Everyone’s Getting Married, Vol. 1

Everyone’s Getting Married Volume 1 by Izumi Miyazono

As far as I’m concerned, Shojo Beat’s recent practice of releasing the occasional josei title is one of the best things ever. Manga featuring non-highschoolers is still not so easy to find, so I was looking forward to Everyone’s Getting Married. At the same time, just based on the title I was a bit concerned that this would be a josei version of The Rules or something that would involve trapping a man into marriage. I was really happy to discover that I enjoyed the personalities and relationship dynamic between the main couple in this manga.

Asuka Takahashi is a successful real estate agent, but her main ambition in life is to get married and become a homemaker. Asuka takes the idea of being a housewife very seriously, mainly due to the fact that she has strong childhood memories of the type of home her mother provided for her as a child. She’s thwarted in her goal in the first chapter when her long term boyfriend breaks up with her. Asuka has a brief encounter with Ryu Nanami when she’s attending a wedding. He’s a newscaster who is determined to never settle down. Asuka and Ryu have an unusually frank exchange about their incompatible goals in life and then part, fully expecting to never see each other again. He tells her “You seem like a great woman, but it would never work out between us,” and she thinks “This man…is not at all what I am looking for.”

Of course, they get thrown together over and over again, because Ryu is the roommate of Asuka’s co-worker Ono. Ryu and Asuka start getting to know each other better, unconstrained by the possibility of a romantic relationship since they’ve mutually ruled each other out. Asuka sees that Ryu is much more of an ordinary person than he appears to be based on his TV persona. He sees that she’s genuinely kind, and he respects the work that goes into keeping a household running even though he has no desire for a wife. They both begin to fall a little in love with each other, but their goals in life for a family and future remain absolutely different. Miyazono’s art is pretty to look at and easy to follow, even though her style isn’t particularly unique.

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Asuka and Ryu end up both being sympathetic and quirky enough to make me wonder which way this story is going to go, even though I’m totally expecting a happy ending. They’re also balanced out a bit by secondary couple Ono and Rio, who have the opposite relationship dynamic where Ono wants to settle down and Rio is determined to keep dating. Overall, this first volume seems like a great addition to the under the radar josei titles coming out under the Shojo Beat line.

Kamisama Kiss, Vol 20

Kamisama Kiss Volume 20 by Julietta Suzuki

This volume starts dealing more with the issues that inevitably arise when a human and an immortal start developing romantic feelings for each other. It starts out with a conclusion of the class trip storyline, as Tomoe is able to observe what Nanami is like when hanging out with other human girls. When he goes on an errand to an island where he met a human kami many years before, he gets a vivid reminder of how short Nanami’s lifespan is.

Tomoe decides that he has to become human, and he wants that transformation to happen immediately. Nanami thinks that it is good that Tomoe is trying to get closer to humanity through some excessive studying, but she thinks that it won’t happen for several more years. When Tomoe gets his hands on some medicine that might have the power to transform him, she’s worried that he’ll die in a normal human lifespan, but he doesn’t want to remain immortal and watch her age and die. They fight a bit about this, and Tomoe goes off with his usual impulsive nature and takes the medicine, only to turn into a fox instead of a human.

This funny and sad situation brought on by mystical forces is the type of plot that Kamisama Kiss excels at, because it is hilarious to see Tomoe’s body language and cranky attitude manifest while in the form of an adorable fox, but it is also quite distressing that Nanami and Tomoe are being kept apart again. The appearance of Kirihito towards the end of the volume points out that there are going to be even more struggles ahead for the couple.

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One of the things I like most about this series are the quiet moments of character interactions, when Tomoe contrasts his memories the human kami he met as a little girl with the old woman she’s become, she mentions that the day she spent with him was one of her fondest memories. Nanami can’t help herself from hugging Tomoe when he’s in fox form, but she’s struck by his body language showing that he’s incredibly unhappy with his unexpected transformation. These types of moments give Kamisama Kiss more depth than the typical shoujo series, and have me happily reading every volume.

Requiem of the Rose King, Vol. 4

Requiem of the Rose King Volume 4 by Aya Kanno

This series continues to impress me, as with each volume Kanno capably delivers a larger cast of characters and more intricate plots centered around the succession to the English throne. While many of the earlier volumes served to establish the motivations of many of the characters, this volume moved into more political plotting, especially as the Earl of Warwick decides to play kingmaker.

I found myself struck by all the ways that Kanno’s art signals character in elegant ways. Richard has a vision of his father as an avenging angel with dark wings, and the swooping black feathers bordering the panels serve to show how isolated Richard is in his inner world. Warwick is often drawn with areas of his face shown in stark shadow, which suits his manipulative personality.

