Yona of the Dawn, Vol. 22

February 17, 2020 by Leave a Comment

Yona of the Dawn Volume 22 by Mizuho Kusanagi

Volume 22 of Yona of the Dawn follows the tried and true formula of contrasting a hilarious chapter with a deep dive into introspection. The volume opens as Riri is recovering from her and Yona’s latest adventure. Su-Won goes to visit her and it is clear that some of the people that surround them are interested in pushing them together for various geopolitical reasons. However, Riri’s a bit dispassionate at being told to act dignified in front of the king, and Su-Won continues to find her frank mannerisms amusing. I hope for better for Riri than Su-Won though! In a hilarious scene Riri reveals the depth of her crush as General Geum-Tae enters her room. She immediately starts blushing and acting like a shy maiden. In the aftermath, plenty of people inform Riri that Geum-Tae is happily marries, and she’s very well aware, she’s just happy to enjoy her crush. Seeing Riri freak out about how cool Geum-Tae is in front of Su-Won was hilarious.

Yona of the Dawn

The reader gets a rare look into Hak’s mind as he struggles with the idea of returning Yona’s misplaced belongings to her, including the hairpin that Su-Won gave her right before he murdered her father. Hak reflects on their past friendship, and Su-Won’s betrayal. He thinks about his own emotions and how Su-Won didn’t seem to care about the pain he was inflicting on other people. The bulk of this volume deals with an adventure to a new land, as people from Xing pop up to ask if Yona and her companions are the “monsters from Kokha.” Yona meets another new female friend when she spends time with Tao, the younger princess of Xing, but she also learns about the extent of political destabilization that is following from Su-Won’s wars, as Xing might be split between two factions. Tao asks Yona’s advice about what to do with Su-Won, and Yona remains awkwardly silent, realizing that bringing her own feelings and opinions into someone else’s political calculations might not be in the best interest of Xing. This volume bridges two story arcs very effectively, with a little bit of comic relief, a glimpse of the emotional toll the journey has taken on Hak, and the introduction of a new land that hopefully Yona will be able to help.

Ao Haru Ride, Vol. 8

February 2, 2020 by Leave a Comment

Ao Haru Ride, Volume 8 by Ao Sakisaka

Ao Haru Ride continues to provide a unique shoujo story by combining teen romance against a backdrop of grief. Kou continues to think he can fix the world by taking on the responsibility of being sole friend/psychotherapist/boyfriend to his old classmate Yui, but Futuba may finally be ready to move on.

Ao Haru Ride 8

As the volume opens Futuba tells Kou that she likes him, in full expectation that she’s going to be rejected. She wants to get everything out in the open so she can attempt to move on. Kou’s words are carefully chosen, he says “I can’t go out with you” and Futuba smiles and says “That feels like closure.” Her smiling face interrupts a sequence of panels where Kou’s expressionless face is shadowed, pointing to the facade he’s wearing to hide his feelings. Futuba walks away and when Kou’s phone rings (presumably a call from Yui), he smashes it. While Futuba has vowed to move on, she can’t resist trying to make Kou feel a bit of regret, and she decides that she’ll act more feminine and further distance herself from the tomboy persona that she used to assume. She wonders “Is everyone else pretending to be the person they want to be?” Toma seizes his chance and tells Futuba that he likes her just as she is. She isn’t quite sure how to respond, but Toma tells her that he’ll wait and see what she thinks after she gets a chance to know him.

Futuba accidentally runs into Kou at school and he’s back to his usual harsh comments telling her that her attempts to be more feminine totally don’t work for her. Futuba’s introspection makes her both relatable and endearing, as she comments to her friends, “Spending time thinking about a boy who didn’t pick me…is a waste of my youth!” Kou and Futuba are generally so much better together than they are apart, and the attempts to put distance between them simply don’t work. This is a solid middle volume in this series, and there’s a nice one-shot included as a bonus. It’ll be interesting to see what happens when Kou decides that he’s no longer responsible for fixing the universe.

Shortcake Cake, Vol 7

January 29, 2020 by Leave a Comment

Shortcake Cake Volume 7 by suu Morishita

As I was picking up this volume of Shortcake Cake, I started thinking about how genuinely fond of many of the current Shojo Beat titles. It is quite an accomplishment to develop a line of manga that inspires the feeling that you are seeing a friend again when you get a new volume of a series in your hands, but so many of the current Shojo Beat lineup invoke that feeling for me. Shortcake Cake continues to explore the classic romantic tradition of a love triangle (or possibly quadrangle) as Ten now realizes that she has feelings for Riku after she originally rejected him. In a great scene that takes full advantage of the iconic setting of stairs leading up to a shrine, Riku asks Ten if she likes him, and after a few beats of silence and slightly shifting facial expressions, Ten breaks the tension by balling up her fists and punching herself on either side of her face. Riku grabs her wrists to ask what she’s doing, and she blurts out “I like you.” Morishita’s cinematic approach to paneling switches from character to character, incorporating silent reaction shots coupled with blushes and awkward glances that makes this love confession iconic.

