Food Wars, Vol 1

August 6, 2014 by Leave a Comment

Food Wars Volume 1 by Yuto Tsukudo and Shun Saeki

This is a potentially engaging battle style foodie manga that I found myself having a difficult time getting into due to the copious amounts of fan service. I do realize that in shonen manga, one has to expect some boobs and miniskirts, just as one might expect scenes of shirtless vampires chained to the wall in supernatural shoujo manga, but I thought the sexual elements in Food Wars didn’t really enhance what might otherwise be a fun food battle manga.

Soma has grown up cooking for his father’s neighborhood restaurant. He’s trying to battle his father for supremacy but still falling short of the mark. The third page of the manga contains a reference to tentacle rape, as Soma pops a bite of a squid food experiment into a girls mouth, only for her to feel horrifically molested by the terrible combination of flavors. The first chapter in the book is a prolog, as representatives of a hostile corporation try to move in on the restaurant, Soma’s father decides to take off and cook in America, and Soma is promptly sent to try out for an elite cooking school called the Totsuki Saryo Culinary Institute.

The female antagonist of Food Wars is Erina Nakiri, a student with an incredibly refined palette, and a gift for metaphor, as she likens an unsatisfactory dish to the sensation of visiting a hot springs only to find out that there is a gorilla staring at her. Full visuals for this scene are of course provided, and it is actually much more funny than some of the other fanservicey scenes that just seem to involve food blowing away peoples’ clothes. Erina judges Soma’s dish and finds it extraordinary despite the fact that he’s making everyday Japanese food instead of something more fancy. She fails him, but he’s let into the school after all when a school administrator tears up the test results after tasting the dish.

I do enjoy food manga, and ordinarily I’d be totally up for reading a few volumes of food battling set in an elite high school. I also liked the theme of contrasting Soma’s expertise in making everyday food with the snobby pretensions of his fellow students. The fan service elements were just a bit too much for me, and there are certainly other examples of food manga that manage to show the transformative experience of eating an excellent dish without resorting to upskirt shots. So for funny food manga, I’d probably recommend that someone with similar tastes as me go with Yakitate Japan or the ridiculous Toriko.

One Punch Man, Vol 1

March 21, 2014 by 2 Comments

I make no secret of my affection for shoujo manga, but occasionally even I want to read shonen manga featuring kicking or punching, preferably both. One Punch Man, as one might suspect, is centered on punching. This is available on the Viz Digital site for your various devices! One Punch Man provides an amusing twist on the typical shonen manga plot about a young protagonist who has to work hard to develop his extraordinary abilities. In this case the hero of the manga, formerly unemployed salaryman turned hero Saitama has already train to develop his powers with such intensity that all his hair has fallen out. He is called “One Punch Man” because he is so strong he can easily defeat any opponent with just one punch, and as a result is incredibly bored.

In One Punch Man, Saitama’s town seems to be an unfortunate focus of giant villains or monsters with satirical origin stories. One Punch Man punches Vaccine Man, who exists due to pollution, a crustacean made angry by graffiti, and a group of subterraneans. Throughout the manga, One Punch Man is vainly hoping for a non-boring battle, only to be disappointed every time. As drawn by Yusuke Murata, One Punch Man often resembles a slightly perturbed superhero with an egg-like head, which only serves to highlight the ridiculousness of his opponents. Towards the end of middle of the volume One Punch Man even takes on a sidekick Genos, “a lone cyborg fighting for justice.”

I found One Punch Man‘s send up of superhero conventions amusing, the art was well executed, and it perfectly fit in my desire to read goofy fighting shonen manga. The send-ups of villains and heroic origin stories mixed in with some spectacular punches made this manga fun to read, and I hope it does well for Viz as a digital first release. I’d buy the next volume, for sure.

Nisekoi: False Love Vol 1

January 12, 2014 by Leave a Comment

Nisekoi: False Love Vol 1 by Naoshi Komi

I don’t tend to track trends in English releases of shonen manga as much as I do shoujo manga, but it certainly seems like it has been some time since we’ve seen a shonen romantic comedy set in high school. Raku is the typical shonen protagonist who (say it together with me!) “just wants a normal high school life.” Unfortunately while Raku has set his goal as becoming a reliable civil servant, his desire to be boring and normal is foiled by the fact that he’s the heir to a yakuza clan. Raku also is dealing with the aftermath of an encounter in his youth, when he exchanged vows of love with a girl he cannot remember. He has a special pendant in the shape of a lock, and his faceless beloved is holding on to the key. But Raku doesn’t remember her name!

