Skip Beat!, Vol 37

September 18, 2016 by 1 Comment

Skip Beat! Volume 37, by Yoshiki Nakamura

I always do a mental happy dance whenever a new volume of Skip Beat! comes out, because it is just so consistently good. This volume brings the pain, as Kyoko has to deal with her mother. Kyoko’s family has always been consistently absent from this series, and now the reader knows why. There was a bit of a reference to family difficulties when Kyoko had to get her mother’s permission to sign with a talent agency, but she hasn’t appeared in person in the manga before. Kyoko’s mom appears to be a cold-hearted lawyer who doesn’t want to be inconvenienced by her own daughter.

Coming off of the Heel Siblings arc, Kyoko is back in Japan, working as a Love Me section member again while the first few episodes of her new drama are airing. She runs into her mother by an elevator, but she only displays a few hostile micro-expressions before walking by her daughter, utterly ignoring her. Later, it turns out that Saena Mogami is filling in for another lawyer on a variety show and when responding to questions about her cold demeanor, she replies that she’s never had children. Both Ren and Sho witness this moment, and they think about Kyoko’s feelings, rushing to be by her side.

Sho arrives first, right after Kyoko sees her mother deny her existence. Kyoko’s response to this event is to utterly shut down her emotions. Nakamura does such a great job with Kyoko’s facial expressions in this scene. Kyoko is usually so animated, swinging from one emotional extreme to another that to see her be both beyond sad and blank at the same time is shocking. Kyoko’s eyes are shadowed in grey, and the aftermath of her mother’s interview settles on Kyoko like a physical weight. Sho being Sho, his response is to try to provoke some sort of emotion out of her, and he fails miserably.

Skip Beat! has that rare combination of gripping plots and lovely art, even though the characters might have the leg proportions of giraffes. There are always several pages in each volume where I stop to appreciate the art, like the panels that show Kyoko’s devastation, a photo shoot with Ren that shows the charisma he has that has made him a star, and the moment where Kyoko finally finds some comfort.

Kyoko goes on the run and finds Ren, but she thinks he’s Corn! Oh the tangled web we weave, etc! Still, no mater what side of himself Ren may be portraying, he’s the refuge that Kyoko needs at the time. I can see this storyline spinning out over several volumes, and as usual when Skip Beat! embarks on new direction I can’t wait to see what happens next.

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Yona of the Dawn, Vol. 1

August 9, 2016 by Leave a Comment

Yona of the Dawn Volume 1 by Mizuho Kusanagi

It is no surprise that I was eagerly anticipating Yona of the Dawn. I feel like there’s been a little bit of a gap in currently translated shoujo fantasy, so I was very much looking forward to this manga. I have a feeling that Yona of the Dawn is one of those manga that will be easier to evaluate once the second volume comes out, because the first volume was mostly set-up. I did enjoy the worldbuilding and some of the plot twists that I wasn’t expecting.

Yona is a sheltered princess whose main issues involve fretting over her red hair. She’s watched over by her guard Hak, and she nurses an intense crush on her cousin Su-won. As she’s getting older the question of her marriage is starting to come up, and her father the king seems to be determined to get her married to anyone but Su-won. Yona is a bit headstrong and pampered, but she still comes across as a sympathetic heroine in the early pages of the manga.

One thing I was dreading a bit is the development of a fairly typical love triangle, because it seemed like that’s the way things might be headed for Yona, Hak, and Su-won at the start of the manga. I was extremely happy when my expectations were foiled within the first couple chapters, and the story took an abrupt turn as Yona has to flee the palace with only Hak by her side. I’ve heard that this series features awesome archery, which is nowhere in evidence yet. I’m much more intrigued by the potential storyline of Yona having to toughen up and learn how better to fend for herself, so I’m eagerly awaiting the next volume.

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Kamisama Kiss, Vol 20

May 30, 2016 by Leave a Comment

Kamisama Kiss Volume 20 by Julietta Suzuki

This volume starts dealing more with the issues that inevitably arise when a human and an immortal start developing romantic feelings for each other. It starts out with a conclusion of the class trip storyline, as Tomoe is able to observe what Nanami is like when hanging out with other human girls. When he goes on an errand to an island where he met a human kami many years before, he gets a vivid reminder of how short Nanami’s lifespan is.

Tomoe decides that he has to become human, and he wants that transformation to happen immediately. Nanami thinks that it is good that Tomoe is trying to get closer to humanity through some excessive studying, but she thinks that it won’t happen for several more years. When Tomoe gets his hands on some medicine that might have the power to transform him, she’s worried that he’ll die in a normal human lifespan, but he doesn’t want to remain immortal and watch her age and die. They fight a bit about this, and Tomoe goes off with his usual impulsive nature and takes the medicine, only to turn into a fox instead of a human.

