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Manga Reviews

Detroit Metal City Volume 10

The final volume! I’ve missed a couple volumes leading up to the grand conclusion of Detroit Metal City, but since most volumes of DMC are fairly similar it was easy to get into the story. DMC is broken up, and there’s a new metal king in town, “Lord God.” Lord God is a wannabe male model who has taken to death metal instead, turning his catwalk posing into a stage move called the “God Walk.” Negishi has run off to Paris to indulge his dream of producing syrupy sweet romantic music, but it seems like the French hate his true self. He is resolutely ignored whenever he plays his music on the streets of Paris to the point where when he gets hit in the face with a raw egg, he responds with thanks for getting some sort of reaction from someone. The remaining members of DMC want to put on one final show, but will Negishi come back from Paris in time?

Of course, there is never any doubt that Lord Krauser will make a final appearance in the last volume of DMC and he makes his entrance in grand style, after sending along video of him systematically violating every single symbol of Paris he can find. Krauser and Lord God have an epic showdown, and Negishi’s attempt to show his other side to his love Aikawa goes just as well as one might expect. My main problem with Detroit Metal City is that it was never as funny and shocking as the first volume. Once the reader knows the set-up, the subsequent volumes were all very similar. Still, I’m glad that a series this gleefully profane was brought over here. I will certainly never be able to think the same way about the national monuments of many countries, after seeing what Lord Krauser did to them.

Review copy provided by the publisher.

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Manga Reviews

Harlequin Manga: Acting on Impulse and Vengeful Seduction

Acting on Impulse by Natsue Ogoshi and Vicki Lewis Thompson
Available on emanga.com

I always enjoy Harlequin manga when they exhibit a strong sense of humor. Acting on Impulse is plenty funny as it details the adventures of a naive farmgirl who moves to New York City, determined to live a “metropolitan” lifestyle. Unfortunately Trudy’s expectations of New York are entirely drawn from popular entertainment, which results in occasional hilarity. Trudy’s landed a job as a lowly office worker at a PR firm. She’s friends with a couple in the city who decide that her arrival is a perfect opportunity to fix her up with confirmed bachelor Linc. They ask Linc to be Trudy’s tour guide and look out for her as she gets adjusted to life in the big city. When Trudy meets Linc she pronounces him almost as handsome as her favorite actor and asks him to intone the lines “Admit you want me. I’ll give you ecstasy like you’ve never had before.” They promptly enter into a relationship where they are dating but proclaiming that they aren’t dating, because she wants to experience the freedom of the city and he is afraid of commitment. Trudy’s excess of enthusiasm and bizarre expectations of city life give her more personality than I’ve come to expect from a Harlequin heroine. The art is a little rushed at times, but the characters are attractive and the funny dialog goes a long way to make Acting on Impulse fun to read.

Vengeful Seduction by Cathy Williams and Yukako Midori
Available on emanga.com

Vengeful Seduction is the story of a woman forced to betray her true love when an evil man blackmails her into marriage, only to be dramatically confronted by her past when her drunk husband kills himself and her father in a car accident. Shortly after dealing with her father and horrible husband’s deaths, Isobel is confronted with her ex-boyfriend Lorenzo. Now a successful businessman, he appears again in her life to buy and turn around her family’s failing business. He intends to get Isobel back too, but she’s determined not to be treated like a possession again. As Isobel and Lorenzo are forced to spend more time together, details about her evil husband and her father’s potentially shady business dealings emerge. This harlequin manga had a general feeling of doom and sadness, without the touches of humor that I tend to enjoy. If I’m reading something silly I’d rather have something to laugh about, as opposed to a story that while somewhat goofy takes itself too seriously. So, I am not a fan of Vengeful Seduction, but Acting on Impulse was fun enough to make up for it.

Online access provided by the publisher.

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Manga Reviews

Skip Beat 25 and Seiho Boys' High School 8

Skip Beat Volume 25 by Yoshiki Nakamura

Skip Beat is so great. For all the gangly limbs and oddly proportioned characters that Nakamura draws she is an absolute master at nuanced facial expressions, as evidenced in a series of confrontational scenes in this volume of Skip Beat!. I was happy to see some events happen to propel the slowly developing relationship between Ren and Kyoko forward at last. Sho, the evil pop idol and former target of Kyoko’s obsession and revenge shows up with an elaborate bouquet and engineers a dramatic kiss right in front of Ren and some of Kyoko’s co-workers. Since Sho is a spoiled brat who can’t abide not being the focus of Kyoko’s attention, he has decided to steal her first kiss and act obnoxious in the hopes that she’ll start thinking about him again. Ren goes from amazed, to annoyed, to dangerously furious as he watches this scene play out. Kyoko is left in hysterics about not getting her first kiss back and Ren chooses to deal with the situation in the best way possible; he appeals to her professionalism. When he notices her unglued he points out that it isn’t anything to get wrapped up over and that “What feels like your first kiss counts as your real first kiss.” He can’t maintain his impartial facade for long and warns her that he doesn’t want to see a repeat of the situation and Kyoko’s response is “I shall risk my life to preserve my purity!”

