Sakura Hime Volumes 1-4

Sakura Hime Volumes 1-4 by Arina Tanemura

One of my reading goals over winter vacation was to make some headway into some of the series that I’ve been hoarding but not finishing. The main ones I’ve had around the house are 07-Ghost, Magi, and Sakura Hime. Since Sakura Hime is the shortest, I decided to start with that. Also, for someone that genuinely loves Arina Tanemura manga as much as I do, it is just plain weird that I haven’t finished the series before now. I didn’t reach my goal of reading the entire series during winter vacation but I hope to whittle away at it over the next couple months.

Sakura is a 14 year old princess from the moon who is engaged to Prince Oura, the son of the emperor. She is extrmely unhappy about her upcoming marriage. Hanging out in a tree in protest, she falls into the arms of Aoba, a handsome and obnoxious emissary who has come to escort her to her new husband. They immediately start bickering in that “I hate you because I’m secretly attracted to you!” way that so often happens in shoujo romance. And in a not very great surprise, Aoba is actually Oura.

Sakura and Aoba are fighting from the start, as he thinks that she has the potential to turn into an evil demon due to her moon heritage, while Sakura is determined to protect humans. Demons called youko attack Sakura if she looks directly at the moon, and she is able to manifest magical girl powers when she calls on the somewhat cranky sword Chizakura. One interesting aspect of this manga is that each character has a unique soul symbol that defines their lives. Sakura’s is “Destroy” which highlights the tension between her otherworldly nature and her desire to protect humanity. It also feeds into Aoba’s worries that Sakura is dangerous.

A large supporting cast is introduced at a quick pace in the first few volumes, including the tiny mononoke Asagiri, who is a companion to Sakura. Sakura is also joined by a spunky ninja protector named Kohaku, who has a companion frog named Hayate who is actually a handsome ninja boy with an unfortunate curse. The Priestess Byakura serves in the role of mystical advisor. Lord Fujimurasaki shows up to hint at love triangle possibilities, and just be generally fabulous with a tendency to compose random poems as commentary on whatever is happening around him.

One thing I was surprised about as the story unfolded is that the relationship between Aoba and Sakura ends up evolving greatly in the first few volumes, as based on patterns in other Tanemura series, I expected the “I hate you, no I love you” dynamic to continue for at least 6-7 volumes. Sakura grows in capabilities and confidence as she continues to reclaim her heritage as a princess from the moon. It wouldn’t be a Tanemura series if the heroine wasn’t spending a great deal of time stressing out over a man so since the situation with Aoba is quickly resolved, Sakura’s long-lost brother Enju appears and takes her away.

Tanemura does a good job juggling the character relationships with such a large cast, and in the first few volumes she has moments of levity balanced with some serious mystical creepiness. The moon is a creepy, creepy place. Sakura’s good human companions are balanced out by Enju’s followers, and I’m looking forward to the coming conflict in the rest of the series. I had to laugh when I was reading one of the authors’ notes, as Tanemura commented that she was using less screentone, and I have to say I can’t see it. The combination of historical setting, magical girl hijinks, and moon people ensures that all the flowing ribbons and fluttering flower petals that Tanemura fans would expect are present in this series. After reading the first few volumes, I’m enjoying it very much.

Yona of the Dawn Volume 3

Given my general tendency of loving fantasy shoujo series, it is no surprise that I’m thoroughly enjoying Yona of the Dawn. In the last volume Yona and her trusty guard Hak have a narrow escape from her pursuers and end up being cared for by a long-lost priest. I think pacing can be so essential for a good fantasy series. A more rushed storyline doesn’t fit in all the world building that is needed to make a series seem believable for the reader. Yona gets to know her rescuers, the priest Ik-Su, and his snarky companion Yun.

I appreciated that there was some time for flashbacks as Yun tells Yona the story of how he became Ik-Su’s helper. The unlikely combination of a street-smart orphan boy and a priest with an inability to focus on worldly concerns like the necessity of shoes is the foundation for a lifelong friendship. As Yun gets to know Yona, he begins to see that she isn’t the pampered princess he was assuming she was. Hak continues to make random flirtatious comments that don’t seem to register with Yona at all, so I’m assuming that any romance will be developing at an excruciatingly slow pace.

