Hana Kimi 3 in 1 Edition Volume 2

One of the fun things about these new omnibus editions is being able to go back and revisit some of my favorite series like Hana Kimi. This volume covers books 4-6 of the original manga, and by the end of this volume the love triangle between Mizuki, Sano, and Nakatsu is firmly established. Hana Kimi is a silly series, and the characters go through the typical events in a shojo manga such as school festivals and class trips. But there’s always an elements of humor and the dramatic that make the story enjoyable even when the reader is facing yet another volume of manga focused on school festival hijinks. One of the things that makes this series amusing is the absolutely ridiculous situations and supporting cast. The school festival ends up being a competition between dorms, so Mizuki’s sporty group is pitted against gangs of drama students and menacing karate practitioners. The tension is heightened due to the intense rivalry between the dorm leaders, so all the cultural exhibits and sporting events that take place at the school festival are filled with tension. Of course, this being an all boys school in Japan portrayed in a shoujo manga, there is a cross dressing event where Mizuki’s dorm hosts a cafe and she has to pretend to be a boy pretending to be a girl and almost gets too much attention because her feminine disguise is too good.

Even though Mizuki is in some ways a typical peppy shoujo heroine, it is nice to see that her track and field skills still come in handy. She’s targeted and bullied by other teams who see her as a strong competitor for her dorm, and that ends up bringing her and Sano closer when he starts to worry about what might happen to her. While the school festival took up a bunch of story space, Mizuki also has to deal with a reporter trying to ferret out the reasons behind Sano’s return to track and Nakatsu’s sudden public confession of love.

Hana Kimi is helped a bunch by Nakajo’s very confident art. She’s able to render all the action sequences of high jumping and the menacing dangers of random flowerpots with ease, but she does a great job at making all of her characters visually and emotionally appealing. With such a large cast it is only to be expected that a lot of effort goes into dramatizing the subtle moments between Sano and Mizuki that drive their romance forward, but there’s still plenty to enjoy in seeing Nanba’s facial expressions as he works through being confronted with a romance from his past and struggles with his RA leadership duties.

One thing that might be frustrating is that Hana Kimi is a manga that stretches out the volume count simply by characters not telling each other their feelings. Sano’s acting a bit like Mizuki is his girlfriend, but he doesn’t tell her that he knows her secret. Mizuki is happy to be platonic friends with Sano, because she thinks that’s the best she can hope for. The only person who is ridiculously honest is Nakatsu, and he’s always around to serve as the hyperactive comic relief. But this is a series that I generally reread every two years or so, and even though I’m probably on my third go around with these volumes, I’m still finding Hana Kimi plenty entertaining.

Basara Volumes 11 and 12 by Yumi Tamura

Getting back into my great reread of Basara, I’m going to tackle Volumes 11 and 12, where Sarasa finds herself in a very unpleasant prison in Hokkaido. When she discovers Hayato’s ship abandoned with curse markings that include splashed blood and voodoo dolls, she’s dismayed that he’s gone missing. Her concern for Hayato is taken over with her excitement when she discovers that the Red King is still alive “So I can kill him…with my own two hands!” Sarasa promptly decides to visit the Kazuno people who kidnapped her friend, hoping to get him back and recruit more allies she can use in her battle against the Red King. The Kazuno have an elaborate set of traps which Sarasa wins through with her usual resilience and personal integrity, but it isn’t enough to prevent her from being thrown into a horrible prison with Ageha and Asagi. One of the prison guards looks suspiciously like Shuri, and it turns out that the self proclaimed “King of the Northern Seas” aka “Wind Owl” is Shuri’s cousin.

When Ageha is away from Sarasa being secretive and snarky it is easy to forget just how much he cares for Sarasa and his role as Tatara. As soon as they wind up in prison he makes protecting Sarasa’s secret his first priority, offering up his body as a distraction so no one will suspect that Tatara is a girl. Sarasa is overcome with emotion at Ageha’s sacrifice and wonders if there’s anything she can do to make things better. Ageha tells her that he knew she was the child of destiny the first time he saw her in the desert, and if she can focus on rebuilding their country he’ll be happy. Even Asagi is now on watch to protect Sarasa in prison, but when she’s used as a canary in a prison mine, she’s taken away by the “King of the Northern Seas.” Seeing Sarasa and Ageha endure a horrible situation together after being parted for so long showed the strength of their relationship, and as horrible as Asagi would like to think he is, he’s gradually being changed just by being exposed to Tatara as well.

