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Snow White with the Red Hair Vol 2

Snow White With the Red Hair Volume 2

Snow White with the Red Hair Volume 2 by Sorata Akiduki

Snow White with the Red Hair had a fairly episodic first volume, so I was curious to see what the second volume would bring now that the characters and setting had all been set up. This volume blended medical mystery and palace intrigue with a little hit of the undercurrent of emotions between Shirayuki and Zen, in a way that sets up a great escapist read for anyone wanting to disappear momentarily into another world.

Snow White With the Red Hair Volume 2

Snow White with the Red Hair doesn’t have the magical elements of a fantasy manga yet, but it has a quasi-medieval setting in an imaginary kingdom, and this volume opens with a low key slice of life situation as Shirayuki takes up her role as a court herbalist and finds out that she’s been paired with Ryu, a 12 year old prodigy as her new mentor. Ryu is brilliant, but not so great at dealing with people. Shirayuki’s open manner and genuine approach to dealing with people wins him over gradually. Shirayuki also learns some hard truths about Zen’s life when she gets a glimpse of his medical chart, which shows that however idyllic the setting of this manga is, people are still cruel to each other in unfathomable ways.

Shirayuki’s skills come to the forefront yet again when Zen investigates a fort where many of the soldiers are dealing with a mysterious illness. Here, all of Zen’s princely strategies aren’t all that useful, but Shirayuki’s keen knowledge and observational powers cause her to come up with a solution that he’d be unable to achieve. Things are complicated even further when Zen’s older brother comes back to the palace and shows himself to be thoroughly unpleasant. Even though there might be some manipulative scheming going on, the core of Snow White with the Red Hair is the gradually deepening friendship between Shirayuki and Zen. Seeing two characters who treasure each other so much invests this manga with a ton of heart. While most of their serious interactions are just a few panels here and there in between dealing with various tough situations, Akiduki has built up a tremendous amount of goodwill towards the couple in just two volumes. It is impossible not to root for them, even seeing that they will have plenty of obstacles ahead.

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Takane & Hana, Vols. 8 and 9

Takane & Hana 9

Takane and Hana, Volumes 8 and 9 by Yuki Shiwasu

At 9 volumes in Takane and Hana continues to have story arcs centered on wacky shenanigans, but since those shenanigans seem to be prodding along the romance between Takane and Hana at a glacial pace, I tend to just sit back and enjoy the story.

Most of this volume is taken up with Hana’s realization that she actually cares for Takane, and stumbling through events like Valentine’s Day and dinner with her family while she’s burdened with newfound awareness of her own feelings. There are still plenty of moments of culture shock as Takane isn’t sure what to do the first time he encounters insufficiently marbled beef. There could only be so long that Takane could survived in forced poverty in the position of a mediocre salaryman, mostly because while he is an emotional idiot, he’s actually exceedingly good at business. His current company ends up creating more of a manager role for him, and he’s clearly moving up.

Takane & Hana 9

Takane’s grandfather is pleased with the success of his machinations to force his grandson to grow through vicariously experiencing poverty, but now he’s worried that there will be no time for Takane’s romance to progress. Since exercising familial authority through housing worked so well the last time, he decides to provide Hana’s family with an elaborate mansion to live in as part of a made-up “testing program.” They all move in, only to find out later that they are also required to live with Takane. Takane and Hana end up setting some rigid boundaries around their new living situation, but they aren’t rigid enough for Okamon. Okamon has been lurking on the margins with his carefully deadpan expression, but he hasn’t weighed in on Takane and Hana’s relationship before. I was delighted that volume 9 finally featured Okamon being more direct and also presented a chapter from his point of view. While Okamon may firmly be fulfilling the role of “second lead guy” so familiar in Korean dramas, and I don’t think that he represents a serious threat to an eventual resolution for Takane and Hana, it was a nice change of pace to get to spend more time with him in this volume. I’m expecting that Takane and Hana cohabiting in a mansion will provide plenty of antics for at least 2 volumes.

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Daytime Shooting Star, Vol 1

Daytime Shooting Star Volume 1 by Mika Yamamori

We haven’t had a ton of student-teacher shoujo romances being translated here recently, but perhaps series like Dengeki Daisy and Takane and Hana have paved the way. Suzume has a comfortable, slow-paced life in the country. Her classmates are all as familiar to her as siblings, and she feels free to randomly ditch class and go up on the roof of her school building to stare at the sky. Unfortunately her routines are about to be disrupted, as her parents announce that they have to go abroad for her father’s work, and they are sending her to Tokyo to live with her uncle. Suzume ends up getting lost on her way to her uncle’s house and an eccentric young man wearing a goofy hat helps her out. It turns out that Shishio is a friend of her uncle’s and her teacher! This amazing coincidence isn’t terribly surprising. The contrast between Shishio’s mannerisms when he’s off-duty and when he’s at school is amusing.

