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Manga Reviews

Kamisama Kiss Volume 5

Kamisama Kiss 5 by Julietta Suzuki

I’m having a bit of a stressful week so I was happy when the fifth volume of Kamisama Kiss arrived at my house. This manga blends a mystical fish out of water story about a human girl taking on the role of shrine deity with whimsical character designs, producing a perfect comfort reading manga. Nanami is having trouble dealing with her fox spirit helper Tomoe and his new rival the white snake Mizuki. They all attend a summer festival at another shrine and Nanami gets so frustrated at the constant bickering that she squeezes the bickering spirits’ hands together and says that they have to hold hands forever unless they make up. Mizuki and Tomoe are now forced to have an actual conversation, and it is clear that Mizuki’s obnoxiousness stems from his loneliness after being stuck at an abandoned shrine for so long.

The festival at the neighboring shrine makes Nanami think that she has to do something to bring visitors to her own shrine. It has the reputation of being creepy, but she’s determined to put on her own festival to bring the worshipers back. Since it is unusual for a human to be a shrine deity, Nanami has to learn how to do the proper festival dances the hard way. Tomoe is initially discouraging of her efforts, but ultimately comes around to support her. One of things I enjoy about this manga is that minor characters keep reappearing in later chapters, making it easy to picture the odd new social circle Nanami now has surrounding her. Nanami gets help from the swamp deity Himeneko and even the tengu disguised as human idol singer Kurama stops by. Kurama is amazed to see how Nanami’s power as a shrine deity has grown even though she isn’t really aware of it. Tomoe comments to him “she doesn’t realize it herself…but she’s not an ‘ordinary girl’ anymore.”

Suzuki’s manga are always a visual treat and blending the world of shrines and modern day life give plenty of room for her to showcase wonderful costumes and quirky character designs. I liked Karakuri Odette so much that I didn’t think I’d be captured in the same way, but Kamisama Kiss is really growing on me. This manga has all the easily read episodic charm of her other series, but I’m hoping for a bit more of a romantic payoff at the end.

Review copy provided by the publisher

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Manga Reviews

Wandering Son Volume 1

Wandering Son Volume 1 by Shimura Takako

I’d procrastinated reading Wandering Son when it first came out. I figured it would be good, just from reading other bloggers’ reviews, but I was wondering if the manga’s premise of a boy who wants to be a girl meeting a girl who wants to be a boy would be a bit ABC Afterschool Special in execution. Fortunately Shimura Takako is a master at portraying subtle events in a slice of life story about adolescence that never feels didactic.

Nitori’s shyness and manners cause him to be mistaken for a girl. He stars the school year by befriending the tomboyish girl Takatsuki. He visits her at her house and she notices his reaction to a dress she has hanging on her closet. She holds the dress up to him and says “It looks good on you. Your face says you want to wear it.” Nitori isn’t able to articulate what he wants and he makes a vague protest that the idea is crazy. Takatsuki says “Don’t you think buying your kid stuff she hates is some kind of harassment?” Nitori takes the dress home to his sister, but he’s left with a heightened awareness of feminine clothing and an idea in his head that he’s afraid to articulate.

One of the things I like about Wandering Son is the way many of the events in the book are simultaneously safe and filled with dramatic tension. As Nitori begins to take tentative steps to express himself, he’s met with acceptance for the most part. His parents seem supportive, but he’s being pushed to experiment with gender before he’s ready. A girl in his class named Chiba figures out Nitori’s attraction to feminine things and gives him an outfit he decides he can’t accept. She arranges for their class to do a gender-swapped class play. Weather she’s trying to help Nitori or merely attempting to collect and manage him as a curiosity is unclear. Takatsuki’s brash behavior causes her to be more bold with experiments as she attempts to pass as a boy in public, and she forces Nitori to go along with her. This might be a good thing, as he wouldn’t necessarily take steps like this on his own.

Like the storyline, Shimura’s art is simple but nuanced. Objects like a headband or a dress take on a symbolic weight for Nitori. His reserved but embarrassed body language portrays the way he’s not comfortable in his own skin, while Takatsuki’s more forthright mannerisms are the posturing of a girl who has to portray herself as outwardly self-assured no matter what she might be feeling on the inside. There’s a great scene of Nitori and Takatsuki getting haircuts together, which is one of the more memorable episodes of the book. He only wants a slight trim so his hair stays long, and Takatsuki demands a haircut as short as his. They end up with almost identical hair and the style that is slightly girlish on Nitori reads as manly on Takatsuki.

As you’d expect from Fantagraphics, the production quality for Wandering Son is excellent. I hope that more manga is on the horizon from them. While I’ll happily read more cheaply produced manga, it is nice to have a variety of options. Carefully curated manga like Wandering Son is a treat.

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Manga Reviews

Black Bird Volumes 9 and 10

I know Black Bird is wildly popular, but I have a hard time getting into it. I read the first couple volumes and couldn’t get into all the weird wound licking, although I suppose demonic wound licking is at least a twist on the whole vampire romance trope. My main problem with this manga is that I find both of the main characters unappealing. Misao is basically the ultimate trophy bride, since she is a human girl who gives extra powers to whichever demon claims her. The demonic Kyo is just generally unsympathetic.