This volume focuses on the fall of Edward, his manipulative wife, and the possible rise of middle brother George. Richard is still an object of desire to Edward, who willingly travels to meet Anne to explore a possible engagement once he knows that Richard is also visiting. For a brief time Richard is able to deepen his friendship with Anne, and he finds some solace in a new friend who lets him be completely himself. This being a tragedy, Richard’s brief period of peace is quickly destroyed, and he has to head back into battle again where he thinks he’s going to find a different kind of escape.

As Warwick’s plots fall into place, Buckingham is determined to provide a different king for the nation and goes off in search of Richard. There are too many kings and would-be kings wandering around England! But it is clear that while they all may be trying to gain the throne, so much of the real power is in the hands of the nobles trying to manipulate all the political uncertainty.

Requiem of the Rose King continues to be a favorite series. The art is absolutely top notch, and the combination of Richard’s surreal visions and complicated inner life against the backdrop of the political struggles for the English crown makes it incredibly compelling.

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The Heiress and the Chauffeur, Vol 1

The Heiress and the Chauffeur, Volume 1 by Keiko Ishihara

It is interesting that there are a couple new two volume series (Shuriken and Pleats being the first) coming out from Shojo Beat now. I feel like publishes backed off super-short shoujo for a little bit in favor of mid-range 5 or 6 volume series. Heiress and the Chauffeur is a conventional shoujo series with attractive art that is livened up by a historical setting.

The heiress in question is Sayaka Yoshimura, who is the daughter of a wealthy family. Her chauffeur is Shinobu Narataki, and they were raised closely together as children, resulting in a friendship that is entirely unconventional for a mistress and her servant. Sayaka has to deal with the behavioral rules and rumors swirling at her all-girls school, while running a gauntlet of all her admiring classmates who enjoy staring at Shinobu while he patiently waits to pick her up. Sayaka has a bright, spunky personality and she isn’t afraid to stick up for Shinobu when his habit of barging in to rescue her gets them both in trouble with the school authorities.

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I enjoyed the historical aspect of the manga, and seeing the life of an heiress in the Taisho era portrayed, because that’s a type of setting that I don’t usually see in shoujo manga. I was a bit worried that each chapter would be a replay of the dynamic where Sayaka gets in trouble, Shinobu rescues her, and they have to find their way out of the aftermath, but towards the end of the volume it is made clear that their odd friendship has given Sayaka the tools to stand up for herself independently. That being said, overall the manga was a little bit dull. The art is pretty, but not terribly distinctive, and while the premise and setting is interesting, there isn’t much to distinguish the main characters from any other shoujo series. This is Isihara’s first series though, and it certainly is well executed enough that I’m curious to see what she could do given a bit more space to develop a manga. I think younger teens would enjoy The Heiress and the Chauffeur in particular.

My Hero Academia Vol 1

My Hero Academia Volume 1 by Hohei Horikoshi

So Viz has one hilarious send-up of the superhero genre in One-Punch Man. I was curious to see how the more mainstream and shonen take on the superhero genre would read. My Hero Academia seems to be gunning more for traditional western superhero genre, with the issue numbering rectangle on the top left of the cover just as you would expect from an American comic.

The set-up for My Hero Academia also reminded me of Tiger & Bunny a bit, in the way that super villains and superheroes are treated like an extension of celebrity culture. Over 80 percent of the world’s population has unusual abilities, or “quirks”. Like most shonen heroes, Izuku Midoriya is nothing special. He’s unusual in his ordinariness, as he is one of the few kids in his class at school who has no abilities. He’s picked on and bullied by the other kids in his class, but he’s determined to get into the hero training program somehow. Izuku has a fateful encounter with the superhero All Might, who looks like a slightly better proportioned Rob Liefeld character.

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It turns out that after All Might uses his power, his muscles deflate and he becomes a skeletal creature who suffers from a variety of physical problems. He can only sustain his power for three hours a day before he reverts into his normal form. All Might decides that it is time to pass along his power to a new person, and he picks Izuku, after witnessing Izuku take on a super villain with nothing but the determination to save someone else. Izuku is a pretty typical shonen hero in his determination to become a hero, but his immediate reaction when he sees someone in danger is to sacrifice himself. Although Izuku might have All Might’s power as a legacy, he has no idea how to control it.

Ikuzu winds up going to hero training school along with his school bully, and meets some other kids who are also determined to be heroes. Izuku’s lack of control of his new powers causes him to perform heroic acts with just his fingertip, because the power is too much for him. There’s a lot of set-up and story packed into this first volume, so I’m actually interested to see what happens next once all the characters and background are established. Horikoshi switches between different styles of characture with ease, and the contrast between All Might’s heroic and ordinary form is funny. Ikuzu spends most of this volume looking either incredibly hopeful and enthusiastic or absolutely terrified. The action scenes were for the most part easy to follow, but some of the paneling was a bit cluttered at times, and I think occasionally the art suffered a bit from being shrunk down from the original magazine format it was serialized in. My Hero Academia was quirky enough to appeal to me, and I’m generally picky about shonen series. I’ll see if the next few volumes continue to hold up well.