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Spell of Desire, Vol. 1

Spell of Desire Volume 1 by Tomu Ohmi

I am unapologetically enthusiastic about Shojo Beat’s new habit of releasing slightly smutty josei manga under the Shojo Beat imprint. More josei is a good thing! I was happy to see that after a few volumes of Tohmu Ohmi’s Midnight Secretary, another series of hers was licensed by Viz. Spell of Desire is that series, and I might even like it more than I like Midnight Secretary, as impossible as that might seem.

As you might guess from the title, with Spell of Desire, Ohmi has turned her attention to witches! Kaoruko Mochizuki is a herbalist in a small village, but one day a mysterious man named Kaname Hibiki shows up at her store and announces that she’s a witch, descended from a long line of women with mystical power. It turns out that Kaoruko’s long lost mother is a Witch Queen, and she’s sealed her power within Kaoruko. As the power begins to activate, Kaoruko will need help controlling it, and Kaname just happens to be the Knight dedicated to her protection.

I loved the contrast between Kaoruko and Kaname. She’s drawn as an earthy, hippie type, with flowing layers of clothing with botanical prints that reflect her connection to her profession. Kaoruko is a bit naive, but committed to the customers at her shop and the simple way of life that she enjoys. Kaname’s severe, with an all-black wardrobe and glasses that make him look stern. He also has a bit of a snarky and cynical personality. Kaname comes with two animal companions named Dragon and Unicorn, that appear to be a fluffy white cat and dog, but actually possess mystical powers themselves. When Kaoruko accidentally activates her mystical powers, they manifest as black vine tendrils winding across the panels in the manga, becoming more tangled as her powers become more out of control. Of course, there is a fail-safe mechanism to calm Kaoruko down – kisses from Kaname.

The first volume deals with the conflict between Kaoruko and Kaname as he insinuates himself into her life in order to protect her from her runaway witch powers. It is terrible, but Kaname and Kaoruko have to kiss very often because her powers are starting to really get out of control. While at first Kaoruko is resistant to the idea that she’s a witch, she decides to accept her situation calmly and deal with it even if there are things that she doesn’t understand. Kaname comments in response, “You’re such a decent person it’s almost ludicrous.” Kaoruko is left wondering about Kaname’s real relationship with her mother the Witch Queen, and I can see how there will be plenty to explore in future volumes as Kaoruko has to deal with her new reality as a witch and Kaname’s place in her life. Fans of Midnight Secretary or paranormal romance manga in general should snap this up!

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Manga Reviews REVIEWS

My Love Story! Vol. 1

My Love Story! Vol 1 by Kazune Kawahara and Aruko

It is fairly rare for a shoujo manga to manage being both hilarious and heartwarming, but My Love Story! delivers. I was looking forward to this title because I absolutely adore Kazune Kawahara’s previously translated series High School Debut, and this new manga more than lived up to my expectations.

My Love Story! is extremely refreshing because in a dramatic shift from most shoujo series, it focuses on a boy as the main character. And the boy that it focuses on is Takeo, a hulking giant who is drawn exactly like the manga stereotype of a local gang leader, with a hulking body, thick eyebrows, and overabundant sideburns. Takeo is looked up to by everyone who plays sports with him, but his true friend is Suna, conventionally attractive in exactly the way a shoujo reader would expect, with windswept hair and a habit of rejecting all the girls who have crushes on him. Takeo has a habit of falling for girls who are crushing on Shun, who are then promptly turned down when they confess their feelings. On a fateful day Takeo saves a girl from being groped on a train, and she shows up the next day at his house with a cake to thank him. Rinko is an incredibly sweet and cute girl who enjoys baking and shyly blushing whenever she comes up with an excuse to be around Takeo. Unfortunately Takeo is so used to being passed over for Shun, he tries to set up Shun and Rinko, while being utterly unaware the the cute girl that he loves actually loves him back.

There’s plenty of caricature and humorous reactions as Takeo goes through extreme emotions. While it would be easy for Takeo to be the target of jokes, Shun genuinely cares for his best friend. While much is made of Takeo being an unlikely shoujo hero, he’s actually surrounded by supporters. It turns out that Shun is rejecting any girl who speaks badly about Takeo, because he has no interest in dating anyone who shows themselves as a mean person. Shun manages to get Rinko and Takeo together, and it is nice to see a manga series centered around people who just simply care about each other. My Love Story doesn’t suffer from second volume syndrome at all, by the end of the first two chapters I was utterly won over by the combination of characters, humor, and random feats of strength exhibited by Takeo as he goes about his day. The art maybe relies a bit too much on the contrast between Takeo being a blundering thug in a sparkly shoujo world, but there’s plenty of plot driven and situational humor to balance out this aspect of the manga.

As Rinko and Takeo start going out, Shun learns that his older sister has also been nursing a crush on Takeo that she has never expressed, because she was waiting to tell him her feelings when she was older. She immediately concludes that Rinko must be no good, and heads off to intervene, but Rinko and Ai quickly bond over their shared feelings. The end of the first volume of My Love Story! is too funny to spoil, but I’ll be looking forward to the second volume for this winning combination of laugh out loud moments and quirky romance.