Raku starts school awkwardly failing to ask out the nicest and prettiest girl in school, Ondera. His romantic ambitions are foiled when a new girl appears in his class. Chitoge is cute, athletic, and brash and she and Raku naturally start bickering immediately. They are assigned desks next each other as well as duties after school and they spend most of their time arguing so much, their classmates start to wonder if they are especially close. Things get even worse for Raku when he agrees to pretend to be romantically involved with the daughter of a rival gang boss in order to preserve peace, only to find out that his new “girlfriend” is Chitoge. Under the watchful eyes of retainers from both families, Raku and Chitoge go through the motions of a weekend date, only to find out that their romantic status has been announced at school as well, leaving them no rest from their charade.

There’s plenty of humor in this title even though it doesn’t reach the laugh out loud heights of Oresama Teacher. Komi frequently draws rictus-like facial expressions when his characters are in the grips of strong emotions. While the love triangle in this book is predictable, it certainly isn’t more derivative than the typical shoujo title. Chitoge and Raku’s similar backgrounds and tendencies to freak out often make them seem like natural friends with something in common, whereas Ondera’s more retiring personality makes her someone that Raku can easily admire from afar even though he doesn’t know her very well. While I didn’t connect with this title the same way I do my treasured shoujo romances, for anyone looking for shonen romantic comedy I think this will be an enjoyable manga to read. The art is well-executed, the personalities of the characters are interesting if a bit broadly drawn, and random yakuza thugs make everything more fun.

Kekkaishi Vol. 10-15

January 23, 2013 by 2 Comments

I absolutely adored the first few volumes of Kekkaishi. It is rare for me to find a shonen series that I like that features art that is both clear and visually arresting combined with plenty of character development, adventure, and the occasional bit of humor. But even though I liked what I’d read when I started reading the series back in 2010, the length of the series at 35 volumes made me a bit hesitant to commit to collecting it. I’ve had volumes 20-25 stockpiled for future reading for some time now, but the Viz digital sale during the holidays and my rapidly diminishing bookshelf space prompted me to pick up 10-19 for my iPad.

These volumes feature Yoshimori in the middle phases of his shonen hero journey. He’s a little bit more self-assured and more confident and slightly less goofy around girl next door and fellow Kekkaishi Tokine. There are glimmerings of great power that make the suggestion that he’s “the chosen one” seem plausible, but he hasn’t yet fully grown into his abilities. Tanabe does a good job fitting in more episodic adventures into the larger mystery that Yoshimori is pursuing as he tries to find out the truth behind the mystical Karasumori site he is sworn to protect.

Volumes 10 and 11 deal with a powerful attack and the aftermath when powerful opponents visit the Karasumori site. Gen, Yoshimori’s new ally who is uneasy in his skin due to his half akashi nature, but he tries to help out Yoshimori as best he can. A fox princess and her retainers are visiting the site so she can gain power, which gives Tanabe the chance to create some lovely scenes where a pavilion is transported via gianty dragonfly ships, piloted by a spider-like woman, and accompanied by ninjas who drop out of the black clouds filling the sky.

Yoshimori’s brother is away on Night Troops business, casually flying through the air on a translucent Kekkai cube, talking strategy to Gen on his cell phone. Yoshimori, Tokine, and Gen band together to defend their site, with more strategy and skill than their opponents expect. Gen finds more acceptance than he anticipates from Yoshimori when he reveals his true powers, but he’s surprised by a sneak attack. The Fox Princess, expecting to find rejuvenating power, starts getting sick instead from the site. One of the reasons why I enjoy Kekkaishi so much is that it is able to portray a variety of emotional states in just a few pages, without ever feeling rushed. Yoshimori grieves the loss of his friend, then decides that he’s determined to exact revenge and become stronger. There’s a funny sequence where he tries to join forces with Tokine’s grandmother, and since she’s trying her best to dodge him, he brings a secret weapon – not a new mystical power but a skateboard. Tanabe’s akashi designs are always interesting – one of the foes the Night troops fight when they attack Kokuboro is a giant blobby monster baby.

Yoshimori’s unique powers cause him to be kidnapped and taken hostage by the Kokuboro, something that he doesn’t seem to mind all that much because he wants to destroy the akashi who took out Gen. Volumes 12 and 13 center on the battle with Kokuboro, as Yoshimori travels through his enemy’s castle in search of Kaguro. Yoshimori runs into Sen and an old friend of his grandfather’s along the way. Kaguro likes to toy with his opponents and play mind games with them. While he taunts Yoshimori, the young hero manifests a new power of destruction – a zekkai. The Night Troops come to the rescue just as the world of Kokuboro begins to crumble, and Masamori has to help deal with the aftermath of the odd power his younger brother suddenly manifested. In Kekkaishi each battle prompts moments of emotional revelation, and a big one occurs when Tokine confronts Yoshimori about his actions when he finally returns home. There are then a few stolen moments of normalcy, as Tokine goes back to her usual lectures while the friends walk to school, and Yoshimori escapes into the kitchen once again for his dessert experiments.

