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Attack on Titan, Vol 1



Attack on Titan Vol 1 by Hajime Isayama

At this point, given the ubiquity of Attack on Titan on manga best seller lists, reviewing it is a bit like reviewing the air, but I decided to finally get around to reading this series when Mangablog alerted me to the crazy deal for the kindle edition of the first volume that was running recently. Sometimes I have no trouble reading manga on my Kindle Paperwhite, but I had more difficulty figuring out what was going on with the art with the reduced size, and quickly switched over to reading this manga on my iPad instead.

I’ve been reading a bunch of post-apocalyptic fiction recently, just because there are so many YA dystopian novels out there, and I’m also in the middle of reading Justin Cronin’s The Twelve. Attack on Titan is an interesting twist on the dystopian genre as many years into the future humanity has retreated into walled cities in order to protect themselves from the Titian, giant zombie-like humanoid creatures who enjoy eating human flesh. Eren is in many ways a fairly typical brash and opinionated shonen hero, whose close companion is a quieter and seemingly more pragmatic girl named Mikasa. Eren is worried about the complacency his town seems to be developing, as Titans haven’t attacked it for a long time.

Sure enough, a devastating attack on the town follows, as a Titan bigger than anyone has seen before easily breaches the wall, causing panic and confusion in the town where few humans are equipped to deal with a direct attack. Years later, Eren and Mikasa are ready to take their work assignments in the town, and they have to choose the safer duty of directly protecting the townspeople or joining up with the riskier survey corps. Eren wants to avenge his family, and Mikasa is quietly determined to follow him in order to protect him.

By far the weakest element of Attack on Titan is the art. The characters are drawn stiffly and not in proportion. For much of the time Eren and his comrades are yelling at each other, with facial expressions that don’t have very much variation. At the same time, the more detailed renderings of the Titans are plenty creepy, with their musculature visible on their bodies due to lack of skin, wide jaws, and shark-like rows of teeth. In contrast to the art, the worldbuilding in Attack on Titan is excellent, and it is clear that Isayama has spent plenty of time plotting out the events in his future history, thinking through the weapon systems and defenses the humans have constructed, and setting up the relationships between the characters in an interesting way. The first volume ended on a cliffhanger that was both shocking and weirdly refreshing from a manga plotting perspective, making me wonder a bit if Attack on Titan is going to be serving up a bit of metacommentary about manga plot cliches. Even though the art was fairly awkward, I was still able to follow along with the action sequences, and the Titans were genuinely unsettling, with their grimacing silence and habits of eating people in one gulp. I’m a little leery of taking on such a long series, but I can certainly see why Attack on Titan is so popular.

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Alice in the Country of Joker: Circus and Liar’s Game Vol 2

I enjoyed the first Alice in the Country of Hearts series much more than I expected to. I’ve since tried out some of the sequels here and there, and I think this series is one that I’ve enjoyed the most, just because the storyline seems to echo back to the first series in both theme and tone. While most of the other Alice series that I’ve read tend to focus more on what I think of as the core cast of characters, Alice in the Country of Joker introduces the Circus as a new place and the mysterious Joker accompanies the Circus. It is April season, which is a different and unsettling time for the inhabitants of Wonderland.

The second volume of the series continues with many of the things I enjoyed about the first. There are flashbacks to Alice’s previous life that hint at the psychological issues that might cause her to take refuge in Wonderland. Alice is reminded of her sister as she spends time with the obsessive white rabbit, Peter White. Blood Dupre continues his flirting campaign, but the influence of the Circus and the barrier that Nightmare placed in Alice’s mind are in conflict. There seems to be a cyclical conflict between the Circus and the rest of Wonderland, and Alice is trapped in the middle of it. The unsettling tone and hints of suspense were more of what I tend to look for in one of these many Alice stories. So far, this is the main spinoff series I would make a point of recommending to fans of the first Alice in the Country of Hearts. I still miss the art from Soumei Hoshino in the original series. There isn’t anything really wrong with the illustrations of the adapter here, but Hoshino’s art was more delicate and surreal, adding another dimension to the Wonderland portrayed in these stories.