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Shojo Beat Quick Takes – Midnight Secretary Vol 6 and Dengeki Daisy Vol 14

Midnight Secretary Vol 6 by Tomu Ohmi

This volume of Midnight Secretary shows the relationship between Kaya and her vampire boss Kyohei on firmer footing, but the manipulations of the vampire clan start to interfere with the couple. Kyohei takes Kaya to a party as his date, and there’s a bit of unexpected fallout from the action. Kyohei’s vampire mother shows up to warn Kaya off of becoming involved in a human/vampire relationship. Kaya has a bit of a pregnancy scare, and she’s worried about what would happen if she had a vampire baby, because the vampire clan would swoop in and claim any vampire child as one of their own. It turns out that Kaya’s not pregnant and Kyohei tells her that he has no intention of marrying her or having children with her, simply because of the way their relationship would be stressed with outside interference as soon as it takes on the appearance of being serious. While he doesn’t want Kaya to be manipulated by the vampire clan, she’s soon deluged with marriage offers as the clan takes steps to separate her from Kyohei. Vampire politics soon becomes even more of a focus of the volume, as the head of the clan shows up, looking less evil than one would suppose! Throughout the trials and tribulations in this volume Kaya and Kyohei’s relationship remains strong, but we’ll have to see in future volumes if they can withstand the forces that are seeking to drive them apart. This series continues to be very entertaining. I’m always amused by the combination of heartfelt romance, the paranormal elements, and boardroom politics.


Dengeki Daisy Vol 14 by Kyousuke Motomi

Dengeki Daisy is still going strong in its 14th volume. I have to say, I don’t really care about the latest hacker drama that is occupying all the characters, it is really the way that they interact with each other when dealing with the high stakes world of computer viruses and conspiracy theories. In their search for “M’s Last Testament”, the group has finally found out more information about the mysterious hacker Akira, and learned how exactly he became so twisted. One of the reasons why I like this series so much is that the reactions of the characters seem so much more authentic and less reliant on what I’d expect to see in a shoujo romance. When Teru learns the truth about Akira she can see why her other friends feel an obligation to help him, but her own suffering at his hands has left her wondering if he’s a person without any hope of redemption. In a more typical series, the disclosure of a character’s tragic past would prompt people to immediately move towards forgiveness, but Teru isn’t able to get over the past and she’s very forthright about her feelings. This drives a bit of a wedge between her and Kurosaki, as he moves on with the rest of the team even though he understands Teru’s reasons for not wanting to participate. In true Dengeki Daisy fashion, this first crisis of their relationship is solved with text messaging, in a nice bit of circular plotting that echoes back to the beginning of the series. Motomi could really just call each new hacker MacGuffin 1 or MacGuffin 2 and I’d still love reading this series just because it is so well executed and the characters are very memorable.

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Phantom Thief Jeanne, Vol 1

Phantom Thief Jeanne Volume 1 by Arina Tanemura

Phantom Thief Jeanne is by far my favorite Arina Tanemura series. It is also one of her earlier ones, since it came out in 1998. It might be less polished than her more recent series, but I have always found it amusing because it has a certain magical girl “throw the spaghetti on the wall and see what sticks” approach to plotting that I find amusing. It also has one of the most bonkers ending volumes I’ve experienced in shoujo manga. I already own the full set of this series from the CMX edition that came out in 2005, but this reissue from viz is based on what I assume are the Bunkoban volumes in Japan, so instead of a seven volume set, this edition will be 5 longer length volumes. There’s a new translation, a color page, and a couple extra sketches in the back.


The Jeanne in the title is in real life the ordinary high school student Maron Kusakabe, who is in the rhythmic gymnastics club at her school. At night, she magically transforms into Phantom Thief Jeanne, who fights for the forces of good in the universe by detecting demons hidden inside masterworks of art and exorcising them. The demonic possession will also extend to the owner of the piece of art, leading Maron to have plenty of encounters with oddly acting art collectors. Maron is aided in her holy quest by her helper, the tiny angel Finn. Maron’s phantom thief name is due to the fact that she’s the reincarnation of Joan of Arc, so she is extra skilled at being a art thief warrior for God. As the volume begins, Maron attempts to deflect her friend Miyako’s interest in her secret alter ego and she’s made a bit nervous by Chiaki, the flirty new boy who just moved in next door in her apartment building.

Maron has a frustrating day and heads out for her typical night out phantom thieving. Her best friend Miyako, who’s father is a police detective, is on the scene determined to capture Jeanne. Like any good phantom thief, Jeanne tends to leave warning notes with clues about where she intends to strike. Jeanne has one of the best magical girl introductions, as she proclaims “I am the Phantom Thief Jeanne…sent down before you by God!” It is hard to argue with the power of the Almighty. When she seals the demon inside the painting, she yells “Checkmate!” and a white chess piece appears. The painting changes into a depiction of an angel, and usually the owner of the painting is so happy at the quality of the new work of art and the lack of danger to their immortal soul that they don’t tend to mind Jeanne’s intervention.

