My Love Story!! Vol. 13

My Love Story!! Volume 13 by Kazune Kawahara and Aruko

I had postponed reading the final volume of this series because I didn’t want it to end, but my curiosity about the conclusion helped me deal with my final volume procrastination syndrome. The final story arc was set up previously, with impending separation between Takeo and Yamato. I’ve probably been watching too many k-dramas where a couple gets separated and then they meet again 3 years later, but one of the refreshing things about this manga is that it actually deals with the problems of long-distance relationships instead of just conveniently fading to black and glossing over the separation period.

One of the hallmarks of this series is that in addition to the interest created by having a hulking giant of a boy as the main character in a shoujo series, My Love Story!! is able to step through some conventions shoujo plot elements and make them seem fresh due to the way the manga is infused with so much enthusiasm and heart. When Yamato goes to Spain Takeo is determined to bring his grades up so they can eventually go to the same college. He throws himself into studying with Suna constantly at his side. The unique circumstances surrounding Takeo and Yamato’s provide an opportunity to visit again with characters from throughout the series, as it seems everywhere Takeo goes someone feels the need to encourage him in his epic romance.

There are some hilarious scenes as Takeo goes to Spain in order to visit Yamato, and while a manga series set in high school ending at the point when the characters are about to head off to college is extremely typical, My Love Story!!, as always, ends on a note of such infectious optimism that I put the book down with a smile. This is going to be one of those series I keep around and read whenever I need to cheer myself up.

Queen’s Quality, Vol. 1

Queen’s Quality Volume 1 by Kyousuke Motomi

I was very happy when I saw that Queen’s Quality was licensed shortly after the earlier series QQ Sweeper. Motomi has a quirky and slightly warped sense of humor that makes her shoujo series stand out. Queen’s Quality starts out at what felt like a faster pace than QQ Sweeper, as many of the plot points that were only dangling or hinted at in the earlier series get pushed forward dramatically in the first few chapters of this volume.

Fumi continues her life as an apprentice sweeper, learning the tricks of the paranormal trade from her friend Kyutaro and his family. While they practice cleaning everyday rooms and objects, they are also training for dealing with exorcising the demons that can get inside human hosts, causing them to act cruel. There’s a focus on personality and inner character in this series, as people who might be mentally weak or who have a tendency to be cruel end up leaving a door open for evil to get in, and their worst personality traits are magnified.

Another sweeper named Takaya Kitahara shows up to visit the Horikita family, and he provokes Fumi’s hidden Queen power as part of a test. Kyutaro is able to bring her back to herself, but seeing her power manifest is frightening. Kyutaro resolves to stay by Fumi to support her, but he’s told that he can’t ever remind her of the past that she’s forgotten, when they used to be childhood friends. Kyutaro’s response to this is to emotionally withdraw even more than usual, causing Fumi a great deal of distress as she doesn’t understand why he’s acting deliberately cold towards her. Fortunately his family has their best interests at heart, and they send the young couple on a mandatory and hilariously awkward shopping trip/date as an assignment, and their friendship is salvaged.

One thing I like about Motomi’s series is that there’s always a psychological element to be found in the stories, and they don’t rely quite as much on external situations or antagonists. While there are certainly forces at work trying to turn Fumi into an evil queen, the bad guys aren’t really as interesting as the fact that Fumi is going to have to draw on her emotional reserves and face the darkness that’s inside her, the same as any human. Fumi and Kyutaro talk at the end of the volume, and she asks if he’s afraid of her. He replies “Everyone has dark thoughts…or parts of themselves that they can’t control.” He vows that if she has to head into the darkness, he’s going too. This relationship dynamic is so interesting to see in a shoujo series, and it is why I’m so impressed with Queen’s Quality.

Yona of the Dawn Vol. 7

Yona of the Dawn Volume 7 by Mizuho Kusanagi

I knew when I first picked up Yona of the Dawn that the reader would eventually be getting awesome archery moments, but it has been quite a road getting there. Yona has been evolving into an action heroine for the previous six volumes and this is finally where all her practice sessions pay off, as Yona’s team along with benevolent pirates manages to stop some horrible human trafficking.

