Tag: yaoi

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Given, Vol. 1

Given

Given Volume 1 by Natsuki Kizu

Even before I read this manga, I remember scrolling past something on twitter and seeing the cover. Who is the mildly cranky guitarist? What’s up with the diffident dude with the red guitar? Has there been yaoi manga translated here featuring a rock band since Gravitation? I have no idea, but I was more than ready to check out this series.

Uneoyama is a cranky high school student and guitar player who is quite irked to see another boy passed out holding a guitar in his favorite sleeping spot. Uneoyama is perturbed that the guy is clutching a Gibson with rusted out strings, but the mysterious boy says “Can this be fixed?” with a look of desperation on his face. Uneoyama quickly tunes the guitar, strums a cord, and is promptly asked for guitar lessons. Uneoyama isn’t sure how to teach an absolute novice the guitar, but his newfound companion tags along to band practice and introduces himself as Mafuyu Sato. Mafuyu meets bassist Haruki and drummer Kaji, and continues to be relentless about asking Uneoyama for guitar lessons.

Given

Throughout most of this first volume, Mafuyu is presented as an innocent enigma, but as Uneo gets to know him he begins to discover that Mafuyu’s emotional attachment to the Gibson he can’t play is rooted in a tragic event from his past. Uneoyama’s jaded attitude towards music is gradually changed by Mafuyu’s enthusiasm and he begins to think about his mysterious new friend more and more. Given perfectly executes the “I’m mad at you because you are so pretty” trope that is so enjoyable when done well. The scenes of the band playing music are dynamic, and Uneoyama’s growing feelings are built up in a subtle way even though he’s not yet ready to be honest with himself. Haruki and Kaji also have some cute scenes together, and as older band members spend a bit of time being amused at Uneoyama actually feeling off-kilter due to the fact that he is finally emotionally invested in something. Kizu’s character designs are all distinct and stylish, and I enjoyed the bonus illustrations of all the major characters that showed sketches of facial expressions as well as vital statistics. This was an extremely promising first volume, and I’m expecting this series will continue to entertain with a winning combination of slow burn romance and music.

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Sublime Quick Takes: Liquor and Cigarettes and Fourth Generation Head: Tatsuyuki Oyamato

Liquor and Cigarettes

I’ve decided in the interest of clearing away some of my to-read manga stacks, I’m going to dedicate the month of February to BL and yaoi manga and do at least one extra post of mini reviews a week. I’m going to do a big giveaway at the end of the month with a selection of what I’ve read (however many manga I can fit into a flat rate priority box). So let’s take a look at some manga from SubLime.

Liquor and Cigarettes by Ranmaru Zariya

Camilo and Theo are childhood best friends who run family businesses across the street from each other in a quasi European setting. Theo sells liquor and Camilo sells cigarettes. Theo’s deep dark secret is that he’s secretly a lightweight who can’t tolerate alcohol. Camillo’s favorite hobby is propping his head in his hands and staring soulfully at Theo. When Camilo asks his lifelong friend to consider dating him, Theo isn’t sure, but he decides to throw himself into a quasi trial relationship while at the same time building up his alcohol tolerance so he can take part in a town wine festival. What follows is a series of booze and angst-filled nights as Theo struggles with his sexuality and Camilo attempts to win him over. The art is well-done and fluid, with distinct character designs. Liquor and Cigarettes is complete in one volume, and would be a good choice for yaoi fans who are wanting something short but explicit to read that also features a decent amount of character development, as both Theo and Camilo puzzle out how to take their relationship forward without the booze.

liquor and cigarettes

Fourth Generation Head: Tatsuyuki Oyamato By Scarlet Beriko

The cover for Fourth Generation Head: Tatsuyuki Oyamato shows a shocking lack of concern for basic gun safety. I can say that the cover certainly signals the content of the manga. Tatsuyuki Oyamato is an heir to a powerful yakuza family. He’s not that invested in his duties in organized crime, as he’s struggling to get over being dumped by a masseur. He ends up wandering around a city half-drunk and gets picked up by Koga Nozomi, a kindergarten teacher who recognizes Tatsuyuki from an incident in their past that Tatsuyuki has no memory of. A local mafia boss named Rogi is determined to make both Tasuyuki and Nozomi miserable, and his daughter attends the kindergarten where Nozomi works. One of the reasons why I tend to be only an occasional yaoi reader is that I don’t care for reading much about non-consensual sex. Rogi decides to hatch an elaborate blackmail scheme that involves sexual torture, and that wasn’t appealing to me as a reader. Trauma in general gets a pass in this manga, and Nozomi’s semi obsessive tendencies towards Tatsuyuki get mention and then glossed over. Beriko’s art is great, and Nozomi is appropriately adorable, but in the end, this was not a manga that inspired enthusiasm for me as a reader. While there is a happy ending of sorts, I do hope that the yakuza have a good mental health provider.

Fourth Generation Head

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Ten Count, Vols. 1 and 2

Ten Count Volumes 1 and 2 by Rihito Takarai

Ten Count is a yaoi series that caused me to wonder greatly about psychiatric ethics. Shirotani is an executive assistant who functions well in his job despite having an almost debilitating case of obsessive compulsive disorder. He has to wear gloves to hide his injuries from frequent hand washing and he has elaborate systems and rituals in place in order to make him feel safe. His condition also affects his relationships with other people, as he has an aversion to being touched.

One day Shirotani’s boss gets saved from an accident by a random bystander, who turns out to be Kurose, a therapist. Kurose recognizes Shirotani’s symptoms and goes out of his way to cultivate his acquaintance. Kurose’s mannerisms are brusque and not very emotional, but Shirotani seems to be drawn to him anyway. Kurose proposes that Shirotani gradually build up a tolerance to the situations that trigger his OCD by making a list of ten things he finds difficult or impossible to do, ranging from things like touching a door handle bare handed to eating with another person. Kurose says that this isn’t therapy, just two friends trading tips.