Suzume initially has a hard time fitting in with her new school, but she makes a quasi-friend in Mamura, the boy she ends up sitting next to in class. He has a almost pathological reaction of terror in response to any contact from girls. She also makes a frenemy in the form of Nekota, a girl at school who sets up a fairly weak way of deliberately excluding Suzume from a weekend outing with her classmates. When Suzume realizes what is going on, she decides to charge in and confront the issue. Shishio keeps showing up at odd moments when Suzume is feeling down, and while she’s clearly developing a hidden crush, she has plenty of other things on her mind as she attempts to deal with adjusting to life in Tokyo.

Yamamori’s art is attractive and stylish, and I enjoy the varied way Suzume is portrayed, as she swings from being timid in a new environment, to cool and confident on the volleyball court, to desperately trying to cover up evidence of a girlfight. Suzume is an engaging heroine, and I’m looking forward to see what happens next as the relationships between the characters develop more.

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Komi Can’t Communicate, Vol. 1

Komi Can’t Communicate Volume 1 by Tomohito Oda

I tend to be a little leery of shonen comedies, but I found Komi Can’t Communicate both amusing and endearing. I think in general I tend to have better luck with Shonen Sunday series like this one as opposed to Shonen Jump titles. Komi Can’t Communicate is told though the point of view of Tadano, a timid freshman who just wants to get through high school without standing out too much after some disastrous attempts to distinguish himself in junior high. However, as is fairly typical for any manga protagonist wanting a normal high school life, this doesn’t end up happening.

He meets his classmate Komi, who is held up as the class princess due to her beauty and aloof nature. But as he encounters her by the lockers and in the classroom, Tadano begins to realize that she’s not silent because she’s stuck up, she actually has a psychological condition that prevents her from talking to people. They find a fairly adorable workaround by having a conversation through writing on the chalkboard, and Tadano vows to help Komi achieve the goal of having 100 friends. This unfortunately means that Tadano is going to have to ramp up his own social skills if he’s going to serve as a friendship wingman to a girl who is having such difficulty with verbal communication.

I enjoyed the way Oda’s art showed Komi’s body language as she struggles to get through school, with her poses that could be mistaken for snobbishness or extreme social terror at the same time. She also sometimes reverts into wide-eyed chibi mode when something happens that is particularly alarming. In their quest for friendship Tadano and Komi meet Najimi, a classmate who appears to be gender fluid, but who is a totally social butterfly and the most popular person in school. While enduring the awkwardness of high school creates plenty of comedic situations, I thought that the first volume of Komi Can’t Communicate actually had a great deal of heart, which made it much more fun for me to read than a comedy that’s more mean-spirited. It’ll be interesting to see what happens with Tadano and Komi at their extremely quirky high school.

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Ao Haru Ride, vol 5

Ao Haru Ride Volume 5 by Io Sakisaka

One of the reasons why I like Ao Haru Ride is the way it effectively gets into the agonizing headspace of first love, where tiny decisions or comments made in a moment fraught with tension end up propelling a relationship forward or dooming it to the status quo. It takes some superior authorial skills to portray the inner soliloquies of teenagers as consistently sympathetic but Sakisaka has the chops to make the reader fully invested in all of these charged interactions. Futuba is still struggling with her feelings towards Kou, and it looks like things are going to go to the next level when he actually asks her out to a summer festival.

Futuba builds up the prospect of festival attendance in her mind, thinking it is a perfect time to tell him what she feels, but Kou ends up canceling and before they know it they are back in school. Kou seems more distracted than usual, spending a bunch of time texting on his phone. Ao Haru Ride is heading into familiar shoujo territory as Toma keeps popping up around Futuba, quickly realizes that she likes Kou, but still lingers around since it is clear that they haven’t started a relationship yet. While Kou isn’t asking Futuba out again, he’s clearly getting annoyed at Toma’s consistent presence. Kou’s distraction is due to his trying to help an old friend as they get adjusted at a new school, and any shoujo reader can tell that this is going to introduce a new ongoing complication to prevent Futuba and Kou getting together. Sakisaka is great at portraying the agony of the emotional calculations Futuba goes through, as she thinks if she hits on a magic moment it will be the right time to confess to Kou. Meanwhile, Toma’s keen observations of Futuba show her to be different from the tomboyish self image she’s struggled to maintain. While the plot points of summer festivals and school activities are well-worn shoujo territory, I’m captivated by these particular characters, with all their quirks and awkward moments.