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The Water Dragon’s Bride, Vol. 9

water dragon's bride 9

The Water Dragon’s Bride has always explored issues of humans using religion to justify terrible actions, and this is brought home even more when a god who is actively seeking to meddle gets turned loose. The Water Dragon God’s aloof personality and general lack of interest in humanity other than Asahi was a bit of a protective factor for humans. The God of Darkness, with his damaged human sidekick Kurose has nothing holding him back from some active and severe meddling.

I appreciate the way that Toma has developed Kurose’s character. The intense trauma that he’s experienced in the past gives more context for his turn towards darkness, and although he’s an antagonist for Asahi he’s much more complex than a typical villain. The God of Darkness is portraying the other gods as weak by inventing a Sun God for the humans to worship. By covering up the sun temporarily with darkness, and then letting the sun shine again, the humans are led to dismiss the Water Dragon God as evil and ineffectual. The emperor gets dethroned and Asahi wants to aid him, but she’s again a target of hatred for the humans.

water dragon's bride 9

Kogahiko shows how malicious the combination of human and an evil god can be, even more than Kurose, as he deliberately manipulates everyone around him through the God of Darkness in order to get more political power. He still sees a use for Asahi, as a way of bolstering his new position by parading her in front of his subjects. Throughout this volume the Water Dragon God’s protectiveness and attitude towards Asahi is striking. When she asks him to forgo using his powers he complies, but his affection for Asahi ensures that he’ll find a way to protect her. As always, Toma’s deceptively simple art makes the most of the symbolism in this volume, as the humans turn towards the darkness in the guise of worshiping the sun. The Water Dragon’s Bride is surely one of the most philosophical shoujo series that I’ve read, which is also why it is a series I can see returning to and rereading in future years.

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Kakuriyo: Bed & Breakfast for Spirits, Vol. 3

Kakuriyo Bed and Breakfast for Spirits 3

Kakuriyo: Bed & Breakfast for Spirits, Volume 3 by Waco Ioka and Laruha

This is one of those series that ends up getting stronger with each volume. I thought the first volume was okish, liked the way the second volume showed more character development, and appreciated the balance between backstory and new plot elements in the third volume. One thing I tend to look for in series about ayakashi is some interesting character design or art that captures my attention. While the art for this series is fine, I wasn’t getting that same sense of wonder about the spirit world that other ayakashi-centric manga titles have delivered. In this volume, I did find the portrayal of wall demons blocking Aoi’s path to be delightful, as they looked like pieces of wallboard dressed in formal kimonos.

Kakuriyo Bed and Breakfast for Spirits 3

Aoi is slowly finding more of a rhythm to her life in the spirit world with the discovery that her food is unique in bolstering the spiritual energy of the demons that surround her. She becomes more involved in the lives of the spider demon siblings, Suzuran and Akatsuki. They tie in to her own story with her grandfather, as she learns that he took them in and temporarily made them his servants when they were fleeing for their lives. Suzuran wants to go back to the human world to exist near Shiro’s grave, and Akatsuki is absolutely opposed to her dream. Aoi mediates this sibling relationship with nourishing food, and the steps in cooking her dishes are more clearly portrayed in this volume. It didn’t quite deliver the level of obsessive detail that I like to see in a food manga, but I appreciated food preparation getting more attention, since it is so central to Aoi’s identity.

One thing I really enjoy about this series now is how each volume tells a satisfying story while inspiring more questions for the reader to ponder. Shiro’s actions and motivations seem more mysterious the more Aoi learns about him. I’m also curious to find out more about Ginji after seeing him report back to the Odanna. I’m enjoying the measured pace at which this story is developing.

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Snow White with the Red Hair, Vol. 1

Snow White with the Red Hair

Snow White with the Red Hair, Volume 1 by Sorata Akiduki

The “two volume” rule for judging manga series is something I tend to stick by because sometimes it takes six or seven chapters for a series to come together. In the case of Snow White with the Red Hair, the first volume is charming, but I was left a little confused about what the storyline would be to carry this series for 20 volumes. I’m assuming that this minor quibble will be cleared up with the second volume, or if not, it will continue to be a great slice of life series about herbalism with occasional low stakes kidnappings.

Snow White with the Red Hair

The woman with the red hair is actually not a princess at all, so the “Snow White” of the title is a bit of a red herring? What is it with red-haired heroines in shoujo manga anyway, is it a call back to Anne of Green Gables maybe? Shirayuki is an herbalist with striking red hair that unfortunately makes her a target for petty royals. In the first chapter, Shirayuki flees an overzealous prince who is determined to make her his new concubine, only to run into yet another prince – Zen, the second son of royalty for a neighboring kingdom. They immediately strike up a friendship, but in a subversion of the Snow White fairy tale, Zen eats a bit of a poisonous apple sent by Shirayuki’s would-be paramour and she has to rescue him.