Kyoko and Ren dance around their emotions, not willing to admit anything to each other yet. Ren’s reactions and the way he behaves towards Kyoko are carefully calculated, not because he’s manipulative but because he doesn’t want to cause her any more emotional damage. His measured approach and awareness of her emotional fragility stands in stark contrast to Sho, whose innate selfishness ensures that he’s never going to be a good match for her. Kyoko has Ren on such a high pedestal, that she isn’t capable of entertaining the thought that he has feelings for her. It is a rare series that manages to rack up so many volumes and still keep me entertained when the romantic protagonists have barely kissed, but Skip Beat always manages to be both fun and interesting in the way the relationships between the characters continue to play out.

Seiho Boys’ High School Volume 8 by Kaneyoshi Izumi

This was a not-so-guilty-pleasure series for me, because it was much better than I expected a shoujo manga set in an all boys high school to be. The romantic issues of the main characters get a certain amount of resolution in this final volume, but the well worn plot device of misunderstandings serving to drive some of the couples apart makes me glad that the series stopped when it did. Maki is hearing that his girlfriend Takano has been hanging out with school heartthrob Kamiki. At first he resolutely denies the possibility, but then runs into Takano and Kamiki on the beach. Kamiki and Takano are only talking. She’s going through some changes in her life that she’s hiding from Maki and Kamiki warns her “Once you figure out that I can’t make you less lonely, talk to Maki.” Maki sees them together and abruptly breaks up, but Takano was hiding the fact that she’s headed overseas from him. Maki and Takano manage to get a little bit of resolution, but Kamiki is left to deal with his own problems.

Kamiki’s white knight tendencies are coming in the way of him actually getting to develop a real relationship with Miaji. She calls him out on this personality trait, saying “I don’t want your pity, I want your love.” She rejects his help and enters into a stressful project – taking care of a stray dog with Maki. Kamiki ends up helping anyway, saying “I wanted an excuse to talk to you, Miaji. Pretty sneaky of me, huh?” The series ends with the general sense that the main characters are all going to be ok. Having a shoujo series with a more male centric point of view was refreshing, and Izumi’s art has an element of clarity that ensures it is easy to read. The one thing that threw off my enjoyment of this manga was the back-up story called “Reverse Guilt” that has an extremely icky twist ending that contrasted with the more peaceful conclusions of the main story.

Review copies provided by the publisher.

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Manga Reviews

Pretty Guardian Sailor Moon Volume 1

Pretty Guardian Sailor Moon Volume One by Naoko Takeuchi

Sailor Moon is back in print! When I was reading these new editions from Kodansha I decided to start chronologically, so I read Sailor V first and Sailor Moon second. It is interesting seeing the contrasts in character present from the first few pages. In Sailor V, Mina gets in trouble for attempting a daring gymnastics move. In Sailor Moon, Usagi is running off to school with tears in her eyes from dismay at being late. Usagi is presented as the typical not very bright, somewhat ditsy shoujo heroine that most manga readers will be familiar with. But part of the reason why I like Sailor Moon so much is that Takeuchi does manage a couple subtle spins on the well-worn formula that she’s working with.

Usagi has a fateful encounter with a mysterious cat, then goes to school for a typical day. She gets punished and gossips with her classmates about Sailor V. She visits the jewelry store belonging to the family of her friend Naru. Outside, she throws one of her abysmal school papers into the face of a boy wearing a tuxedo and sunglasses. She thinks he’s a pretentious jerk for being so dressed up during the day, and he tells her to “study harder Miss bun-head!” IT IS TRUE LOVE! Later that evening the mysterious cat Luna visits Usagi and tells her that she’s been chosen to be a guardian. She gets her magical girl accessories and the phrase that triggers her transformation sequence (Moon Prism Power Make Up!) and she is off to fight the forces of evil at the jewelry store. This first chapter shows how Takeuchi’s storytelling has improved in contrast to Sailor V. By starting out with an enemy that could be directly hurting one of her friends, there’s more dramatic tension in Sailor Moon as opposed to the endless progression of pop idols that Sailor V fights. Of course, Usagi as Sailor Moon barely fights at all on her first outing. She halfway thinks that she’s dreaming and is surprised that she’s getting hurt, then she reacts to the fight by throwing a tearful temper tantrum. Fortunately her tiara boomerang vanquishes her enemy, and she finds out that she’s being watched by a mysterious man who introduces himself as Tuxedo Mask and says “Sailor Moon, I’ll certainly take note of you.”