In volumes 14 a new ally named Takeshi appears, on the hunt for an evil spirit named Jaren who destroyed his master. Takeshi’s enthusiasm and explosive personality almost make him a parody of a shonen hero, but things quickly turn serious when the new friends confront Jaren, whose proclivities towards psychological manipulation make battle difficult. Things can’t be all doom and gloom and angsty battles, so when Yoshimori is visited by a crow goblin seeking help because his master has grown overly flirtatious, Yoshimori finds himself drawn into an odd adventure. Things take a turn for the surreal when odd black boxes start popping up that serve as portals to the home of a very disturbed man. A young, timid member of the night troops is trapped, but she ends up being remarkably resourceful with her very specific powers.

Revisiting this series reminded me of just how enjoyable shonen manga can be when it is really well done. The pacing in Kekkaishi is excellent, as Tanabe swings back and forth between epic battles and shorter episodic encounters. The fights in Kekkaishi are rarely just for the sake of fighting, as each confrontation generally leads Yoshimori into a little bit more knowledge about either the nature of the site he is protecting or how best to manage his own powers. There are plenty of manga that sacrifice clarity for looking cool – producing action scenes that are difficult to follow or overly detailed panels that end up distracting from the story. Kekkaishi’s art is easy to follow, but many of the character designs and scenes remain in my mind after I’ve finished reading a volume. I’m a little annoyed at myself for waiting so long to continue reading this series, but I’m glad that have so many volumes waiting on my to read stack now.

Arata Volumes 7 and 8

November 16, 2011 by Leave a Comment

It took seven volumes, but I am finally starting to warm up to Arata. I always thought it was well-executed because Yuu Watase is such a pro, but I wasn’t feeling as much of a connection to this series just because I tend to prefer her shoujo work. But these two volumes were packed with adventure and I found myself enjoying Arata’s quest more because the emotional stakes for Arata were raised in a variety of ways.

Arata Volume 7

I skipped volume 6, but the recently introduced complication that seems like a slightly recycled plot from Fushigi Yugi is that Arata’s school enemy in Japan, Kadowaki has now journeyed into Amawakumi and has become a Sho himself in opposition to Arata. The volume opens with Arata traveling to Lord Yorunami’s land, where Kotoha promptly gets kidnapped and placed into a watery death trap. Arata’s struggle with Yorunami ends up being more of an internal and emotional struggle than a violent fight, and when Arata helps Yorunami with his mother issues the Sho promptly surrenders because he is newly at peace. While Arata is able to fight one battle without using violence, he gets some disturbing news from the Original Arata who has taken his place in Japan. He finds out that Kadowaki has jumped into his adoped world, and the Sho Harunawa has killed Arata’s friend Suguru. Harunawa has vowed that for every Sho that submits to Arata, he will find a way to kill someone precious to Arata on the other side. Original Arata vows to protect Arata’s family so Arata can continue his mission. Arata picks up a new companion, the pretty but harsh warrior Mikusa, who has a secret that is tied to his prettiness.

Arata’s commitment to achieving his quest through non-violence is a nice contrast to all the fighting shonen manga out there. His strength comes mostly from resoluteness of character. Even though he does fight with other Sho to make them submit, the battles are won due to Arata’s internal strength as opposed to an outward show of power.

Arata Volume 8

Arata and his companions travel to Lord Kugura’s area of the country where they make some disheartening discoveries. The water is stagnant, land barren, and the regular people are starving. Girls are taken to the palace as “tribute,” but they are actually hostages. Mikusa challenges Arata’s approach to his quest, calling him naive, saying “Evil must be destroyed. If you are not the one capable of destroying it, then you are the one who will be killed.” Arata loses a strong ally when Kanate finds out that the gang that he used to belong to is in the hills. His reunion doesn’t go as planned, and when he has the opportunity to become powerful himself by inheriting the weapon of a Sho, he takes it. Kanate’s response to power shows the true destructive power of a Sho, which stands in contrast to Arata’s measured actions. Arata still maintains his friendship with Kanate after he disappears, saying “I still believe in him!”

Lord Kugura’s predilection for young women of course results in some cross-dressing hijinks, as Arata and his group decide they have to pretend to be female in order to enter the palace. The tone of this episode was definitely on the lighter side, which balanced out the earlier adventures that had more emotional heft. Overall, I’m finding myself enjoying Arata much more than I was in the earlier volumes. I’m finding the way Arata is literally carrying the souls and powers of his former enemies along with him, asking them for help when he has to fight an interesting contrast to the more typical shonen hero. It almost seems like Watase is writing an anti-shonen shonen adventure, with non-violence and the bonds friendship emphasized over physical fighting. I’m more intrigued with this series than I was when I first started reading it, so I’m looking forward to the next volume.

Review copies provided by the publisher.

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