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Nisekoi: False Love Vol 1

Nisekoi: False Love Vol 1 by Naoshi Komi

I don’t tend to track trends in English releases of shonen manga as much as I do shoujo manga, but it certainly seems like it has been some time since we’ve seen a shonen romantic comedy set in high school. Raku is the typical shonen protagonist who (say it together with me!) “just wants a normal high school life.” Unfortunately while Raku has set his goal as becoming a reliable civil servant, his desire to be boring and normal is foiled by the fact that he’s the heir to a yakuza clan. Raku also is dealing with the aftermath of an encounter in his youth, when he exchanged vows of love with a girl he cannot remember. He has a special pendant in the shape of a lock, and his faceless beloved is holding on to the key. But Raku doesn’t remember her name!

Raku starts school awkwardly failing to ask out the nicest and prettiest girl in school, Ondera. His romantic ambitions are foiled when a new girl appears in his class. Chitoge is cute, athletic, and brash and she and Raku naturally start bickering immediately. They are assigned desks next each other as well as duties after school and they spend most of their time arguing so much, their classmates start to wonder if they are especially close. Things get even worse for Raku when he agrees to pretend to be romantically involved with the daughter of a rival gang boss in order to preserve peace, only to find out that his new “girlfriend” is Chitoge. Under the watchful eyes of retainers from both families, Raku and Chitoge go through the motions of a weekend date, only to find out that their romantic status has been announced at school as well, leaving them no rest from their charade.

There’s plenty of humor in this title even though it doesn’t reach the laugh out loud heights of Oresama Teacher. Komi frequently draws rictus-like facial expressions when his characters are in the grips of strong emotions. While the love triangle in this book is predictable, it certainly isn’t more derivative than the typical shoujo title. Chitoge and Raku’s similar backgrounds and tendencies to freak out often make them seem like natural friends with something in common, whereas Ondera’s more retiring personality makes her someone that Raku can easily admire from afar even though he doesn’t know her very well. While I didn’t connect with this title the same way I do my treasured shoujo romances, for anyone looking for shonen romantic comedy I think this will be an enjoyable manga to read. The art is well-executed, the personalities of the characters are interesting if a bit broadly drawn, and random yakuza thugs make everything more fun.

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Virgin Slave, Barbarian King and Raintree: Haunted

Virgin Slave, Barbarian King Vol 1 by Louise Allen and Takako Hashimoto

Available on emanga.com

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This manga will appeal to historical romance fans, and people who enjoy a bit of sweeping adventure in their romance manga. Julia is a noble Roman woman who is quite horrified when her city is overrun by barbarians. She is even more horrified when a barbarian chieftain named Wulfric decides to carry her off in order to force her to serve as a slave. Wulfric’s long blond hair makes him look like a slightly more bloodthirsty version of Dorian from Eroica with Love, which I found amusing. Julia sees that Wulfric is far more humane in his treatment of Roman slaves as he’s sacking her city than their Roman masters were. She begins to start questioning her way of life and the way she unthinkingly took advantage of other people’s servitude. Julia is far too self-assured to meekly start serving anybody, and while she does start to fit in with the Visigoths, she also manages to fight back against Wulfric in some amusing ways. The art in this volume is much more detailed and assured than I usually expect to see in Harlequin Manga adaptations. As the story progresses, Julia begins to learn more of the pressures the barbarians face, as well as the political struggles that Wulfric has to deal with. My main quibble is that the ending felt a bit truncated, and I’m assuming that is because the adaptation of the story was actually split into two volumes. Still, this would be a fun manga for historical romance fans. I was reminded of Red River a bit, although this story didn’t have the complexity of story found in that manga. I’m happy that emanga.com is releasing some historical romance adaptations!