It is PRISON BREAK TIME in Volume 12! One of the ways that Tamura is such a pro in the way she presents this sprawling adventure with a large cast is that each character gets a moment that provides some insight into their personality, motivations, or relationships. When Shuri’s cousin discovers that Tatara is a woman, he immediately starts groping her, leading her to reflect that the terror she’s experiencing “reminds me of all the terror that women go through…reminds me that I’m a woman…even while I’m trying to live as a man!” Ageha rescues her, but not before they’re doused with icy water, and Sarasa takes care of him tenderly. Sarasa is beginning to wonder if Shuri is the Red King after her encounter with Wind Owl, but the ever sneaky Asagi assures her that they look nothing alike. Sarasa manages to find Hayato, and he undergoes his own trial as he fights against the drugs he’s been dosed with to warn Sarasa about the dangers that lie ahead in the prison. Asagi spends most of his time in prison commenting about how much he dislikes the events he’s experienced. One of my favorite moments occurred when Sarasa was distracted after learning the histories of the prison guards. She’s distracted and lost in her own thoughts, so Ageha promptly sweeps her off her feet and gives her a dramatic kiss before asking her what she needs as a leader. As always it is a combination of Sarasa’s confidence and insight and the help of her friends that lead her out of the prison. Old Kaku turns out to have been the only successful escapee from the prison, and he, Nakajin, and Asagi’s spy Muratake work to help as well. After the political intrigue and tropical idyll everyone experienced in Okinawa, the prison in the North provides a great contrast to the earlier story arc. This volume ends on a cliffhanger (literally) and I haven’t read these middle volumes of Basara recently at all, so I’m eagerly looking forward to the next volume!

Hana Kimi 3 in 1 Edition

Hana Kimi 3 in 1 Edition by Hisaya Nakajo

I read Hana Kimi when it was coming out originally, and it is one of those series that I reread every couple of years. It is the reason why I remain such a sucker for cross dressing reverse harem scenarios, and I find it to be a great silly shoujo series. I was happy to see that Viz is releasing the earlier volumes in the 3 in 1 omnibus edition. Hana Kimi first started coming out several years ago, so hopefully this new edition will create some new readers for the series. This is similar to the other 3 in 1 editions from Viz, the first three books packaged together on fairly thin paper with no new extras.

One of the keys to enjoying Hana Kimi is being able to suspend a ton of disbelief for the first few chapters, because the heroine’s scenario in this manga relies on a staggering amount of coincidences that are possible only in manga land. Mizuki Ashiya has been living in the United States, where she became infatuated with a super-star track and field athlete named Sano Izumi. Sano’s high jumps are sublime, and Mizuki is inspired to take up track and field herself. Not content to only improve her athletic ability, she decides to move back to Japan, disguise herself as a boy, and enroll in Sano’s high school. Osaka High School happens to have dorms and she’s assigned as Sano’s roommate! Despite being a cross-dressing stalker, Mizuki is peppy and cute, with the type of reckless personality you might expect from someone who just casually moves to Japan as a boy because she digs someone’s high jump. When Mizuki gets to school she finds out that Sano has given up jumping due to a tragic past with accompanying psychological issues, and he finds her boisterous attempts at friendship rather annoying.

As you might expect from a manga set at a boy’s boarding school, there’s a large supporting cast. There’s the fabulously gay school doctor Umeda, soccer star Nakatsu whose feelings for Mizuki lead him to start questioning his sexuality, womanizing RA Nanba, and dorm mascot Yujiro. Sano and Umeda find out Mizuki’s secret very quickly, but Sano continues to pretend that she’s a guy. His attitude towards her gradually changes from annoyance to curiosity to fiercely protective. The three volumes cover Mizuki dealing with fitting in at school, the possible resurrection of Sano’s high jumping career, the sudden appearance of Mizuki’s older brother, and the consequences when Mizuki isn’t as watchful of her safety as she should be. The stoic hero with a tragic past is a pretty common type in shoujo manga, but I have to say that Sano is one of my favorite examples of this character. Nakajo does a great job showing the way he snaps to attention whenever anything that happens that might menace Mizuki.

