumi

This manga is one of my go-to comfort reads. As a librarian, I am always happy to read about Library Wars‘s slight goofy premise of librarians becoming a paramilitary force to fight censorship, and while the development of the inevitable romance between overly tall rookie recruit Iku Kasahara and her intense, slightly short, and ever capable instructor Dojo might not be filled with much suspense, there are plenty of adorable and amusing moments along the way.

Iku now knows that Dojo is her fabled “Prince”, the long lost officer from her past who inspired her to join the Library Force. Dojo doesn’t yet know that she knows, but it is growing more and more difficult for the would-be couple to hide their feelings for each other. This volume is fairly episodic, but the stories do serve to push Iku and Dojo closer together. Iku takes part in a sting operation to catch a pervert that is preying on disabled women in the library, and Dojo isn’t very happy that she was placed in harm’s way even though she does manage to finish off the mission capably. Most of the volume centers around the skill test that Iku, Tezuka, and Shibazaki must pass to move up a level. Tezuka and Shibazaki don’t need to worry about passing the written part of the test, but Dojo volunteers to subject Iku to some merciless tutoring to make sure that she’ll be able to advance in her chosen profession. The skills test is where Iku will shine, because it involves leading a storytime for little kids. Tezuka has a bit of a child phobia, and he isn’t sure how to handle it. Iku seems incredibly casual about the situation but as she wanders around going on extra walks, she’s actually designing an incredibly successful active learning activity that ensures she’s going to pass the skill test with high marks. There are some great moments of awkwardness as Dojo apologizes to Iku for not having more faith in her, and she tries to give him a present in thanks for his help on the test.

In many ways, Library Wars is a standard sort of shoujo title, but Yumi’s art easily shifts between showing details of blushes and cartoonish negative emotions as the characters experience the agony of unexpressed love. The paramilitary library plotlines are amusing if one doesn’t think too hard about them, and Iku and Dojo are such a cute couple that I’d happily read many more volumes of the manga.

I didn’t realize that a live action movie adaptation was going to be released in Japan next month! Check out the trailer, what do you think?

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Strobe Edge, Vol 3

Strobe Edge is the manga equivalent of comfort food and I find myself liking it more and more with each volume. The third volume explores the emerging love triangle between Ninako, reformed womanizer Ando, and unavailable but perfect Ren. Ninako is struggling a bit with wanting to be friends with Ren after being rejected previously, and things become even more emotionally traumatic when it seems like Ren is deliberately acting cold to her. Ren actually being a good guy, he is attempting to protect Ninako from the attentions of the Rejected by Ren Girl Squad, who have targeted Ninako with their bullying ways. This gets cleared up relatively quickly, but more complications are on the way as Ando’s feelings towards Ninako grow and deepen. The two guys in love with a slightly oblivious girl is a well-word shoujo plot device, but Ninako is oblivious and friendly that it is difficult to get annoyed with her. Sakisaka does a good job portraying the subtle ways that Ren and Ninako continue to be drawn towards each other. They have a random conversation about sweets and Ren reveals that he doesn’t think that his girlfriend even knows that fact about himself because he pretends to dislike them around her because she’s always watching her figure. Ren’s general protectiveness towards Ninako is unusual given is general indifference towards other girls. Ren’s actions like helping Ninako out at a school festival and providing extra math tutoring seem to go a bit beyond the limits of normal guy niceness.

Ando has plenty of feelings for Ninako but seems to be holding back both due to his awareness of her feelings for Ren and his realization that she probably couldn’t handle it. He hints around about his feelings and even confronts Ninako about her feelings for Ren, saying “You can’t love someone forever…without getting something back from them.” Ando’s brash personality is a big contrast to Ren’s more quiet thoughtfulness, but it is clear that he does actually care about Ninako and isn’t trifling with the idea of having a relationship with her.

I feel like Sakisaka’s art has grown a bit after three volumes. While the first volume focused a bit too much on Ninako’s blushing naivete, there are more comedic moments in this volume, mostly at Ando’s expense as he gets crushed in a subway car while Ren protects Ninako. When Ninako, Ren, and Ando all start a part-time job in a cafe, Ren and Ando are portrayed as the ultimate desirable waiters, smoothly taking care of everything, while Ninako’s enthusiasm almost makes up for her clumsiness. It is easy to see how well Strobe Edge fits into the Shojo Beat line and with so many series ending or about to end, I’m glad to have a newer series to follow.

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Kamisama Kiss, Vol. 12

It seems like most volumes of Kamisama Kiss involve human kami Nanami traveling to a new land or meeting some strange yokai. Fortunately this is a plotline that Julietta Suzuki executes so well with both art and story, I don’t mind a bit. I would happily look at a Suzuki art book because I find her character designs so entertaining. I’ve noticed that her underwater characters are often particularly inspired, so there is a lot to like about this volume, which features some major romantic happenings not for Nanami but for her yokai acquaintance Himemiko of the Tatara swamp and her human boyfriend Kotaro.