The relationship begins to grow, and Shirotani becomes increasingly dependant on Kurose, but Kurose abruptly cuts things off, only to leave Shirotani confused and upset. For someone who is supposed to be an expert in human behavior, Kurose seems a bit odd himself in how he conducts himself with this new friendship.

The first volume doesn’t need the explicit content warning on the front, but the second definitely does! I’m not terribly fond of relationships in yaoi manga where one person is entirely dominant and the other is set up in a more submissive role. In this case Kurose seemed to keep pushing Shirotani out of his comfort zone, and while it might end up that Shirotani becomes a more functional human being as a result of this, there were some dynamics to the relationship that I didn’t really enjoy reading. I think though that this is likely to be an enjoyable manga for most yaoi fans.

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Red Blinds the Foolish by est em

I wasn’t sure at first what I was going to write about for the 801 Manga Moveable Feast, and then I remembered that I bought a few volumes of manga when Deux was going out of business and hadn’t gotten around to reading them. In particular I’ve been hoarding a couple Est Em books that I haven’t read yet, I think just because I just liked knowing that there was some English language Est Em manga that I could look forward to.

As I picked up this volume, one thing that caught my attention was a quote on the back by translator Matt Thorn comparing est em to Ursula LeGuin. At first I wasn’t sure what to make of that comparison, but as I thought about it more it seemed to make sense, as both authors explore concepts, ideas, and place in their work in an extremely thoughtful way. I tend to think of est em as a literary titan among yaoi authors. Red Blinds the Foolish doesn’t disappoint the reader looking for more thoughtful yaoi.

The main story in this volume focuses on Ratifa, a young successful matador, and Mauro who ends up butchering the bulls that are killed in the ring. Maruo is bull-like in some of his characteristics, as he is color blind just like a bull. This type of set-up might seem like a bit like metaphoric overload from a lessor creator, but est em’s slice of life approach documents the growing relationship between the couple in such a natural way that the reader ends up absorbing a lot of philosophy and bullfighting information without being hit over the head with a hammer of symbolism. There are fairly explicit sex scenes in this book, but I didn’t find them to be particularly lascivious because they take place in the context of a conversation between the characters. They could just be going out for coffee or eating tapas and and talking but since this is a yaoi manga they’re having sex.

The last third of the manga is a few short stories focusing on relationships in various stages – established, just beginning, and nostalgic. What makes est em’s work so interesting isn’t so much the specific details of the plots of her stories, but the general sense of wistfulness or longing she evokes by the time the reader reaches the conclusion. Seeing est em illustrations and then going back to more commercial manga always gives me a bit of mental whiplash, as her style with delicate, not overly polished lines and a very judicious use of screen tone always evokes a sense of clarity. I enjoyed reading Red Blinds the Foolish very much. It shows how versatile est em can be, that she can produce a work that explores relationships like Red Blinds the Foolish and then is also able to make an abrupt turn into the wacky but still poignant with a manga like Working Kentauros.

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Manga Reviews

Apartments of Calle Feliz by EST EM on Jmanga.com

Apartments of Calle Feliz Vol. 1 by EST EM

It probably isn’t fair to EST EM, but I tend to think of her work as “yaoi for people who hate yaoi.” Yaoi just isn’t my thing as a genre, yet there are quite a few creators who have a large catalog of yaoi titles who I enjoy reading. Fumi Yoshinaga and EST EM seem like standouts as they have more of an indie sensibility, with a a focus on characterization and slice of life stories. I’m guessing that Natsume Ono would fit into this category of authors too, but her yaoi work hasn’t been licensed in the United States. I still have my EST EM titles from Deux stockpiled for a rainy day, but in the meantime I’m enjoying her e-book titles. Working Kentauros was gloriously off-the-wall, but Apartments of Calle Feliz provides a quieter, more meditative look at the lives and loves of a group of men who all live in the same apartment building. The core of the story centers around Luca, a writer who has just been kicked out of his apartment by his boyfriend. He finds the apartments of Calle Feliz and talks to the landlord, Javi. Javi says that his last apartment is already rented but says that Luca can be his roommate. Javi’s sudden offer of becoming roommates is mysterious in motivation and he declares “Because I think you’re pretty hot….is unfortunately not actually the reason.” Luca finds the economics of the situation compelling despite Javi’s eccentric behavior and he moves in, discovering that Javi is actually a well-known radio DJ in addition to being an apartment landlord. When Luca’s stuck for writing material, Javi tells him to write the stories of the residents of Calle Feliz.

Luca’s habits of writerly observation allow EST EM to provide quick snapshots of men in different situations. Dino and Salvatore are a committed couple, but their relationship is strained by Salvatore’s quirks – he’s a nudist and an agoraphobe who hasn’t stepped out of his apartment in three years. Noe has a relationship with twins, who want to know who he actually prefers. A puppet maker has a habit of rehabilitating people who’ve lost their voices. Eva lives in a noise-filled apartment and finds a connection with his deaf upstairs neighbor. All of these character vignettes are interspersed with the continuing story of Luca and Javi, as Luca begins to wonder what happened to Javi’s old roommate while they start becoming better companions for each other. EST EM’s art is always a treat, and she has certainly honed her talent for drawing attractive men. Unlike many other manga artists who cycle through a standard set of character designs, only varying hair and outfits, the reader can easily distinguish the differences between the large cast of people in this manga. While Apartments of Calle Feliz didn’t provide the humor and insanity of EST EM’s manga about salarymen centaurs, it offers a variety of enjoyable slice of life stories that should appeal to anyone who also enjoys the work of Fumi Yoshinaga and Natsume Ono.