Hana Kimi isn’t deep by any means, but it is one of my favorite comedic romance shoujo manga. Sano and Mizuki end up developing a close friendship partly because they aren’t at first relating to each other as a boy and a girl. I’m happy to see this series get more attention with this rerelease.

Review copy provided by the publisher

Basara Volumes 9 and 10

Basara Volume 9

As the ninth volume opens, Sarasa finds herself just where she wanted to be – with Nagi’s mentor Doctor Basho. Rescued after a shipwreck, she overheard an assassination plot as she was regaining consciousness on the beach. Unaware that Sarasa is so near, Shuri meets with Okinawa’s democratically elected president Asato. His thoughts are full of military strategy and contempt for the island which appears to be unprotected to the point of almost provoking attack. When he questions the president about his plans if Japan attacks, he replies that he doesn’t want to turn his country into a battleground and prefers to avoid fighting. Nakajin takes Sarasa around to see if she can hear the voice of the person directing the assassination. She recognizes the plotter as Nakajin’s older brother and main rival to the president Unten!

One of the most consistent things about Basara is every so often seeing the flashes of brilliant insanity that make Sarasa/Tatara such an inspiring leader. In this case the dramatic scene occurs at a bullfight ceremony where despite the fact that she’s blind she climbs the rigging above the ring and yells a warning to the president. Shuri foils the assassination attempt with a well placed coconut and yells a warning himself. Sarasa hears his voice and calls for him, ripping of her eye bandages as she stands in the middle of a herd of rampaging bulls. I’m not sure how lovers could be reunited in a more dramatic fashion. Seeing Shuri and Sarasa reunite after dodging bulls and assassins was very satisfying. What follows is a brief idyll, and Sarasa and Shuri contemplate their experiences in a way that shows how they are so far apart as people even though they love each other. Shuri has decided that he’s tired of having everything handed to him and even though he has nothing after being kicked out of his city, he’s going to achieve his ultimate goal of ruling the world with his own power. The lessons about work that Doctor Basho were trying to teach him have some unintended effects. Sarasa sees the peaceful democracy in Okinawa and vows to use it as the template for the new Japan she hopes to build as Tatara.

Basara Volume 10

The reunion between the lovers is brief, as they are separated quickly. Shuri shows flashes of his usual military brilliance as he defends Okinawa from Japan’s fleet. Sarasa has her Byakko sword back, and she calls upon Tatara as she goes to defend President Asano. Things are more complex then they appear to be on the island nation, as the true nature between the breach between Unten and Asano is revealed. Sarasa is worried that Unten and Nakajin will end up killing each other. Shuri fights a piratical battle on the sea, with some surprise allies from the Japanese army and a fireworks display from the nearby foreign fleet.

Shuri’s quick thinking and tactical brilliance show that he’s just as inspiring a leader as Tatara. While Sarasa takes action based on her emotions, Shuri makes the educated bets of a high stakes gambler. The fate of Unten and Nakajin might foreshadow an ending for Sarasa and Shuri. Sarasa shares some heartfelt conversations with Unten, who challenges her about trusting her followers with her secret. A new chapter begins for Sarasa and Shuri. She leaves to go back to Japan, leaving Shuri to fume that he has no way to get in touch with her. The end of this volume concludes with new trust between Sarasa and her followers, and new dangers as she has to find out what happened to Hayato.

Thinking back about the series so far, it is really amazing how much Tamura has been able to pack into ten volumes. Shuri’s suffered what would be an enormous setback and is in the process of starting to put his empire back again. Despite Sarasa’s meandering journey, she’s put together a group of devoted followers and is beginning to grasp what becoming the leader of a rebellion really means beyond just following along with other people’s expectations of the “Boy of Destiny.” Sarasa and Shuri are apart but they both now have the support of new friends, and it is easy to understand and sympathize with the motivations from each side as they slowly move forwards to a place where they’ll have no choice but to confront each other as King and Rebel.

