Takane & Hana, Vol. 4

Takane & Hana, Volume 4 by Yuki Shiwasu

This is my far one of my favorite current light romance reads, mostly due to Takane’s surly facial expressions and imperious manner and Hana’s excellent way of totally deflating him with a cutting remark. This volume opens with the aftermath of the big school trip, where handsome scions of industry decided to hang out with a group of high school kids.

In this volume, some major conflict arises from the corporate world, as Takane’s evil Uncle decides to assign a new, alarmingly efficient assistant to him. Kiragasaki acts alarmingly unemotional, although sometimes he looks more animated when the light glints off his glasses. He observes Takane closely, but doesn’t have much to report other than his stellar performance and dedication to his work. When Kiragasaki figures out that Takane is meeting again with a girl from an arranged marriage meeting he manages to discover the truth about who Hana is.

One of the frequent plot elements in Takane & Hana that I never get tired of is seeing how the couple supports each other in their unusual relationship. Kiragaskaki ends up going to Hana and requests that they break up, because he sees how other people in the company will use their relationship against them. Hana has some hard decisions to make, but Takane’s unshakable confidence ends up being rooted in reality, because he sees his excellence at his job as a shield against corporate manipulations. Takane wins Kiragasaki over by just being himself and rising above any corporate plots.

Aside from the more serious core story of the volume, there are plenty of hijinks as Hana steps through some manga plot staples like preparing for the school festival. Each volume of this series is breezy and fun, and made a little more lively and unusual due to the odd-couple nature of the relationship, and Shiwasu’s gifts at comedic art.

Anonymous Noise, Vols 8 and 9

Anonymous Noise Volumes 8 and 9 by Ryoko Fukuyama

Oh, Anonymous Noise! It is a series I often find frustrating, because I love the stylish covers, dynamic paneling, and idea of high school kids working hard to find their way in the music industry, yet I do not enjoy the dynamic of the central love triangle where Nino with the extraordinary yet erratic singing voice gets tossed between two tortured musicians like a long-haired, face-masked hot potato. I do fully expect that my occasional feelings of ennui with this manga is due to my having read maybe too much (is it possible!?) shoujo manga, and if I was much younger I would be following this series with unquestioning devotion.

That being said, these two volumes focused a little bit more on musicianship than romance, so I found myself able to relax much more and enjoy the story. Volume 8 opens with Nino and Yuzu being assigned to wrangle the music for the debut of some fashion models turned singers. As always in shoujo manga, fashion models are the worst. Their new clients are petulant and very picky about their debut song. This only makes Nino and Yuzu want to try harder to write an awesome song! There are plenty of angsty plot developments with the extended cast as well, as Momo deals with a life crisis and Miou continues to try to get over Yuzu. Nino stretches her abilities as a lyricist by trying to fit the song to the voice of the singer, and everyone is ready for their next adventure, a tour!

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I have to admit, I wish some of the side jokes in Anonymous Noise were expanded a little bit. The mini-tour is an excuse to showcase Nino’s enduring obsessions with local foods. Silent Black Kitty gets back together again as Momo devotes himself to his music, and I’m sure the result will be yet another battle of the bands in an emotional confrontation. Nino struggles with consistency for her live performance. One thing I do like about the way music is portrayed in this manga is that it is rarely effortless. There’s a lot that comes together for someone to become a successful performer, and even though Nino’s talent is recognized, she still clearly has a long way to go before she’s a true professional. One of the ways em>Anonymous Noise is so successful at this episodic format is that each volume tends to end with a dramatic revelation or new crisis point, which happens in volume 9 when Yuzu is having issues with performance. Nino’s determined to come up with a solution to protect his dream, and everyone’s devotion to music helps offset the tortured romance. The story is propelled forward and this makes it a compelling read, even if some of the character dynamics in the manga aren’t as interesting.

Yona of the Dawn, Vol 13

Yona of the Dawn Volume 13 by Mizuho Kusanagi

One of the many things that sets Yona of the Dawn apart from other fantasy shoujo series is Kusanagi’s great ability to portray characters with nuance, even those who are villains. This volume is a bit of a departure, as it focuses on Su-Won, who has taken control of the kingdom. Su-jin, the chief of the Fire Tribe has decided that he’s going to be the one to lead a rebellion and assume the mantle of the Crimson Dragon King. Su-jin is absolutely heedless of the suffering he’s going to cause with his actions, and he’s so committed to his vision of himself that he doesn’t realize that Su-Won is a Machivellian master of both statecraft and battle tactics until it is far to late.

As usual, Yona functions as the soul of her country. While she doesn’t engage in the battle directly, she leads her warriors in when the opportunity comes to prevent the suffering of ordinary civilians. While she confronts Su-jin with words he’s incapable of considering, her encounter with Su-Won is limited to a few searing panels as they gaze at each other across the battlefield. This is one of those scenes that can only best be done by sequential illustration, as Kusanagi cuts between their faces, showing Su-Jin’s shock and Yona’s absolute sense of resolution. Whatever someone things of Su-Won as a person, it is hard not to admire him as a leader after this volume, as he adroitly deals with the leadership vaccum for the Fire Tribe, appreciates the way Tae-Jun has changed for the better after Yona’s influence, and even takes measures to protect the rare grain that Yona secured that might actually help solve the humanitarian crisis that many people in the kingdom are suffering.

