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Manga Reviews REVIEWS

Harlequin Manga: Angus’s Lost Lady and The Seduction Bid

Although I’ve read a bit of manga on the Kindle app for my iPad, I haven’t actually read any manga on my newest toy – a Kindle Paperwhite. When I discovered that there were actually several Harlequin manga for sale for .99 cents on amazon, I wasted no time in purchasing them. I was particularly interested in these two titles, because I’d previously read another title adapted by Kazuko Fujita, Sale or Return Bride. I tend to assume that the art for these Harlequin adaptations is going to be fairly rushed, but either Fujita’s art is among the best that I’ve seen in a Harlequin manga. Her character designs are attractive, and she manages to convey a great deal of nuance in their facial expressions, with the end result that she ends up elevating the stories in these volumes. Backgrounds are sparse, and if you read Fujita’s manga one after the other you will notice that she only draws one basic hero, but she does draw him very well.

Buying Harlequin manga on the Kindle is a bit confusing because there are multiple editions for each title, but I’m linking to the editions that I bought and read here.

Angus’s Lost Lady by Kazuko Fujita and Marie Ferraella

Angus’s Lost Lady is the story of a PI and single father named Angus who is surprised to see a woman with with a lost shoe and amnesia on his doorstep. The only clue to her identity is the fact that she’s clutching his business card, but she hasn’t met him before. She has a head injury as a result from being grazed by a bullet. Since this is a romance manga Angus promptly moves the lost woman into his apartment, introducing her to his daughter Vikki and trying to jog her memory by giving her a phonebook to read. The woman decides to adopt the name Rebecca. Rebecca and Angus investigate her accident and missing memories, and along the way struggle with their attraction for each other. The old “woman in danger with amnesia” is not a novel plot device, but Fujita does a good job portraying the chemistry between Angus and Rebecca, and Rebecca isn’t as simpering and weak as many Harlequin amnesia ladies usually are.

The Seduction Bid by Kazuko Fujita and Amanda Browning

Perhaps it is due to my own anger management issues, but I generally enjoy it when women in romance manga yell a lot. In this case, the heroine of The Seduction Bid barges into an office and starts to chew out an incredibly handsome man who she thinks is an unscrupulous reporter for a local tabloid. Carrie is determined to defend one of her friends from scandal. While she is momentarily distracted by the stormy grey eyes of the man she is yelling at, she ends up storming out of the office ranting about “garbage journalism”. The man with the mysterious grey eyes decides that he wants to be yelled at forever and vows to marry her. Later, as Carrie is hanging out at the house belonging to the parents of her late husband she is introduced to the object of her rant and he turns out to be Lance, cousin of the gutter journalist. Lance then proceeds to relentlessly pursue the reluctant Carrie, and his charm gradually begins to wear down her well developed defense mechanisms.

The attractive art makes these volumes a pleasure to read, and the stories are basically what you’d expect from Harlequin. Reading these on the Kindle was fine – the size of the manga to fit the Kindle screen is about what you’d see in a Japanese tankobon, and since the backgrounds of the manga weren’t particularly detailed, the smaller reading size for the manga didn’t make much of a difference. At only a dollar a pop, buying these is a no-brainer for anyone who enjoys Harlequin manga.

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Manga Reviews REVIEWS

Happy Mania Vols 1-5

This is a post for the Moyoco Anno Manga Moveable Feast.

Some series I take to right away, and other manga series end up being second chance reads. Happy Mania is one of those series that is better the second time around for me. I read the first couple volumes several years ago and didn’t really get into it because I found the main character incredibly annoying. Since then I’ve read several other manga by Moyoco Anno and have long suspected that I needed to give Happy Mania a second shot. I’ve pieced together the out of print series from paperbackswap.com and some good bargain manga outlets. I was hoping to read the entire series for the Manga Moveable Feast, but I wasn’t able to start reading it until much later than I planned. I was able to read a decent chunk of it though!

The heroine as a ditsy, hopeless woman who decides to “live for love” is quite the stereotype in shoujo and josei manga. Her life gets romanticized and she ends up getting saved by her ideal man. Anno’s approach is to show just how horrible a life someone like this would actually lead. Shigeta is a young woman who works in a bookstore. Her career’s nonexistent, but she’s fixated on the idea of meeting a man who will save her from the drudgery of her daily life. Unfortunately Shigeta’s main method of dealing with men is to fixate on someone totally unsuitable, sleep with him extremely quickly, and then wonder why he’s suddenly not interested in her. While she chases bad boys, her hapless co-worker Takahashi is pining for her. He is usually drawn with tears streaming down his face, sighing Shigeta’s name.