Basara Volumes 7 and 8

Basara Volume 7

So the undercover Blue King Asagi’s manipulations are successful and Sarasa sets off to liberate her mother from the grip of the Red King’s General Kazan. As they travel on their ship, Tatara’s band encounters an unusual hunter – a young man who is taking on a whale all by himself armed only with a harpoon and a small sailboat. Asagi attempts to play the spoiler when they head into town, announcing Tatara’s presence in an arrogant and threatening manner. Sarasa yells at him, saying that isn’t the way they do things. The young whaler Nachi serves as the band’s guide, taking them on a meandering trip to meet his village that involves quite a bit of road reconstruction on the part of Tatara’s people. Tatara tries to gain the support of Nachi and his leader Hijiri. Chacha and Zaki head out to scout the situation and see something unexpected – Tatara’s mother refusing to leave the General even though she has the opportunity to do so. She comments to Kazan, “I cannot leave your side. Not until I witness your death.” Chacha vows to hide the potential complicity of his mother from Tatara. Up against impossible odds, Sarasa isn’t sure how she can succeed, but Hijiri promises to bring more allies if Tatara is able to successfully demonstrate his leadership.

At the same time, Shuri is traveling towards Kazan’s hideout, determined to punish his general for his insolence. As soon as Sarasa’s mother sees her, her internal thoughts highlight just how much her daughter has changed. She thinks “She’s only 15! She’s just a little girl!” and the General is determined to grab Tatara’s head as a trophy. Chacha confronts the General, thinking that the situation is her fault for not being more forthcoming with Tatara after her scouting mission. Sarasa is ironically saved by Shuri’s attack, but her eyes are injured and she throws herself into a burning building to rescue Chacha and Zaki. Hijiri tells Tatara that Zaki is risking his life for his leader, “Be proud of him boy! You have good followers.” Sarasa’s response is that no one is worth the sacrifice of a life and she blindly jumps on her horse to rescue Zaki. Hijiri decides that he’s figured out the secret to Tatara’s success as a revolutionary, “They don’t come to you looking for guidance…they just can’t bear to stand back and watch as you run ahead on unsteady feet bawling your eyes out.”

Basara Volume 8

The 8th volume of this series shows Sarasa and Shuri brought down incredibly low, but they’re about to head towards one of my favorite places in Basara, the Democratic Island of Okinawa. Sarasa has been blinded, and she doesn’t even have the consolation of her mother to help her with her illness. Sarasa’s mother confirms with Kaku that the prophecy identified Sarasa as the Child of Destiny all along. She decides to leave, saying “If I see her…if I hold her in my arms…I might undo… everything, turn her back into her mother’s girl.” Sarasa’s in a almost depressed fugue-like state as she deals with her injury and the burdens of leadership. Her people deal with the aftermath of battle in their own ways. Asagi, knowing Sarasa and Shuri’s secret, decides to scare her by holding her down and kissing her. Sarasa asks Nagi to make her eyes better sooner, and he points out that she has other senses she can now sharpen. Plots in the Red King’s city leave Shuri deposed and alone, dependent for the first time on the random kindness of his subjects who support him while the nobility turns on him. Even when being attacked, Shuri’s quick insight allows him to penetrate the truth behind the plot that is removing him from the throne, as he quickly grasps that one of his last trustworthy advisers has been turned only because his mother has been held captive. The scenes of Sarasa and Shuri facing their worst fears are juxtaposed with each other, showing how they deal with adversity in different ways.

Shuri escapes the city he’s worked so hard to build and ends up on the boat of Dr. Basho, the mentor of Sarasa’s trusted adviser Nagi. Shuri’s imperious mannerisms don’t tend to go over well with Basho’s apprentice Yuna and he soon finds himself doing the unthinkable – swabbing the decks. Sarasa is traveling towards Okinawa to meet Dr. Basho too, in the hopes that he’ll be able to assist with restoring her eyesight. Shuri realizes that for the first time he has no one to rely on but himself, and Sarasa tries to make the best of her own situation by exercising her other senses and visiting her people. Shuri sees Okinawa as a poorly-defended island paradise, noting that he’d have no trouble taking it over if he were still king. Sarasa is washed up on shore, and is rescued by another of Dr. Basho’s associates. Will the two lovers meet again in the next volume? Are there mysterious and complex geopolitical undercurrents tainting what appears to be a simple island paradise? Do you even have to ask?