Himemiko has only appeared to Kotaro in human form, but her secret is going to be tested when her childhood fiance arrives to cause problems. Nishiki is a prince of a neighboring swamp who has grown up arrogant and cut off from contact from most creatures. His solution to his upcoming wedding is to kidnap both Nanami and her shrine, leaving her cut off from Tomoe. Nishiki has a formal way of dressing, accessorized by a scaly headband and fins at the side of his head. When he finds Himemiko in human form she pretends to not know what he’s talking about because she still doesn’t want to reveal her non-human nature to Kotaro. Kotaro gets injured during a confrontation and the god of the sea Ryu-Oh appears again, with his toothy grin, eye patch, and attitude problem.

Nanami struggles with her shrine being trapped at the bottom of a swamp and attempts to get through to Nishiki. Her utter disregard for high court yokai etiquette starts to wear the arrogant Nishiki down towards the end of the volume. His royal mannerism have even cut himself off from his own people, who boggle when they are shown the slightest amount of regard from their ruler. Himemiko and Kotaro start dealing with the true nature of their relationship, even as Nishiki starts to thaw a little bit and begin to understand that he doesn’t know much about the nature of love. Nishiki’s character evolves throughout the volume, and it is always good to see Nanami cause change just simply by being herself.

Even if Nanami and Tomoe’s relationship isn’t resolved yet, it is nice to see things moving forward for the other human/yokai couple in the book. I’m going to look forward to see what happens next at the conclusion of this arc, and if there’s a happy ending for the swamp Princess and her human it will be very interesting to see how Tomoe and Nanami react to that development.

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Dawn of the Arcana, Vol 8

Dawn of the Arcana continues to be an entertaining fantasy series in a subtle and well-executed way. This volume has our adventurers in the desert kingdom of Lithuanel. Nakaba is caught up with a struggle between the princes Akhil and Azhal. They encounter a new type of ajin in the form of a group of terroristically inclined snake-people. Caesar has to prepare to return to his own country, and he attempts to push Nakaba away in an attempt to protect her from getting hurt. Nakaba has grown into a much more confident woman, and she’s not afraid to invoke her power when she needs to in order to help her friends.

One of the things I’m always wanting from this series is more Loki. Nakaba’s devoted dog-like ajin protector has always seemed to have hidden depths and motivations and Nakaba’s power shows her a series of visions that demonstrate just how far Loki is willing to go to to protect her. Nakaba gains a new appreciation for how much information he shielded her from when she was younger and more innocent. Eight volumes in, and I’m still appreciating the clarity of Toma’s art. The paneling had really developed well to showcase both action sequences and the inner feelings of the characters. Seeing a younger Nakaba in flashbacks makes the reader appreciate the bond between her and Loki, and appreciate how far she’s come since she became Caesar’s princess.

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Strobe Edge, Vol 2



Strobe Edge, Vol 2 by Io Sakisaka

I liked the first volume of Strobe Edge well enough, but I was hoping that the second volume would be a tiny bit more interesting, in order to justify my wanting to keep following the series. I wasn’t disappointed, as the second volume dropped the emphasis on the heroine Ninako’s naivety in favor of some standard shojo plot elements with an emphasis on the characters’ emotions and just enough of a twist to produce some unexpected moments.

Ninako is back at school after summer vacation, wondering how to deal with the fact that she confessed her feelings to laconic yet secretly super-nice heartthrob Ren on the last day of school. Ren turned her down nicely, mentioning his girlfriend. Ninako practices how to say hello to him and reflects that their first encounter will likely be as difficult for the rejector in addition to the rejectee. Unfortunately word of Ninako’s daring has spread and she is known throughout the school as “girl who confessed to Ren on the train platform.” Her friends try to comfort her, but Ninako finds a slightly unwelcome distraction in the person of Ando, a flighty womanizer who seems fascinated by her indifference to him and her continued love for Ren even after being rejected. The unlikely trio gets thrown together in doing some committee work for school, and while Ando might have a habit of trying to collect as many girls’ cell phone numbers as possible, he does exhibit some genuine friendship and sensitivity to Ninako when she’s placed in an awkward situation.

Strobe Edge isn’t the type of shojo manga that challenges conventions, but it is extremely well-executed. I couldn’t find anything to quibble with the artwork, and the pained expressions Ninako sometimes makes as she navigates the storm of teenage romance offsets some of the expected shojo prettiness. There were plenty of humorous elements too, as Ninako is initially embraced by a secret society at school that is comprised solely of girls that Ren has rejected. I continue to enjoy the fact that most of the characters are genuinely nice and sympathetic. A bonus story in this volume focuses on the way Ren and his girlfriend Mayuka began their relationship, and it was fun to see a different aspect of those characters told from Mayuka’s side. I wish more manga had side stories that served as a supplement to the main plot, as opposed to publishing unrelated short stories by the same author in the back of a volume just to fill it out. Strobe Edge is perfect comfort reading for anyone who wants to read a well-done shojo manga that keeps things on the light and fluffy side.

Review copy provided by the publisher.