Yona has a new direction and quest, as she learns about the descendants of legendary dragon guardians who protected the Crimson Dragon King in the past. She sets out with Hak and Yun to search for these mystical warriors, and along the way she demands lessons in swordsmanship or archery so she can be of more use in a battle. Hak hands her a bow and she dedicates herself to practicing even though she isn’t very good at the start.

There’s something very cozy and reassuring about reading a volume of a shoujo fantasy series like this, being able to settle in and look forward to a long adventure with many volumes ahead to read. This is one of my favorite manga series of the past year.

Heiress and the Chauffeur 2 and Shuriken and Pleats Vol 2

Short manga series can be a bit troublesome at times. Sometimes they are short because they obviously weren’t all that popular, or because it seems like the premise for the series isn’t enough to stand up to multiple volumes. Sometimes two volume manga series really deliver on a a good short story, and here we have examples of one good and one not so great two volume series.

Shuriken and Pleats Volume 2 by Matsuri Hino

Matsuri Hino’s art is always gorgeous, and I enjoyed the first volume of this series mostly because I liked the concept of an overly serious ninja girl being forced to be a regular highschooler. The second volume of this series fell apart, although there were a few hints of humor along the way that I appreciated. First, I was totally confused because I remember putting down the first volume thinking that the heroine, Mikage, was an orphan. Imagine my surprise when Mikage’s mother shows up to visit her daughter, stands in the doorway and has a brief conversation with her and then promptly leaves. And it turns out that her mother has no idea that she’s a ninja, while Mikage’s father is actually running the ninja organization that Mikage used to work for.

The confusion continued as random scenes of high school life were interspersed with the conspiracy about seeds that was explored in the first volume, but the main thing that remained constant was Mikage being attracted to much older men with her feelings unreciprocated, while other much older men continue to find her adorable. The only part I found somewhat amusing about this volume was Mikage’s tendency to reach for ninja weapons and when called on her actions, proclaim that she was just holding a pen. The pretty art wasn’t enough to compensate for an incoherent storyline, and it is perplexing because Hino is capable of so much better.

The Heiress and the Chauffeur Volume 2 by Keiko Ishihara

Two volumes is probably just the right amount of length for this story about a Taisho Era heiress who is in love with her childhood companion and chauffeur. Sakaya is unusually forthright and straightforward about facing her problems, and she exhibits a great deal of resilience considering some difficult life circumstances that she’s dealing with. She has a lame foot which sometimes causes her pain, and her father is off overseas working. Her protector is Shinobu, a chauffeur who she persists in seeing as an older brother even though he is clearly in love with her.

A suitor for Sakaya shows up in this volume, and continues to meet with her even while telling her that he has business that is 10 times more important than socializing with her. Sakaya’s father is pushing for the match, so this ends up being a test for Sakaya in standing up to family pressure. This causes Sakaya and Shinobu to become a bit more honest with themselves about their feelings for each other, even going as far as stealing away with each other briefly. Like many short series that get pressured to wrap up quickly, the pacing of the story was a little bit rushed, and the authors’ notes contain some hints at stories she would have incorporated if she had more time. Still, this was a satisfying conclusion to this short series, and I enjoyed both the clarity of the art and the historical setting. I’d definitely be on the lookout for a longer series from Ishihara if Viz finds another one to put out under the Shojo Beat imprint.

The Gods Lie

The Gods Lie by Kaori Ozaki

I waited a long time to read one of my favorite manga of the year. I bought The Gods Lie shortly after it came out, but it has been sitting on my to-read pile for months. This is a coming of age story showing the developing relationship between Natsuru, a soccer prodigy, and Rio, a girl who stands out at school for being overly tall and silent. When the story opens, it first seems like a slice of life manga, but soon the reader sees that death overshadows the lives of the characters. Natsuru lives alone with his quirky writer mom, because his father died recently. His grandfatherly soccer coach is in the hospital with cancer, and while the replacement coach actually knows how to play soccer, Natsuru doesn’t react well to his new coaching methods.