Now that Usagi’s general situation is set up, she has to deal with Luna’s demands that she train and gather allies. There are other sailor scouts out there and Usagi has to collect them all (like Pokemon!) while struggling with her feelings for Tuxedo Mask and her own ineptitude. Usagi’s companions are generally in some way more capable than her, but you can see how their different personality traits would contribute to the formation of a good team. Sailor Mercury is a teen genius. Sailor Mars has the moral certainty of a shrine maiden. Sailor Jupiter is strong and brave. The sailor scouts are going after the “Legendary Silver Crystal”, as are their mystical enemies and Tuxedo Mask. Usagi is uncertain if Tuxedo Mask is an enemy or an ally, because while he certainly seems to appear often if she’s in the need of a rescue his motivations are unclear.

Takeuchi’s art seems to have grown a bit smoother when comparing Sailor Moon with Sailor V. The paneling is slightly more complex, although it is still a manga the focuses most on the faces of the characters without much attention paid on setting scenes or background images. The battles and team building in Sailor Moon seem to owe a lot to shonen manga, but being as girly as it is the battles involve costume changes and awesome battle cries instead of violence. While it might be pretty silly for girls to don sailor suits to fight evil, there’s a certain exuberant girl power vibe about the scenes when Sailor Moon and her allies line up to announce that their enemies are about to be punished. I do not know how it is possible not to love a manga that features a girl yelling “You will refrain from underestimating women! And with Mars Power, you will burn! These high-heeled legs will deliver your punishment!”

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Manga Reviews

Codename: Sailor V Volume 1

Codename: Sailor V Volume 1 by Naoko Takeuchi

I’ve had Sailor Moon and Codename: Sailor V in my house for a week, but even though I’ve read them for some reason I am still having a hard time believing that they’re real. Since Sailor Moon has been the holy grail of out of print manga series, it just seems wonderfully surreal that this series is finally getting a decent omnibus style release with a new translation. Sailor V was the prototype series for Sailor Moon, and Sailor V appears in Sailor Moon at first as a shadowy mentor figure. So many of the storylines that are explored more fully in Sailor Moon are introduced in Codename: Sailor V, which might not have as much depth but is still fun.

Like most shoujo heroines, Mina (short for Minako) is an aggressively average student. She prefers athletics and nursing crushes on unobtainable boys to her schoolwork. Her life changes dramatically when she meets a talking cat named Artemis who informs her that she’s been chosen as a protector of Earth. Once she’s equipped with some magical accessories she announces what she has become, “Champion of Justice! The Pretty Guardian in a Sailor Suit! Sailor Venus has arrived!” One of the things that I enjoy about magical girl manga is that although there’s certainly an element of makeover fantasy in the transformations, part of story also is all about power. When Mina transforms for the first time she says “I feel liberated! I’m overflowing with power! I’m struck with the urge to act!”

Unfortunately for Mina, the action she’s presented with gets repetitive. There seems to be an unending supply of demonic idol singers who are out to enslave the Japanese populace and feed off their energy, and Sailor V must battle all of them. In this way, Codename: Sailor V resembles a very simple shonen manga, except for the battles here are always needing to involve lots of cosplay and battle cries instead of actual punching. Still, there are flashes of humor on display that make the overall experience of reading the book a lot of fun. Mina seems to be very protective of governmental regulations, as when she’s battling one of her many rounds of evil idol singers she remarks that brainwashing is bad and “these are horrendous business practices and the Japanese Tax Office will not stand for it!” Later on when she’s talking to her mysterious boss about an enemy she encounters during a vacation she flies into action after the comment “I don’t know who he is, but I do sense a deep-seated grudge regarding Hawaii.” People with grudges regarding Hawaii must be punished!

One of the things that enlivens Codename: Sailor V is the supporting cast. As Sailor V grows in notoriety she is starting to get noticed by the police. The female Inspector General nurses her crush on V with giant posters in her office, and she arbitrarily orders around her more skeptical male sidekick. Mina gets an eye rolling reaction from one of her enemies to her proclaimed title of “Pretty Guardian.” I tend to grade magical girl shoujo for what it is. If there’s humor, costume changes, and a little bit of action I’m a satisfied reader. While I don’t think that Codename: Sailor V has all the elements that made Sailor Moon such a long and successful series, it was fun getting a glimpse of Sailor Moon’s origin and more of the origin of Sailor V.