One of the amusing aspects of Snow White with the Red Hair is the fairy-tale like setting combined with characters who are determined to make their own destiny. Shirayuki is devoted to the study of herbalism, and she decides that she’s going to make her own way in Zen’s country through her studies until she can become a court herbalist. Zen has a somewhat laid-back attitude to his royal position which is refreshing. I am not sure if I’ve seen a super chill prince in shoujo manga before. Shirayuki continues to be targeted, both because of her red hair and due to her new friendship with Zen. Seeing their initially quasi-platonic friendship slowly develop throughout the course of this volume made me look forward to what might happen next. On the whole, Snow White with the Red Hair reminded me a lot of the whimsical fantasy series that CMX used to publish, and then when I realized that it ran in LaLa, source of many CMX series, that all made sense to me. I’m glad that shoujo fantasy seems to be doing so well for the Shojo Beat imprint, because it is one of my favorite genres, and this series looks like it will be a worthy addition.

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Dr. Stone, vols 3 and 4

Dr. Stone Volumes 3 and 4 by Riicharo Inagaki and Boichi

Dr. Stone’s premise of a post apocalyptic world where the heroes have to invent their way back to human civilization while battling factions of Luddites is much more of a higher concept than one tends to get in shone series, and so far I’ve been enjoying seeing how Senku attempts to invent his way out of sticky situations. In volume 3, the cast of characters for Dr. Stone expands as Senku stumbles across a small village of people who are to him, the missing manpower ingredient need to power even more ambitious science experiments.

He meets Kohaku, the daughter of the village chief who promptly becomes an ally when she realizes that the power of science might save her sister and tribe shamaness Ruri from a terminal illness. Chrome is another villager who is a self-styled sorcerer due to knowledge gained from his own scientific experiments and rudimentary mineral and chemical gathering. With allies in place, Senku decides to build a new “Kingdom of Science” and power his inventions even further out of the stone age, in an attempt to get in a better place to deal with threat posed by the anti-science Tsukasa. The villagers are naturally extremely suspicious of the newcomer, but Senku has a unique solution in the form of food science. He decides to reinvent ramen in order to woo people to his side.

The village brings with it extra drama, as Senku races through inventing electricity, iron, and glass in order to have a functional chemistry lab to produce medicine, Kokaku has to worry about the battle for Riri’s hand in marriage that will determine the next village chief. Her friends prepare to fight to save Riri from the thuggish Magma. Even Senku’s ability to synthesize energy drinks might not be much of a help in a bracket-style fighting tournament that will decide Riri’s future. These two volumes were plenty diverting with the struggles of recreating inventions full of dynamic adventures, but I can’t help but wonder what on earth Taiju is up to! Hopefully in the next few volumes Senku’s expanded science team will come together again.

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Yona of the Dawn, Vol 17.

Yona of the Dawn Volume 17 by Mizuho Kusanagi

I’m always curious when a new arc of Yona of the Dawn starts, because Kusanagi manages to create situations and plot elements that seem new and fresh in the context of a long-running series. At the same time she continues to explore themes that are present throughout the series with more depth, like Yona grappling with the legacy of her father’s lack of consideration and thought for the people who he used to rule.

Yona and her companions head towards the border of Kai, where they meet a young boy named Kalgan who proposes marriage to Yona after she shoots a bird to provide him with with some money. Kalgan wandered over from the Kai empire and is stranded, so Yona decides to escort him back to his village, a border town that has been fought over between Kai and Kohka for years. Yona’s Dragon Warriors begin to fall ill, and they need to recuperate for a time in the village where most of the residents are deeply suspicious of them. War is drawing near as well, as Su-Won and his army start to attack the Kai empire.

So far, most of the Dragon Warriors have gotten some solid character development and backstory in Yona of the Dawn, but Zeno has largely been an enigma. This volume finally showcases his unique abilities and role as Yona’s protector. For the Hak fans (and who isn’t a Hak fan!?) there are some great scenes of him taking on a wayward army, determined to take out their anger at losing a battle on innocent civilians. As Yona learns more and more about the dark side of human nature, she becomes more resolute about helping people. I’m curious to see how she manages to resolve the current crisis, I’m not sure if even she can pull of pacifying an angry army. This series is consistently rewarding to read, and one of the best fantasy shoujo series that Shojo Beat has published.