In Volume 9 Misao and Kyo deal with the aftermath of her allowing herself to be “claimed” by Kyo. Now that she’s Kyo’s woman officially, all the demon clans are on the prowl after her. Kyo’s clan wants Misao for the healing properties of her blood and the other demon clans are fighting back because they don’t want to support the sudden imbalance of power in the demon world. As a result other humans are targeted in the demonic civil war. Innocent humans are possessed by demons and sent after Misao, and Kyo has to fight them off. Misao is filled with guilt, but her response to the situation is to have a nervous breakdown instead of doing something more productive. Kyo is as contradictory as ever, as he orders Misao to “choose humanity” and throws her at demon hunter Raikoh only to suddenly appear and put on a big show by asking Raikoh if he wants to watch him rape her. Now, I’m pretty forgiving of the horrible sexual politics in manga just because I’m willing to forgive a lot for a story that is either humorous (Ai Ore, Butterflies, Flowers) or has a certain over the top soap opera tone (Hot Gimmick). But Black Bird doesn’t have this lighter touch which is why I find myself utterly unengaged in the story after scenes like that.

Volume 10 starts off a little more promising as Kyo’s estranged father pops up to give Misao the lowdown on Kyo’s tragic family past. The wars between the demon clans start to get more serious and it turns out that Kyo’s evil brother is alive and wearing an eyepatch (so you know he is extra evil). Kyo continues to act weirdly schizophrenic as he brings Misao to tears by telling her that she can’t come with him on his mission to restore order to the demon village only to suddenly change his mind and say “Just kidding….silly.” Seriously, Ryoki “You are my slave!” from Hot Gimmick seems like Prince Charming compared to Kyo.

Sakurkoji’s art is fine, with distinct character designs and interesting yet easy to follow panel layouts. I actually liked her short two volume series Backstage Prince, so I just wish that she’s hit it big with a series featuring characters that aren’t acting like jerks or spineless wimps all the time.

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Manga Reviews

Cardcaptor Sakura Omnibus Volume 2

Cardcaptor Sakura Omnibus Volume 2 by Clamp

I finished this volume and I immediately felt frustrated that the third Cardcaptor Sakura omnibus from Dark Horse doesn’t seem to be scheduled to be released anytime soon. I’m feeling a little frustrated with some of the more modern Clamp series – they just seem to either go on for far to many volumes (Tsubasa) or lean towards the insipid (Kobato). But since I’ve only read a couple scattered volumes of Cardcaptor Sakura I am happy to enjoy it from the beginning in all of its pink magical girl glory.

The opening storyline of this omnibus shows Sakura struggling to master the Clow card “The Maze.” She’s aided by her enigmatic Mizuki, who has an alarmingly direct way of dealing with her students being trapped in a maze that automatically adjusts itself to create more confusion. Syaoran is immediately suspicious of Mizuki, but it turns out that she used to know Sakura’s older brother. The question of Mizuki being helpful or having some other agenda runs through much of this omnibus, because she seems determined to remain mysterious. Sakura doesn’t really care because Mizuki makes her feel “floaty inside,” but Syaoran is constantly trying to figure out what Mizuki is up to. Other episodes include a scary class trip and a class play put on by selecting roles without considering gender, with the result that Sakura ends up playing the Prince and Syaoran the Princess. Crossdressing Syaoran is pretty hilarious in the way his dialog is portrayed at being flatly shouted and peppered with exclamation points.

While magical girl activities are the general focus of the book, there’s also a nice summer vacation episode when Sakura and her father go on vacation and she befriends the old man next door who turns out to be her estranged great-grandfather. Having the card battles interrupted by occasional school event or family interaction helps keep Cardcaptor Sakura from feeling too quest-focused. The end of this omnibus is a giant battle as Sakura has to prove herself worthy of the cards she’s collected. One thing I was surprised about was that by the end of this omnibus Sakura has collected all of the Clow cards, so in six volumes the first stage of her quest is complete. I somehow thought the card collecting aspect of the manga went on for much longer, but as you might expect when Sakura masters one challenge she is set up to face new tests in the next volume.

As always from Dark Horse, this omnibus features plenty of color pages and nice paper quality. It might take them forever to release these volumes but they are a treat for Clamp fans. Now, when is volume 3 coming out?

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Manga Reviews

Otomen Volume 11

Otomen Volume 11 by Aya Kanno

I’d collected a fair amount of Otomen when I stopped feeling the need to keep preordering it. I like it, but the episodic nature of the book means that most of the volumes revolve around the same conflict – will Asuka’s secret talents for feminine pursuits like knitting and baking be revealed and destroy his facade of manliness? The 11th volume is pretty much the same, but it wasn’t very hard for me to pick up on what was going on after skipping several volumes and Otomen is consistently funny.

Asuka is on a class trip/feudal Japan reenactment when he and his friends find themselves stranded in the wilderness. Asuka’s enigmatic and tomboyish girlfriend Ryo promptly starts foraging, while Asuka decides to lift everybody’s spirits by constructing lovely origami flowers. Ryo gets stranded in the woods and ends up cheerfully and capably rescuing Tonomine, who comments to Asuka “She may be a girl…but she’s a true samurai.” Other episodes in this volume includes Asuka attending secret baking lessons for men and a showdown at school over Valentine’s chocolate between Asuka and “Pheromone Prince” Suzaku Oji, the school nurse. Kanno’s sense of humor really comes through in her character designs, as Oji is drawn with flowing hair and a ruffled shirt worn under his white labcoat. He makes pronouncements like “come to me, my kittens,” and all the teenage girls swoon.

Asuka’s better nature begins to make inroads against the strict gender roles enforced by his school, but things are about to take a turn for the worse when his mother comes back from overseas. My major complaint with this volume was that there wasn’t enough focus on Ryo and mangaka Juta Tachibana. A bonus story of “Love Chick” the manga Juta wrote based on Asuka and Ryo with their genders swapped was included in the back of the volume. This was fun to see, since Kanno drew it in a deliberately more simple and insipid style.

Review copy provided by the publisher