Red Blinds the Foolish by est em

August 8, 2013 by 3 Comments

I wasn’t sure at first what I was going to write about for the 801 Manga Moveable Feast, and then I remembered that I bought a few volumes of manga when Deux was going out of business and hadn’t gotten around to reading them. In particular I’ve been hoarding a couple Est Em books that I haven’t read yet, I think just because I just liked knowing that there was some English language Est Em manga that I could look forward to.

As I picked up this volume, one thing that caught my attention was a quote on the back by translator Matt Thorn comparing est em to Ursula LeGuin. At first I wasn’t sure what to make of that comparison, but as I thought about it more it seemed to make sense, as both authors explore concepts, ideas, and place in their work in an extremely thoughtful way. I tend to think of est em as a literary titan among yaoi authors. Red Blinds the Foolish doesn’t disappoint the reader looking for more thoughtful yaoi.

The main story in this volume focuses on Ratifa, a young successful matador, and Mauro who ends up butchering the bulls that are killed in the ring. Maruo is bull-like in some of his characteristics, as he is color blind just like a bull. This type of set-up might seem like a bit like metaphoric overload from a lessor creator, but est em’s slice of life approach documents the growing relationship between the couple in such a natural way that the reader ends up absorbing a lot of philosophy and bullfighting information without being hit over the head with a hammer of symbolism. There are fairly explicit sex scenes in this book, but I didn’t find them to be particularly lascivious because they take place in the context of a conversation between the characters. They could just be going out for coffee or eating tapas and and talking but since this is a yaoi manga they’re having sex.

The last third of the manga is a few short stories focusing on relationships in various stages – established, just beginning, and nostalgic. What makes est em’s work so interesting isn’t so much the specific details of the plots of her stories, but the general sense of wistfulness or longing she evokes by the time the reader reaches the conclusion. Seeing est em illustrations and then going back to more commercial manga always gives me a bit of mental whiplash, as her style with delicate, not overly polished lines and a very judicious use of screen tone always evokes a sense of clarity. I enjoyed reading Red Blinds the Foolish very much. It shows how versatile est em can be, that she can produce a work that explores relationships like Red Blinds the Foolish and then is also able to make an abrupt turn into the wacky but still poignant with a manga like Working Kentauros.

Apartments of Calle Feliz by EST EM on Jmanga.com

September 11, 2012 by 4 Comments

Apartments of Calle Feliz Vol. 1 by EST EM

It probably isn’t fair to EST EM, but I tend to think of her work as “yaoi for people who hate yaoi.” Yaoi just isn’t my thing as a genre, yet there are quite a few creators who have a large catalog of yaoi titles who I enjoy reading. Fumi Yoshinaga and EST EM seem like standouts as they have more of an indie sensibility, with a a focus on characterization and slice of life stories. I’m guessing that Natsume Ono would fit into this category of authors too, but her yaoi work hasn’t been licensed in the United States. I still have my EST EM titles from Deux stockpiled for a rainy day, but in the meantime I’m enjoying her e-book titles. Working Kentauros was gloriously off-the-wall, but Apartments of Calle Feliz provides a quieter, more meditative look at the lives and loves of a group of men who all live in the same apartment building. The core of the story centers around Luca, a writer who has just been kicked out of his apartment by his boyfriend. He finds the apartments of Calle Feliz and talks to the landlord, Javi. Javi says that his last apartment is already rented but says that Luca can be his roommate. Javi’s sudden offer of becoming roommates is mysterious in motivation and he declares “Because I think you’re pretty hot….is unfortunately not actually the reason.” Luca finds the economics of the situation compelling despite Javi’s eccentric behavior and he moves in, discovering that Javi is actually a well-known radio DJ in addition to being an apartment landlord. When Luca’s stuck for writing material, Javi tells him to write the stories of the residents of Calle Feliz.

Luca’s habits of writerly observation allow EST EM to provide quick snapshots of men in different situations. Dino and Salvatore are a committed couple, but their relationship is strained by Salvatore’s quirks – he’s a nudist and an agoraphobe who hasn’t stepped out of his apartment in three years. Noe has a relationship with twins, who want to know who he actually prefers. A puppet maker has a habit of rehabilitating people who’ve lost their voices. Eva lives in a noise-filled apartment and finds a connection with his deaf upstairs neighbor. All of these character vignettes are interspersed with the continuing story of Luca and Javi, as Luca begins to wonder what happened to Javi’s old roommate while they start becoming better companions for each other. EST EM’s art is always a treat, and she has certainly honed her talent for drawing attractive men. Unlike many other manga artists who cycle through a standard set of character designs, only varying hair and outfits, the reader can easily distinguish the differences between the large cast of people in this manga. While Apartments of Calle Feliz didn’t provide the humor and insanity of EST EM’s manga about salarymen centaurs, it offers a variety of enjoyable slice of life stories that should appeal to anyone who also enjoys the work of Fumi Yoshinaga and Natsume Ono.