Jeanne is bounding along in the night, trailing ribbons when an enemy appears! It is Phantom Thief Sinbad and he announces his intention to challenge her! Maron goes through her regular school activities, fending off Chiaki by day and dealing with Sinbad’s sudden appearance near all the works of art that she’s targeting at night. It is amazing how Sinbad basically looks just like Chiaki but with a headband and a cloth covering the lower half of his face. Sinbad has similar powers as Jeanne, but he can turn captured demons into black chess pieces and has a dark angel helper as a counterpart to Jeanne’s angel Finn. As a shoujo manga heroine, Maron is both exuberant and kind. Chiaki clearly starts developing feelings for her as he spends more time with her. Maron is also desperately lonely, because her parents went away and haven’t been in touch with her. Maron has a great deal of difficulty trusting people, but she starts opening up to Chiaki a little bit. As Jeanne’s missions continue, Sinbad acts as more of a helper than a rival, but he seems very conflicted about it.

The art in Phantom Thief Jeanne is exactly what you would expect from a Tanemura title, but maybe a tiny bit less detailed than her later works. I enjoyed having a chance to read the manga again in a new edition. I thought that the new Shojo Beat translation was a bit more subtle and smooth than the CMX editions. I also preferred the lettering in the Shojo Beat edition. The CMX version tended to use a great deal of variation in font size and font weight to convey emotional aspects of the dialog, and while that can be an interesting approach, when I was reading a few pages from each edition side by side, I thought that the CMX edition was a bit more choppy in terms of reading experience. Since this is a reissue, I almost wish that the edition had been a bit more deluxe, with a few more color pages or some other extras. I did like the new edition very much, I’m not sure I’d recommend that everyone who already has the CMX version rush out and buy it right away but it has been so long since the first edition of Phantom Thief Jeanne came out there’s a whole new group of readers that can experience this title for the first time!

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Reread Reviews REVIEWS

Dawn of the Arcana Vols 11 and 12

Dawn of the Arcana Vol 11 by Rei Toma

Dawn of the Arcana is a series that I think is best experienced in mini bursts of 2 or 3 volumes, simply due to the deliberate pace of the storytelling in the manga, as well as the fact that it sometimes takes a half volume or so for my brain to kick in with my memories about what happened in the previous volume due to all the relationships developing and the shifting nature of the geopolitical situations happening in Toma’s world. Usually I’m far too impatient to let the volumes pile up like this though!

After 10 volumes, the new status quo for red haired socially outcast with alarming powers of precognition Princess Nakaba and formerly arrogant but really a nice guy who has a social conscience inspired by the power of love Prince Caesar is to be separated. Nakaba has returned to Senan, determined to do some ruling in her own right, and Caesar is back in his home country of Belquat, dealing with his evil family. This volume shows the emotional impact of Nakaba’s power, the Arcana of Time, as she is determined to save the outcast child of a village that is in the direct path of an avalanche. This becomes a story that further explores the position of the humanoid animal hybrid race called ajin, as Lala the child with bunny ears is actually the product of a human/ajin encounter, leading to her abandonment. Lala has one human friend, and Nakaba’s ever present ajin protector Loki is there to save the day as always.

Loki always seems to have a new revelation every few volumes, either about his emotions or background, and a secret is revealed in this volume that shows that he and Nakaba have even more in common than I previously thought. While there’s the more conventional romantic storyline with Caesar and Nakaba, I actually find Nakaba’s relationship with Loki much more interesting, as they trade off protector duties in unexpected ways. Nakaba decides to take power in her home country, and her choices are largely driven by wanting to prevent Loki from going too far for her.

Dawn of the Arcana Vol 12 by Rei Toma

Everything keeps zipping along, as now that Nakaba and Caesar are in power in their respective countries, they have a chance to finally see each other again, when Caesar is ordered to invade Senan. Nakaba’s been looking in on Caesar and remarks that he’s going to start a revolution, so she’s “Here to lend a hand.” Nakaba’s power also provides Toma with a great way of providing more backstory about her characters. Nakaba looks back at Caesar’s father when he was young, even though Loki warns her that it might be difficult for her to see because she’s “too kind”. Nakaba sees King Guran’s first meeting with his unconventional first queen, the commoner Sara. The unhappy ending of this romance provides a reason for why King Guran might have ended up so twisted and bitter, but it doesn’t prevent a confrontation that is sure to cause even more fallout to happen in the volumes ahead.

One of the things that I really like about the art in this series is that it is so clear and easy to read. Toma might not have the most intricate backgrounds or innovative approach to paneling, but I’m never left puzzled about action scenes or finding that I have to go back and reread a page to make sure I understand the sequencing. The wordless exchanges between Nakaba and Caesar and the sidelong glances between Loki and Caesar do more to express the tensions between the characters than several pages of dialog. Overall, these were two very solid volumes in a fantasy series that is always surprising me with unexpected depths. I’m looking forward to the next few volumes to see what will become of Nakaba, Caesar, and Loki (well, really mostly Loki).