Some of my favorite moments in this series are when Yona and her warriors are able to relax a little bit, and there are a few pages that push forward her connection with Hak. This volume concludes with a triumphant scene as Hak pushes Yona to take part in an archery contest, and it is a nice way to wrap up this storyline, away from the battlefield. I’m always looking forward to the next volume with this series, which is strongly in the running for my favorite fantasy shoujo series of all time.

Shortcake Cake, Vol. 1

Shortcake Cake, Volume 1 by suu Morishita

I’m always up for more shoujo series, and Shortcake Cake starts off with a very promising first volume. The story begins with Ten Serizawa dealing with her daily 2 hour commute to school. She gets up early and naps on the bus. But as she hangs out with her school friends, she begins to realize that her commitment to the commute means that she can’t take part in after school gatherings with her new classmates, as she has to keep checking the time to be sure she’s able to catch the last bus back to her more rural home. Ten’s friend Ageha points out how much easier it would be if Ten moved in to her boardinghouse. Ageha sneaks Ten in one day after school (the residents aren’t supposed to have outside guests), and Ten experiences the hazards of boardinghouse crashing, like avoiding the house mom, tiptoeing past the boys’ floor. In the process she has a brief encounter with the handsome bookworm Chiaki, who dazzles her with his good looks and quotes Turgenev at her.

Ten sees that the boardinghouse is much more spacious and nice than she was imagining and decides to move in. She meets another resident, the overly flirtatious Riku. As Ten gets settled in, she starts getting entwined in the lives of the residents. She sees Riku gently turning a girl down who asks him out and points out to him that if he would stop flirting with everyone, random girls wouldn’t get the wrong idea. Riku’s ingratiating manners are looked on as odd by most of the boardinghouse. Riku starts falling for Ten, and can’t act like his normal self around her anymore. The new friends go out on an outing, and Ten learns more about Chiaki’s bookish ways and his reactions to his looks-driven popularity. Finally, a third boy is introduced, Rei, who wears traditional clothing and is drawn to resemble a blond L from Death Note. He’s given to odd insulting outbursts.

So a romance being set up where many people slowly fall in love with a relatively ordinary girl is familiar shoujo manga territory, but the situation in Shortcake Cake doesn’t feel artificial or unearned, because Ten is objectively pretty adorable with her Sailor Moon style pigtails and her quirky hobby of following along with radio exercise programs. Morishita does a great job with character development in this volume, leaving just enough mystery for the reader to become invested in finding out why Chiaki is so withdrawn and wonder why Riku is overcompensating by acting superficially pleasant to most of the girls he meets. The volume ends on a cliffhanger which shows Ten forcing a confrontation about something that most shoujo heroines would leave unsaid for 5-6 volumes, which instantly got me onboard for the rest of the series!

Morishita’s art features a liberal amount of screen tone, and her characters quickly switch back and forth between regular and exaggerated facial expressions. Ten frequently shifts into cat face mode whenever she’s being mischievous or startled. The production for Shortcake Cake sets it apart from other Shojo Beat volumes, with matte covers and a cute strawberry on the spine. There are some additional black and white illustrations for chapter covers included as a bonus in the back of the book. I can see why this shoujo series was so highly anticipated, and I’m looking forward to reading more.

Kenka Bancho Otome, Vol. 2

Kenka Bancho Otome Volume 2 by Chie Shimada

Kenka Bancho Otome, with a storyline about a girl who is forced to dress up as a boy and attend a high school for juvenile delinquents, is an excessively silly manga, which one would expect from an otome game adaptation, but in just two volumes it manages to pull off being a fun summer read as long as the reader isn’t looking for deep thoughts.

In the concluding volume Hinako continues her misadventures at Shishiku Academy, where most of her new friends seem to be on the verge of falling in love with her in her top-secret disguise as her brother Hikaru. Yet another emotional minefield is introduced with the arrival of Houou Onigashima, an upperclassman with a tough-guy jacket that he constantly wears slung over his shoulders like a cape. Houou just happens to be Hikaru’s older brother and Hinako is overcome at the idea that she has yet another brother! But when she returns to tell Hikaru about her discovery he inexplicably becomes extremely upset. The rest of the volume consists of a summer vacation episode with plenty of shirtlessness, school sports day, where Hinako has to cross-dress as a cheerleader with provocative results and a bonus giant schoolyard fight where Hinako further strengthens her platonic friendships with Kira and Totomaru, much to their mystified chagrin. At two volumes long, this series wraps up more nicely than most two volume series, which sometimes suffer from the author being forced to resolve a bunch of plot points quickly in a final chapter. I would have been fine with 3 instead of 2 volumes, if there might have been a little more time to delve into the hints about Hinako’s unconventional family and have her embark on an actual romance. Overall, the art was attractive if a bit generic. I enjoyed the story enough that I would totally play the Otome game that the manga was based on if it came out on android!

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