Raintree: Haunted Vol 1 by Kazuko Fujita and Linda Winstead Jones

Available on emanga.com

This manga is adapted from a series of Silhouette Nocturne Harlequin books, so I was expecting a contemporary paranormal romance and that’s exactly what I got. Gideon Raintree is a detective from a family with varied psychic powers. He can conveniently speak to ghosts, but he has issues emitting random bursts of electricity and thus will never know the joys of owning a smartphone. He is also occasionally visited by a ghost who claims to be the spirit of his future unborn daughter. Even Gideon finds this a bit disconcerting. Gideon gets assigned a tough yet beautiful new partner named Hope, who finds his numerous eccentricities suspicious even while she admits to herself that he is distressingly attractive. Gideon and Hope work to track down a female murderer who may have a connection to the occult, and along the way Gideon finds himself revealing more and more about his odd powers to his new partner. Kazuko Fujita has adapted a ton of Harlequin manga, and it shows in her attractive character designs and capable art. This is another Harlequin manga with much better than average art, and I enjoyed the way Fujita made the murderess look much more haggard and desperate than the other characters. Sometimes in manga-land everybody is portrayed as equally attractive, with just slightly different hairstyles, so I appreciated the extra attention to detail here. The story continues in the second volume of this manga, but the first volume also had a fairly satisfying conclusion. Also recommended!

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Harlequin Manga: Ordinary Girl in a Tiara and The Greek Tycoon’s Defiant Bride

I was excited when emanga.com announced that they were releasing a bunch of new Harlequin manga on their platform! I’m going to pretend that emanga wanted to give me an awesome holiday present, because I am always up for reading some Harlequin manga.

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Ordinary Girl in a Tiara by Jessica Hart and Yuki Shiomiya

available on emanga.com

Harlequin stories are plenty formulaic, so much so that pulling off a Harlequin romance that is both familiar and enjoyable can be somewhat tricky. Part of the fun for me when reading Harlequin manga is encountering plot elements that I’ve seen before, but executed in an interesting way. This is one of my favorite recent Harlequin manga reads. Ordinary Girl in a Tiara is, as one would surmise, about an ordinary girl who ends up accidentally taking up with royalty. Caro has an intense love of vintage fashion and an interesting past where she went to school with the elite of Europe on scholarship. Caro’s best friend Charlotte is a princess of a tiny European country who calls upon Caro to provide a diversion by dating her distant cousin and rumored fiance Prince Phillipe.

Phillipe shows up at Caro’s door to ask her to be his fake girlfriend, and he is suitably horrified by Caro’s devotion to horrible crochet vests from the 1970s. Clearly he is a man of great taste and refinement. Caro agrees to go along with the charade of dating him, and goes back to his tiny European country only to get caught up in court politics. Phillipe is struggling to establish himself as the future ruler, and the fake couple gradually become a real couple as they begin to spend more and more time together. All too often in Harlequin stories, the hero acts like a big jerk, but while Phillipe does have is standoffish moments he and Caro are a very sympathetic couple. There are elements of humor in Caro’s unending parade of vintage fashion choices, and while the art isn’t terribly detailed, it doesn’t suffer from the lack of fluidity and expression that sometimes plagues Harlequin adaptations. Highly recommended!

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The Greek Tycoon’s Defiant Bride by Lynne Graham and Natsu Momose

available on emanga.com

Whenever I read Harlequin manga, I tend to go for the volumes that have the longest and most ridiculous titles involving Defiant Brides, Virgin Stable Girls, or Secret Agent Secretaries (I just found out that there is a romance with the title Secret Agent Secretary, I think I’m going to have to read it). This manga was exactly what you would expect from the title, as it does indeed feature a Defiant Bride of a Greek Tycoon!

Maribel is an ordinary girl (aren’t they always!) who is desperately in love with her deceased cousin Imogen’s ex-boyfriend Leonidas. Maribel sees Leonidas at a memorial service after running away from him years before, but she returns to her life as a single mother, confident that romance will not find her again (OR WILL IT!?). Leonidas shows up at Maribel’s house and is immediately suspicious when he discovers that she has a toddler with the name of his grandfather. The narrative structure of this manga was interesting, because it kept switching between the flashbacks where Maribel and Leonidas are just getting to know each other, and the present day where Maribel is desperately trying to get away from him in order to live an ordinary life. The relationship unfolds in both the present and the past, leading to a time when Maribel will perhaps not be quite so defiant about being in a relationship with Leonidas. I enjoyed the art in this volume. The paneling was a bit more varied and interesting than I tend to expect from a Harlequin manga, and Momose frequently cuts in detailed close-ups of the characters when they are in the grips of a dramatic emotion.