Categories
Manga Reviews REVIEWS

Gangsta Vols 4 and 5

As I embarked on getting caught up on Gangsta, I found myself very grateful for the character bios and plot summaries in front of the volumes. The first couple volumes focused on the slightly more intimate lives of Alex as she meets and is taken in by the Handymen Worick and Nic inter cut with various scenes of violence, but the series is now headed into a full on gang war, and it is useful to be reminded of just who is who in the ever expanding cast of characters.

Gangsta Volume 4 by Kohske

The fourth volume deals with the personal problems of the characters as well as introducing more members of the sprawling underworld in the city of Ergastulum. The handymen are cleaning up after an attack, and Alex is distracted with memories of her younger brother. After shaking the dependency on the drugs she was previously addicted to, more of her normal memories are starting to come back, but she’s not yet able to recall the details of her past life. One of the things I like about this series is the artful way Kohske portrays her action scenes. Alex goes on an errand for the Handymen, and when she happens on a scene where another woman is being attacked, she grabs a stray piece of lumber and rushes in to defend a stranger without thinking of her own safety. Alex is about to get attacked herself, when on the next page a single panel of Nic in motion, mid-leap behind her attacker shows that the problem is being taken care of with almost frightening efficiency.

Alex and the Handymen go to a party thrown by the Cristiano Family, one of the weakest mafia families who is also the most charitable when it comes to taking care of Twilights who would otherwise not have a place to claim sanctuary. The head of the family is a tiny young girl named Loretta, who pragmatically surrounds herself with skilled bodyguards. An equally young twilight hunter shows up at the party and sets off a bloodbath. Another hunter names Erica appears, and while the Handymen and their allies manage to fight off the attack, they sustain huge losses in the process.

Gangsta Volume 5 by Kohske

In this volume it seems clear that the mafia factions in Ergastulum are going to be headed into war. The team of Destroyers becomes more defined, and the situation for regular Twilights not affiliated with an organization is looking worse and worse. Alex has gained even more of her memories, remarking to Nic that she knew him before, only to not get a response. Worick is forced to use his sense for objects to identify corpses, and he and Nic are separated throughout most of this volume, with dangerous consequences. The Destroyers begin to tear through the city, and identify themselves as agents of the Corsica family. Still, even in the middle of a tidal wave of violence, there are quick scenes of normal daily life, when Nic hands Alex a mug as soon as she wakes up from some disturbing dreams of her past. Nic heads off to help out Loretta, and Worick is left to help fend off an attack at the Monroe family house. Things are looking fairly grim for the found family the Handymen have built for themselves. We’re starting to get more caught up with the Japanese release of Gangsta, and I know I’m going to start getting impatient as the wait between volumes grows longer.

While Gangsta does feature plenty of action and grim themes centered around drugs, class issues, and the mafia, the core story circling around Alex and her relationship with the Handymen ensures that the violence in the manga always seems to have a narrative purpose. Koshke’s narrative start small and builds up to a intercut scenes of a sprawling cast headed into some serious confrontations is building more and more suspense and tension as the series progresses. I’m also always impressed with the variety of character designs and defined looks as the manga includes more and more characters. I’m glad that Viz is continuing to give quality seinen some serious attention in the Signature Line with this title.

Categories
Manga Reviews

Tesoro by Natsume Ono

For the Manga Moveable Feast, the one title I had sitting on my to-read stack from the Signature line was Natsume Ono’s Tesoro. I enjoyed this volume of short stories and doujinshi, but it might be mainly for Natsume Ono completists. I enjoyed this volume very much, but I tend to be an Ono fan. I think that the only work of hers translated in English that I haven’t read is Not Simple, and the art style in these stories seems to echo the cover of that volume. The facial expressions and thin linework are recognizably Ono’s work, but instead of the more elongated character designs seen in House of Five Leaves and Gente, the proportions of the people in this manga are much more short and childlike. This cartoony style suits the slice of life nature of the stories, as Ono quickly dashes off observations about family relationships and food. This volume will appeal more to fans of Gente and Ristorante Paradiso than House of Five Leaves.

I tended to enjoy the stories in the first half of the volume more than the ones in the back. Standouts to me were the story “Moyashi Couple,” about an aging husband and wife that worry how they are perceived by their neighbors and “Three Short Stories About Bento” in which the traditional Japanese lunch is a main character in the lives of different people. Ono is at her best when capturing quick illuminating moments that portray the relationships between people and their surroundings. Fans of Gente will enjoy the middle part of this volume, with many stories set in Italy. The story I couldn’t really get into was Senza Titolo #4, about a man getting out of prison who needs to deal with the expectations of all the people who are waiting for him. For some reason that story seemed like it was cobbled together from sources instead of having the more authentic feel of the other works in this manga, which feel very observational and true to life. Tesoro is essentially a collection of Natsume Ono B-sides, and if you’re already a fan of her work you will most likely enjoy it in order to get a glimpse of her earlier art and storytelling style.