I recently read several Harlequin manga, and there was not a single kidnapping, secret baby, or case of amnesia in any of the titles! Despite my disappointment, there were a few manga in this batch that were entertaining. I’ll have another Harlequin manga post soon!
His Virgin Mistress by Anne Mather and Kazuko Fujita
This title seems very logistically complicated, or perhaps not very useful, because it seems like having a virgin mistress would be counter to the purpose of having a mistress in the first place. In this case, Joanna has agreed to pretend to be the mistress of a Greek tycoon who is struggling with a horrible illness. He’s returning home for his daughter’s wedding and doesn’t want his family distracted with the knowledge that he’s suffering from an incurable disease, so he decides to distract them with a beautiful young fake English mistress instead. Does he have a handsome son? If you have to ask you have never read a Harlequin romance! Demitri is incredibly perplexed when he meets Joanna, because she seems far too serious and intelligent to be a mistress. He’s instantly attracted to her, and horribly conflicted because he doesn’t approve of his father having a mistress.
The art in this title was a few steps above what I come to expect from a Harlequin manga. The character designs are attractive and distinctive, and Fujita illustrates the interactions between the characters with great fluidity. Demitri stomps around in the throws of angst, and Johanna is much more disposed to dealing with her turmoil inwardly. I’d recommend this title if you enjoy romances with a Mediterranean setting or virgin mistresses.
Night of Love by Diana Palmer and Harumo Sanazaki
I bought this title because the cover made me think that it would be a good example of the 80s manga style Harlequin manga adaption that I find particularly delightful. However, when I started reading I was a bit distracted because all the male characters were strongly afflicted with a case of triangle face. Most of the illustrations of men in this book basically gave them the facial structure of a guitar pick, with insect-like eyebrows. I did find this title entertaining because the heroine Meg was a prima ballerina with an injury who is forced to return home to recuperate. She’s spunky and still carries a torch for Steven, a businessman who she used to be engaged to. Their families conspired to break off the engagement for both of them. There is much emotional trauma when Meg and Steven meet again and their attraction to each other is immediately rekindled. There are many panels of sad people with flowing hair with roses in the background, which always adds that special touch to any Harlequin manga adaptation. There’s a lot of “I hate you but I love you!” in the relationship between Meg and Steven, and they gradually realize that they’ve both been making incorrect assumptions about each other’s feelings. There’s a random prince from the Middle East and a spy-related subplot to add additional suspense to the story. I have to say that I found the ending of this book a bit disappointing, because Meg demonstrates plenty of spunkiness throughout the book, yet towards the end of the book she just decides to give up so many of the things she’s been invested of for so long. This isn’t uncommon in Harlequin titles, but it is a little too old fashioned for my taste.