Yona and Yun manage to break away from the other captives and signal for help, but not before Yona endures some intense and scary moments. But when she finally gets a bow in her hands she assumes an intimidating power, suddenly her captors find themselves frightened by a girl they were dismissing casually just a few minutes before. The first chapter of this volume had some wonderful action moments, like when the Green Dragon swoops in to answer Yona’s summons at just the right moment. But one of the things that sets this manga apart from typical shoujo fare is that Yona ends up with the most heroic moments of the whole battle instead of her male companions. She comes into her own in a dramatic fashion, assuming a power and authority that the reader hasn’t seen before. It isn’t any of her companions who end up taking out Kum-Ji who is terrorizing the seaside town, it is Yona herself. I was struck by Kusanagi’s facility with facial expressions in this volume especially, as Yona shifts from righteous anger to resignation at having to take a human life.

I love the way this series focuses on the emotional connections between the characters as well. Yona has a chance encounter with Su-Won, and Hak is there to deal with the aftermath. Saying goodbye to the Pirate Captain is emotional both for the Green Dragon and Yona, and I have a feeling as the companions embark on their next adventure, they’ll be able to deal with whatever crisis they may encounter due to the strong bonds between them and Yona’s leadership. This is one of my favorite current series, Kusanagi always manages to pack in a ton of story and character development in each volume in a way that never seems forced.

Kaze Hikaru Vol. 25

Kaze Hikaru Volume 25 by Takeo Watanabe

Every August I’m always happy because another volume of Kaze Hikaru comes out, but I’m also a little bit sad because I wish it came out more frequently! But I’ll be happy with what I can get. As always, whenever I pick up a volume I am amazed at how well Watanabe combines romance, action, and intricate historical detail.

The first part of this volume continues with the flashback that was introduced in the previous volume, as the reader is treated to seeing the Shinsengumi leadership when they were young and struggling in a different way, not yet in the leadership positions they would later attain. Most of the volume is centered on a financial forensics detective story, as Sei is assigned to help out with the accounting division.

She discovers that 50 Ryo is missing, and the chief accountant Kisaburo begs her not to report the problem until he can send for more money from his parents. He notes that times are tough for the men in the Shinsengumi and they’ve tapped into the saved funds before. Sei isn’t happy about this, but wants to help out and tries to discover who the culprit is. As the slowly building romance between Sei and Soji continues, it is fun to see them growing more and more conscious of each other. Soji is worried because he thinks Sei is hiding a crush on Kisaburo, while Sei is being her usual intrepid self and trying to resolve the problem on her own.

As the secret gets out, the vice captain uses his trademark harsh methods for dealing with the theft, and Sei doesn’t understand his judgement and reasoning. As with most issues with the Shinsengumi, the resolution very much depends on the Bushido code, and consequences coming to people who aren’t acting in accordance with it. Kaze Hikaru is such a pleasure to read, I always enjoy the clarity of Watanabe’s art and how well she is able to handle such an extended cast of characters and the relationships between them. I wish it came out more often than once a year!

Behind the Scenes, Vol. 4

Behind the Scenes Volume 4 by Bisco Hatori

I thought the first few volumes of Behind the Scenes were ok but a little rough just due to the somewhat frantic pacing of character introductions and the episodic nature of the plot. I enjoyed the forth volume very much, because it gave me more insight into the background of many of the characters.

The volume opens with difficulties as everywhere Ranmaru goes he seems to be trailed by an eccentric group of people. It ends up being his family in town for a surprise visit. After seeing his lolita sister, his mother the former spy, and his father who is obsessed with social networking and western culture, it is easy to see why Ranmaru fits in so well with the extreme personalities in the art club at school. Ranmaru still has a tendency to look on the dark side of things, and isn’t fully able to interpret his family’s devotion as affection.

This shorter story is followed by a longer episode that showcases the art squad’s ability to get a job done at any cost, as Goda has to work with a director he’s clashed with in the past. The tension is made even worse when it turns out that the perfect location for the shoot is Goda’s childhood home, where his father is still in residence and passing judgement on his son’s chosen path. Becoming an art director is not very similar to Goda’s family tradition of the priesthood! Goda’s approach to finishing up the photo shoot demonstrated both compassion and sacrifice, so perhaps the two careers aren’t as misaligned as someone would think.

I’ve been wondering about Izumi’s breezy personality, and he finally gets some of his history filled in with this volume. The backdrop for this is the manga plot staple of a school festival, but Hatori’s spin on it is to show the art squad continuing to work behind the scenes to ensure that everyone else is a success. I found this volume so much more satisfying with the stories that focused a little bit more on character development than wacky antics. Hatori’s art is polished, and I’m enjoying the slight hints of steampunk illustration that she tucks in to the opening pages of each chapter.