Natsuru and Rio develop a friendship when he rescues a kitten his mom is allergic to. She offers to take care of it if he’ll help pay for the cat. It is clear that Rio has a stronger sense of household budgeting than is normal for a 6th grader. Her younger brother Yuuta just sails through life cheerfully, seemingly unaffected by their run-down house and need to economize on everything. When Natsuru visits their home, Rio tells him that her father is fishing in Alaska, but will be back in time for the spring festival. Natsuru decides to secretly ditch soccer camp and stays with his new friend over the summer. As the story develops, it is clear that Rio is guarding a secret that she can’t share with her new friend.

There’s a sense of clarity and assurance in Ozaki’s art, it is expressive without being bogged down by too many details. She perfectly portrays the stuck-up and clueless attitude of the class princess, the disrepair of Rio’s house, and the freedom of unstructured summer days. It is a rare manga that is perfect in one volume but The Gods Lie has the feeling of a great short story, capturing a range of experience for the characters in just a few pages, and hinting at what they’ll become as they grow up.

Haikyu!! Vol 5 and Kuroko’s Basketball 3 and 4

Haikyu!! Volume 5 by Haruichi Furudate

I still feel like pinching myself a little bit to remind myself that it is actually real that so much great sports manga is coming out now! I’m trying to get caught up with my manga reading after a very hectic few months at work, and there’s something very relaxing about retreating to a world where everyone’s biggest concern is sports tournaments.

One of the reasons why I like Haikyu!! so much is that the focus shifts around with every volume, so while the odd rookie couple Hinata and Kageyama are certainly progressing with each volume, the emotional core of the story changes to focus on different team members. As Karasuno heads towards a tournament with the weight of their past reputation still following them around, it becomes an opportunity for redemption. Karasuno can be recognized as a legitimate opponent again. One important theme stressed in tournament play is the need to focus on one game at a time. While the bracket facing the team is challenging, they take on their first opponent with a serious sense of purpose. The experience of the boys’ team is contrasted with the girls volleyball team, who falls to their first opponent. Furudate takes a beat to acknowledge how athletes feel when they are knocked out of a season unexpectedly early, without the opportunity to play their sport anymore.

Karasuno faces the “Iron Wall” of Date Technical High school, and here we see how Hinata’s jumping abilities and athleticism have turned him into a great decoy on the court. With the opposing team distracted by his unexpected athletic brilliance, it slowly builds into an opening for Asahi. Some of the more striking panels in the manga show Hinata in the spotlight with Asahi in the background growing more and more intense, until he’s able to prove his abilities as an ace again. Karasuno has shown all the pieces of their team though, and they won’t be able to take advantage of the element of surprise again. Haikyu!! continues to be incredibly gripping and fun.

Kuroko’s Basketball Volumes 3 and 4 by Tadatoshi Fujimaki

In contrast, while Kuroko’s Basketball sometimes feels more like a traditional shonen battle manga transported to the basketball court, with a little less focus on the emotional story associated with sports and a bit more emphasis on defeating opponents who have honed their skills at basketball in order to develop sports superpowers.

Kuroko’s invisibility continues to be an asset to Seiren High, and no surprise they are in a tournament too! They have the tough draw of having to fight two opponents in the same day. First up is Seiho, who have an intimidating center, and a brash player who starts running off his mouth about Kagami being the only good player on the Seiren team. Seiho’s team is difficult to read and defend against, because all their movements are informed by martial arts practices instead of ordinary basketball. Gradually Seiren comes up with unexpected plays that wear the other team down.

The next team contains the best shooter of Kuroko’s old team, “the Miracle Generation”. Midorima’s superstitions are funny, but his insane ability to never miss with a basketball makes him seem more like an overpowered fighting manga villain than a high school basketball player. The shots he makes are so improbable, I was worried about Seiren’s ability to come up with a strategy to defeat him. Along the way Kuroko and Kagami have some interpersonal conflict yet again as Kagami decides that he has to win the game all by himself, which is in direct opposition to Kuroko’s team-driven approach. While there’s a little bit of character development, most of these two volumes was devoted to non-stop dynamic basketball action. I appreciate the omnibus release for this manga, since the story isn’t quite as gripping as Haikyu!! for me, I’d rather read it in larger chunks. This is still an enjoyable manga, even though I don’t think it will reach the iconic status of Slam Dunk.