Shigeta goes through jobs and men in quick succession, hooking up with a womanizing younger DJ, the son of a cult leader who rapidly turns psychotic, a stoic ceramics artist, and a married man. Whenever Shigeta’s in crisis, Takahashi is there for her, and even though he goes overseas to study their relationship gradually progresses into a semi-dysfunctional engagement. If Shigeta exhibited absolutely no personal growth through these volumes the series would be a bit tedious, but she does gradually realize that her goals and behavior are not making her happy. This isn’t really enough to prevent her from seeking her self worth in the knowledge that a man might be interested in her, but she isn’t entirely without self awareness. When she pauses to think about a couple of the men pursuing her, she thinks “What’s wrong with these guys? If they like me that much…there must be something wrong with them!”
Shigeta is always pursuing the next unattainable man. Being stuck in a behavioral pattern like Shigeta’s seems refreshingly realistic for a manga heroine, and Anno certainly doesn’t shy away from the more sordid aspects of her life. Happy Mania isn’t romanticized at all.

Anno’s art is distinct and fluid. She has a unique ability to draw characters that are simultaneously attractive and slightly grotesque. Shigeta looks like a limpid-eyed, slightly crazed goblin half of the time. Takahashi shifts from being slight and nerdy to being more attractive as Shigeta’s view of him changes. There always seems to be a metatextual element to Anno’s manga. Happy Mania might be a manga about a love-starved twentysomething woman, but it is also a cynical commentary about manga about love-starved twentysomething women at the same time.

I’m glad that I gave this series a second chance. Shigeta’s antics didn’t really sit very well with me the first time I tried this series, but in the intervening years I’ve read a bunch more manga, and right now I find a manga about a woman finding unhappiness through her pursuit of men much more interesting than a more typical manga that is going to head towards a happy ending after a series of wacky misunderstandings.

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Manga Reviews REVIEWS

Clair Voyance Vol. 1

clair

Clair Voyance Vol 1 by FSc
Available from jmanga.com

This is one of those unique non-commercial titles that makes me feel glad that jmanga.com exists in the current manga market. I decided to take a look at this title solely because of the cover image. I thought the art looked whimsical and quirky, and the inside of the volume matched with my initial impression of the cover. Clair Voyance doesn’t have much of a detailed plot, as it mostly deals with a relentless, classic science fiction novel quoting girl named Pi who fixates on a mysterious classmate named RueRune who goes around wearing a sarong and styles his hair in a bun anchored by random botanical specimens. Pi stalks RueRune, and sees him wander about, talking to the air, buying food, and getting violently ill. Eventually she realizes that his odd behavior is due to the fact that he’s talking to invisible creatures.

Where this title stands out from other monster of the week manga is the art and slice of life approach to the material. This title is published by Ohta Publishing Company, which I believe is the publisher of the magazine Manga Erotics F, home of beloved to manga bloggers authors like Natsume Ono, Usamaru Furuya, and Inio Asano. Fsc’s art reminds me a bit of a Natsume Ono, if Natsume Ono was inclined to draw spirits that look like odd hybrids between botanical illustrations and Where the Wild Things Are. Each chapter is basically a short episode where Pi indulges in her curiosity over RueRune by following him around and pestering him, and while RueRune is able to relate much easier to the creatures that surround him, Pi represents the potential for his first true human friend.

There were a few typos here and there in the translation for this book. Fans of Natsume Ono would likely appreciate the gentle atmosphere of Clair Voyance, and if you enjoy monster of the week manga but would like to try a title with a laid-back, unconventional sensibility, this is the manga for you.

Electronic access provided by the publisher.

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Kekkaishi Vol. 10-15

I absolutely adored the first few volumes of Kekkaishi. It is rare for me to find a shonen series that I like that features art that is both clear and visually arresting combined with plenty of character development, adventure, and the occasional bit of humor. But even though I liked what I’d read when I started reading the series back in 2010, the length of the series at 35 volumes made me a bit hesitant to commit to collecting it. I’ve had volumes 20-25 stockpiled for future reading for some time now, but the Viz digital sale during the holidays and my rapidly diminishing bookshelf space prompted me to pick up 10-19 for my iPad.

These volumes feature Yoshimori in the middle phases of his shonen hero journey. He’s a little bit more self-assured and more confident and slightly less goofy around girl next door and fellow Kekkaishi Tokine. There are glimmerings of great power that make the suggestion that he’s “the chosen one” seem plausible, but he hasn’t yet fully grown into his abilities. Tanabe does a good job fitting in more episodic adventures into the larger mystery that Yoshimori is pursuing as he tries to find out the truth behind the mystical Karasumori site he is sworn to protect.

Volumes 10 and 11 deal with a powerful attack and the aftermath when powerful opponents visit the Karasumori site. Gen, Yoshimori’s new ally who is uneasy in his skin due to his half akashi nature, but he tries to help out Yoshimori as best he can. A fox princess and her retainers are visiting the site so she can gain power, which gives Tanabe the chance to create some lovely scenes where a pavilion is transported via gianty dragonfly ships, piloted by a spider-like woman, and accompanied by ninjas who drop out of the black clouds filling the sky.

