Author: Anna N

Anna Neatrour is a librarian with too much manga in her house. She started blogging at TangognaT in 2003 about libraries, books, manga, and comics. She created Manga Report to focus only on manga reviews in 2010. Anna is a member of the writing collective known as The Bureau Chiefs, authors of FakeAPStylebook and the book Write More Good. Anna contributed the Bringing the Drama column to Manga Bookshelf before joining the team in Nov 2012. When not reading, Anna can be found knitting or wrangling small children.

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Manga Blogging Manga Reviews

Manga Moveable Monday: Karakuri Odette

This Monday, you can get a snapshot of all currently published volumes of Karikuri Odette through two different reviews.

Manga Curmudgeon looks at volumes 1-3, noting:

It begins with Odette, a highly lifelike robot, telling her creator that she’d like to go to school like humans do. There isn’t anything mawkish or aspirational about her decision, and her rather blank bluntness is instantly winning. She never declares that she wants to be a real girl, and she doesn’t really make much of an effort to pass as one. Odette isn’t about pretense; she’s more focused on gaining experience and understanding, which is a promising starting point.

At Soliloquy in Blue, look for reviews of volumes 4 and 5. Michelle says:

In terms of plot, it’s a gentle, episodic slice-of-life story that’s never boring but likewise not terribly dramatic. Odette’s progress, though, is really a delight to witness, and comes through in chapters like the one in which her friends all share photos of themselves as kids—and her dejection when she learns she has none of her own—or when her heart inexplicably feels constricted when Asao seems on the verge of befriending another girl. For a long time, Odette has struggled with the concept of what it means to like someone, and it seems she might be on the verge of a breakthrough.

Categories
Manga Blogging

Why Karakuri Odette?

I’m looking forward to this week’s Manga Moveable Feast on Karakuri Odette. Even though the Manga Moveable Feast has been around for some time, this is the first title I’ve felt like putting forward for hosting.

One of the reasons why I like this manga so much is it takes a premise that might seem tired and makes it refreshing and charming. Odette is an android who wants to learn how to be more human, so her professor/father enrolls her at the local high school. Odette keenly observes human behavior, and wants to become more like a “real girl” despite the limitations of her android body. While Odette’s super-strength sometimes comes in handy, having to recharge her battery can be decidedly inconvenient. Odette’s quirky mannerisms make her initially seem odd to her classmates, but she soon makes friends. Her most unlikely friend is the sometime juvenile delinquent Asao, who sometimes functions as an unlikely object of Odette’s innocent affections and gradually grows into acting as a form of conscience for Odette when she doesn’t understand the human behavioral norms she wants to embody. Odette’s adventures often manage to be both funny and poignant as she learns more about the nature of human friendship.

In the hands of a less talented artist, Karikuri Odette wouldn’t be nearly as charming. Suzuki has developed a funny type of android body language for Odette. In the early volumes she often is drawn slightly stiff or off-kilter, but still with fluid enough poses that it is still believable that the other kids in her high school would think that she’s human. As the series progresses, Odette’s facial expressions become more and more emotional. Even though she might not be human, I think she’s getting close to her goal. I’m looking forward to reading what everybody thinks about this great series.

I’ll post daily links to the other blogs that are writing about this great series, and keep an archive of all posts on the Karakuri Odette page. If I’ve missed your post in a roundup, please let me know by contacting me or sending me a message on twitter.

Categories
Anime

Saturday Morning Cartoon: Cross Game

Today’s Saturday morning cartoon is Cross Game. I love the manga, and the anime looks like it did a great job translating Adachi’s character designs and blend of drama and baseball action into animated format. I’ve only watched the first couple episodes so far on the Viz anime site.

Categories
Manga Reviews

Dengeki Daisy Volume 3

Dengeki Daisy Volume 3 by Kyousuke Motomi

Dengeki Daisy is one of those series that just keeps getting better with every volume. I put this volume down disappointed that I’m going to have to wait until April to read volume 4. The characters in Dengeki Daisi just seem to have both more depth than I expect, and Motomi’s slightly off-kilter approach to shoujo storytelling always ensures some surprising moments in this manga. One of the things that I find hilarious is the way Teru’s friends just casually accept the fact that she’s living with a older, supposedly lecherous high school janitor. As the volume opens she’s preparing to move in with her new friend Riko and she’s trying to come up with ideas for a parting gift for Kurosaki. She decides that she’ll cook a meal, but she has to ask Kurosaki to pick up the groceries because she’s so busy moving. I just love the interaction between Kurosaki and Teru. He orders her to restate her request as a servant and she says “Master, I would appreciate it if you bought the groceries…please” and flashes her belly button at him. He ends up cooking her farewell dinner and teasing her too much, so she starts crying. Kurosaki gives her a hug and the comforting words “You’re my servant, remember? I’m going to work you to the bone at school. And you can keep coming here to cook and clean for me.” She thinks “This is so cowardly…I won’t do this again. Putting the one I love on the spot with my tears and expecting him to do what I want.” Teru then leaves, in order to move into her new apartment right next door. The first chapter of this volume contained everything I like about Dengeki Daisy: character interaction, self-reflection, and a quirky twist.