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One of the things I like about this series is the way it switches easily between emotional scenes and more comedic aspects of teenage life. Ten continues her confession by saying that she hopes she can make Riku like her back, and asks him to give her some time to win his affection. He says he’ll wait, and Ten thinks that she needs to make up for how she made Riku feel in the past. Ten decides that she’s going to actually attempt to be feminine, and what follows is a crash course in skin care and makeup application from Ageha. Ten also attempts to mirror Riku’s body language to deepen their connection in a hilarious scene. While Ten flits around trying out random advice from friends, Riku seems fairly patient and low key, except when he has to deal with an attempt to clear the air from Chiaki. In settings that recall the places where they’ve spoken in the past, Ten and Riku are open with their feelings and embark on an actual relationship.

With the way this series is developing, I’m not expecting the love confessions in this volume to be the last ones, which is a good thing because Morishita executes them so well. It is pretty adorable seeing Ten and Riku together and on the same page, but I’m very curious to see what happens when Rei figures out what is going on. Rei is largely absent from this volume, except for a single vignette after the main story, so I’m expecting him to show up soon. Shortcake Cake presents teen romance with a depth and emotional resonance that sets it apart from many other series. I’m still unsure who Ten is going to end up with, and that continues to keep me intrigued as a reader.

Daytime Shooting Star, Vol. 4

January 20, 2020 by Leave a Comment

Daytime Shooting Star Volume 4 by Mika Yamamori

This volume of Daytime Shooting Star is focused on summer vacation. I really like the way the matte cover sets off the powdery pink blossoms used in the cover illustration for this volume. I’m so curious as to how this student-teacher romance manga will conclude, I’m guessing a giant time skip picking up with the high school characters post-college graduation. The volume opens as Suzume uses her intense knowledge of fish and extra cash to help out a strange but somewhat familiar man in the grocery store who has difficulty both shopping for seafood and remembering his wallet. When she drops by his house to get repaid for his groceries, she realizes that he’s Mamura’s father! Suzume gets a glimpse of Mamura’s very loud little brother, and she and Mamura are able to talk to each other again like friends.

Tsubomi ends up blowing out of town leaving a tornado of emotional devastation in her wake, as she seems to think it is appropriate to leave a note for her ex-boyfriend Shishio with the teenage girl who has a crush on him. Susume can’t resist the impulse to deliver it, and when she meets Shishio again, they decide to go on a group outing with her classmates to the aquarium, since Tsubomi enclosed an aquarium gift certificate. Of course, the day of the outing no-one else shows up, so the student and teacher are on a full-on solo date where Suzume gets to indulge in all the fish trivia questions she has ever dreamed of. Shishio continues to be fairly inappropriate but not doing anything physical beyond resting his head on Suzume’s shoulder. Even though he rejected Suzume’s love confession, it is clear that he’s still looking out for Suzume at school and in general acting protective and awkward at various moments. Suzume sees all this happening and becomes confused yet again. Fortunately there’s the school festival coming up that will provide a welcome distraction from all these romantic foibles, or amp everything up even more?

I continue to enjoy Yamamori’s stylish character designs. Suzume’s moments of introspection and insight as she’s attempting to get a handle on the world around her keeps Daytime Shooting Star interesting. It is easy to see how she’ll eventually grow up to be a formidable adult.

Takane & Hana, Vols 11 and 12

January 3, 2020 by Leave a Comment

Takane & Hana, Volumes 11 and 12 by Yuki Shiwasu

Sometimes my interest tends to wane a bit at more long-running comedic series, but Takane and Hana is still going strong, even when some of the plot points tend to get repetitive. The main way this manga manages to actually get me rooting for a romance between an emotionally stunted businessman and a high school girl is the way it deliberately shies away from things progressing very far physically. As the 11th volume opens Takane and Hana are dealing with the emotional fallout from when Takane got carried away….and kissed Hana on the nose. The over-the-top angst combined with Shiwasu’s dynamic rendering of psychological turmoil makes the opening chapter extremely amusing. Things aren’t kept light for long, as Takane’s evil cousin Yakumo figures out the relationship between Takane and Hana and decides to kidnap her. I’m trying to remember if this is the second or third kidnapping in this series, but it does provide the opportunity for some impressive, action-movie heroics as Takane and Okamon attempt to rescue Hana.

takane and hana 11

Volume 12 features my favorite cover so for this series, Takane’s twisted grin combined with heart hands captures the wacky appeal of this manga. Takane is recuperating from his dramatic rescue attempt, and Hana is determined to put more distance between them again because she doesn’t want their relationship to cause issues for Takane. This is circling back to a reset of their previous relationship dynamic, where Takane is bombarding Hana with an endless stream of unsuitable gifts and she’s growing more and more frustrated. Okamon ends up enlisting himself as Hana’s beard as he prevents Takane from grabbing Hana and carrying her out of a diner by proclaiming that he and Hana just recently started going out.

takane and hana 12

Takane ends up getting relationship advice from Nicola on a speedboat, and his attempts to rehearse speaking to Hana as well as “chill out” feature the emotional anguish and hilariously tortured facial expressions that Shiwasu is so excellent at portraying. These two volumes continue doing what Takane & Hana does so well – set up over the top comedic situations combined with a core relationship that is actually very sweet.

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