Yoshimori’s brother is away on Night Troops business, casually flying through the air on a translucent Kekkai cube, talking strategy to Gen on his cell phone. Yoshimori, Tokine, and Gen band together to defend their site, with more strategy and skill than their opponents expect. Gen finds more acceptance than he anticipates from Yoshimori when he reveals his true powers, but he’s surprised by a sneak attack. The Fox Princess, expecting to find rejuvenating power, starts getting sick instead from the site. One of the reasons why I enjoy Kekkaishi so much is that it is able to portray a variety of emotional states in just a few pages, without ever feeling rushed. Yoshimori grieves the loss of his friend, then decides that he’s determined to exact revenge and become stronger. There’s a funny sequence where he tries to join forces with Tokine’s grandmother, and since she’s trying her best to dodge him, he brings a secret weapon – not a new mystical power but a skateboard. Tanabe’s akashi designs are always interesting – one of the foes the Night troops fight when they attack Kokuboro is a giant blobby monster baby.

Yoshimori’s unique powers cause him to be kidnapped and taken hostage by the Kokuboro, something that he doesn’t seem to mind all that much because he wants to destroy the akashi who took out Gen. Volumes 12 and 13 center on the battle with Kokuboro, as Yoshimori travels through his enemy’s castle in search of Kaguro. Yoshimori runs into Sen and an old friend of his grandfather’s along the way. Kaguro likes to toy with his opponents and play mind games with them. While he taunts Yoshimori, the young hero manifests a new power of destruction – a zekkai. The Night Troops come to the rescue just as the world of Kokuboro begins to crumble, and Masamori has to help deal with the aftermath of the odd power his younger brother suddenly manifested. In Kekkaishi each battle prompts moments of emotional revelation, and a big one occurs when Tokine confronts Yoshimori about his actions when he finally returns home. There are then a few stolen moments of normalcy, as Tokine goes back to her usual lectures while the friends walk to school, and Yoshimori escapes into the kitchen once again for his dessert experiments.

In volumes 14 a new ally named Takeshi appears, on the hunt for an evil spirit named Jaren who destroyed his master. Takeshi’s enthusiasm and explosive personality almost make him a parody of a shonen hero, but things quickly turn serious when the new friends confront Jaren, whose proclivities towards psychological manipulation make battle difficult. Things can’t be all doom and gloom and angsty battles, so when Yoshimori is visited by a crow goblin seeking help because his master has grown overly flirtatious, Yoshimori finds himself drawn into an odd adventure. Things take a turn for the surreal when odd black boxes start popping up that serve as portals to the home of a very disturbed man. A young, timid member of the night troops is trapped, but she ends up being remarkably resourceful with her very specific powers.

Revisiting this series reminded me of just how enjoyable shonen manga can be when it is really well done. The pacing in Kekkaishi is excellent, as Tanabe swings back and forth between epic battles and shorter episodic encounters. The fights in Kekkaishi are rarely just for the sake of fighting, as each confrontation generally leads Yoshimori into a little bit more knowledge about either the nature of the site he is protecting or how best to manage his own powers. There are plenty of manga that sacrifice clarity for looking cool – producing action scenes that are difficult to follow or overly detailed panels that end up distracting from the story. Kekkaishi’s art is easy to follow, but many of the character designs and scenes remain in my mind after I’ve finished reading a volume. I’m a little annoyed at myself for waiting so long to continue reading this series, but I’m glad that have so many volumes waiting on my to read stack now.

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Manga Reviews REVIEWS

Jiu Jiu, Vol 3

Jiu Jiu Volume 3 by Touya Tobina

Sean wrote in the latest Bookshelf Briefs column that Jiu Jiu is a title that he feels he should be liking more than he is, and that’s exactly how I was feeling after putting down the third volume. Jiu Jiu has many elements in place that I look for in a manga. Tobina’s art style is quirky and detailed, and I generally like supernatural/fantasy shoujo titles. The third volume features some more background information about the Hunter clans that Takamichi is ultimately going to be in charge of, along with the sudden appearance of her ex-fiance, and plenty of emotionally anguished violence.

The central refrain of Jiu Jiu that gets repeated again and again is “We’ll always be together,” as with each volume Takamichi and her familiars Snow and Night reaffirm their commitment to the odd little family unit that they’ve built for themselves. Unfortunately for me, there isn’t enough story to hang on to for me to really be all that engaged in what happens to the characters. Takamichi and her Jiu Jiu’s fight against change and growing older is not engaging me as much as other manga. I’m much more interested to find out in Demon Love Spell Volume 2, and that’s after reading only one volume. If three volumes of Jiu Jiu aren’t making me feel interested in what’s coming up next, I’m not sure if the next one will make me more invested in the story. This is a bit of a shame, because with a slightly more engaging plot or more nuanced characters I think I would enjoy this title much more. The art and hints of a darker sensibility at work do make Jiu Jiu stand out from other shojo titles, but I’m not sure if that’s enough for me.

Review copy provided by the publisher.