I enjoyed spending more time with the main characters in Dengeki Daisy. I’m a big fan of shoujo heroes who look slightly dissolute, like Yoh from High School Debut with the horrible bags under his eyes. Kurosaki fits well with this character type, as he’s often snarling with a cigarette dangling from a corner of his mouth. He only seems to have unguarded expressions when Teru can’t see him, because he’s locked away the more protective and gentle side of himself into the personality of the mysterious person “Daisy” who Teru can only reach through her cell phone. As I was reading this volume I was wondering how much longer the secret of Daisy’s identity would last. Teru’s been on the verge of discovering that Daisy is Kurosaki so many times, it is hard not to wonder if her lack of knowledge might be a protective mechanism. For an orphaned girl who might possess a secret computer program her brother was killed for, she’s amazingly level headed even if she is subject to the normal amounts of moodiness any teenager would be expected to have.

Teru comes into her own in an unexpected way in this volume. Takeda comes after her, separating her from Kurosaki during an important cake shopping trip. Takeda tries to sneakily manipulate her into showing him her cell phone so he can search it for the mysterious software program her brother wrote, she sees right through him. Even though Takeda’s manipulations have caused her a ton of trouble, she ends up telling him that she wants to see him again the next time he wants to to go a cake shop. It is clear that Teru and Kurosaki have a deep emotional connection, but they aren’t ready for the push their relationship would get if it was revealed that Kurosaki is actually Daisy. Daisy functions as an emotional safety net, and if that communication mechanism were to vanish, Teru and Kurosaki’s emotions might be too difficult to handle. This volume tended to focus more on the emotional connections between the odd couple and less on the corporate espionage mystery that was featured more in the first couple volumes. At this point I’m happy to read whatever Motomi comes up with for the rest of the series.

Categories
Manga Reviews

The Secret Notes of Lady Kanako

The Secret Notes of Lady Kanako by Ririko Tsujita Volume 1

This manga mash-up of Harriet the Spy and Mean Girls ends up being a great read due to a uniquely acerbic heroine and the unexpected friendships that she finds. It is obvious that The Secret Notes of Lady Kanako was originally intended to be a stand-alone short story that was expanded later on because the first chapter has a very self-contained conclusion. Kanako holds herself apart from her classmates because she’s entertained by the idea of being the perfect outside observer. Her notebook is full of detailed notes about the behavior and secrets of the kids that surround her even though they don’t really know she exists. The focus of her current research are the boys and girl that are the most popular students in the school. Haru is the most handsome boy in school, but his beauty is combined with a somewhat sadistic personality. The prettiest girl in school is Momoka, who is nursing a crush on Haru. Haru encourages her crush just because he wants to see Tota, the boy who is hopelessly in love with Momoka, squirm in agony. Kanako sits back and watches the drama unfold, but her notes are discovered and she soon finds herself growing closer to her observation subjects than she originally intended.

Kanako finds herself gradually won over by Momoka’s innocent gestures of friendship and her stoic response to bullying from the other girls in the class. Since Momoka won’t do anything to defend herself, Kanako decides to take over the PA system to announce that the bullying better stop or she’ll reveal everyone’s darkest secrets. Tota thinks Kanako’s direct way of speaking is cool and he begins to look up to her. Haru’s snarky personality and tendency to call Kanako out on her behavior makes him a great foil. Haru is tall, dark, and conventionally handsome while Kanako is drawn as a very short girl who is always peering over her glasses with a knowing smirk on her face. Haru comments to Kanako that she’s strong, and “It’d be more interesting if all the girls were like you.”

One aspect of this manga I was initially unsure of was the portrayal of female friendships. It is fairly typical for there to be plenty of backstabbing and bitchiness in shoujo manga, and it gets repetitive after awhile. I’m also a little tired of reading stories aimed at girls where the normal behavior of other females is constantly portrayed so negatively. But The Secret Notes of Lady Kanako manages to avoid getting trapped in cliche. Kanako prides herself on seeing through all facades. She transfers from school to school to maintain her prized outsider status and when she hears a someone comment on a nice girl, she thinks to herself “Sweet girls like her? You’re awfully gullible.” Kanako’s observational habits end up uncovering secrets at her new school, but instead of becoming an enemy of the two-faced girl that was the object of her studies they end up becoming unexpected allies, bonding over the fact that they both have twisted personalities. Kanako says that she observes because she doesn’t need friendships, but she usually ends up helping the people she watches. She doesn’t tolerate hypocrisy, and she celebrates the quirky behavior that other students find off-putting.

There’s an element of knowing cynicism in Kanako’s personality that is really refreshing for someone who’s been reading a lot of shoujo manga that features sweet but ditsy heroines. In many ways Kanako is the exact opposite of the typical shoujo heroine, but she does display a few moments of softness when encountering the first friends she’s made in school. Haru occasionally pops up in a chapter here and there to tease Kanako, and she returns to her first school at the end of the volume for the cultural festival. She finds out that while she prides herself on observation, her old friends were actually watching her and use their knowledge to try to do something special for her.

This manga isn’t perfect, as there are repetitive introductions at the start of every chapter and the episodic nature of the manga actually made me wish for more Haru/Kanako interaction. I was surprised to read in the author notes that this was Tsujita’s first volume of manga, because she managed to create such a compelling heroine on the first try. This series is only three volumes long, and is worth picking up if you’re looking for shoujo that manages to combine cynicism with sweetness.