This funny and sad situation brought on by mystical forces is the type of plot that Kamisama Kiss excels at, because it is hilarious to see Tomoe’s body language and cranky attitude manifest while in the form of an adorable fox, but it is also quite distressing that Nanami and Tomoe are being kept apart again. The appearance of Kirihito towards the end of the volume points out that there are going to be even more struggles ahead for the couple.

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One of the things I like most about this series are the quiet moments of character interactions, when Tomoe contrasts his memories the human kami he met as a little girl with the old woman she’s become, she mentions that the day she spent with him was one of her fondest memories. Nanami can’t help herself from hugging Tomoe when he’s in fox form, but she’s struck by his body language showing that he’s incredibly unhappy with his unexpected transformation. These types of moments give Kamisama Kiss more depth than the typical shoujo series, and have me happily reading every volume.

The Heiress and the Chauffeur, Vol 1

May 1, 2016 by Leave a Comment

The Heiress and the Chauffeur, Volume 1 by Keiko Ishihara

It is interesting that there are a couple new two volume series (Shuriken and Pleats being the first) coming out from Shojo Beat now. I feel like publishes backed off super-short shoujo for a little bit in favor of mid-range 5 or 6 volume series. Heiress and the Chauffeur is a conventional shoujo series with attractive art that is livened up by a historical setting.

The heiress in question is Sayaka Yoshimura, who is the daughter of a wealthy family. Her chauffeur is Shinobu Narataki, and they were raised closely together as children, resulting in a friendship that is entirely unconventional for a mistress and her servant. Sayaka has to deal with the behavioral rules and rumors swirling at her all-girls school, while running a gauntlet of all her admiring classmates who enjoy staring at Shinobu while he patiently waits to pick her up. Sayaka has a bright, spunky personality and she isn’t afraid to stick up for Shinobu when his habit of barging in to rescue her gets them both in trouble with the school authorities.

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I enjoyed the historical aspect of the manga, and seeing the life of an heiress in the Taisho era portrayed, because that’s a type of setting that I don’t usually see in shoujo manga. I was a bit worried that each chapter would be a replay of the dynamic where Sayaka gets in trouble, Shinobu rescues her, and they have to find their way out of the aftermath, but towards the end of the volume it is made clear that their odd friendship has given Sayaka the tools to stand up for herself independently. That being said, overall the manga was a little bit dull. The art is pretty, but not terribly distinctive, and while the premise and setting is interesting, there isn’t much to distinguish the main characters from any other shoujo series. This is Isihara’s first series though, and it certainly is well executed enough that I’m curious to see what she could do given a bit more space to develop a manga. I think younger teens would enjoy The Heiress and the Chauffeur in particular.

Demon Prince of Momochi House, Vol 4

April 10, 2016 by Leave a Comment

Demon Prince of Momochi House Volume 4 by Aya Shouoto

I’ve been enjoying this series, although I have to admit if I was forced to recommend only one manga about an ordinary girl who finds herself heir to a house inhabited by ayakashis, I’d go with Kamisama Kiss. That being said, this volume of Demon Prince of Momochi House represents a high point for the series so far, with a story that was surprisingly emotional.

Aoi’s symbiotic relationship with Momochi house means that he’s trapped, with the memories of his previous life wiped from the minds of anyone who knew him in the human world. When Yukari goes to school wearing a 4 leaf clover ring that Aoi made for her, one of her classmates suddenly demands to know where she got it. When she tells the boy that a family member made it and her name is Momochi, he wanders off. Yukari learns that the boy is named Hidaka, he’s a loner, and has a reputation of being cursed. There’s a legend that his family is descended from fox shape-shifters, so Yukari wonders if there’s a connection to Aoi. As she investigates she learns that Hidaka and Aoi were best friends when they were younger.

Aoi doesn’t directly share his feelings with Yukari, but she senses that he feels a bit of regret and doesn’t want to risk rejection. As she learns more about the curse of the fox spirits that is affecting Hidaka, she begins to realize that the curse itself is keeping Hidaka’s memories of his friendship with Aoi alive, making him feel constantly guilty and unsettled. Aoi as the Nue has to intervene, and while he is able to cause a resolution to the situation, one final link to the outside world for Aoi is severed. The story is very bittersweet and filled with a sense of nostalgia, as memories are shown to be insubstantial. The last part of the manga turns to a gathering of akashi and hints of a creepy storyline in the next volume. Shouoto continues to make the backgrounds of Momochi house interesting with gatherings of tiny ayakashi in strange shapes, and there’s are general hints of menace in some of the characters’ facial expressions and reactions. This is all blended with a few moments of humor here and there as Aoi’s random attempts to get closer to Yukari don’t get him very far. Overall I was very pleasantly surprised by this volume, and I hope this series which was already enjoyable continues to improve.

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