Water Dragon’s Bride Vol. 4

January 1, 2018 by Leave a Comment

Water Dragon’s Bride Volume 4 by Rei Toma

One of the reasons why this manga is so fun to read is that each volume starts out with a slight change in circumstances for the characters. In volume 4 the Water Dragon is now undercover as a human, and Asahi is looking at him as a odd experimental subject, as she teases him into eating human food, even though it isn’t going to have an effect on him. Subaru is a bit creeped out by this new arrangement, but still determined to serve as Asahi’s human protector.

As Asahi completes her yearly ritual, she requests that the Water Dragon God take her and Subaru on a trip during her usual three days of disappearance after the ritual is completed. One of the areas on narrative tension in this series is contrasting the Water Dragon God’s basic inhumanity with the inhumane behavior of humans to each other. When the trio travel to a distant country that happens to be under threat from a natural disaster, the villages there try to offer up a girl as a sacrifice. Asahi can’t get the Water Dragon God to intervene, so she offers herself up as a substitute. She relies on her power to make it rain when she cries to fend off the threatening fire.

Asahi’s powers end up placing her in a priestess role again, and she has to intervene in an outbreak of illness and contend with the local boy emperor. Toma’s illustrations, which often contain little to no backgrounds when the characters are experiencing emotional turmoil, help the reader appreciate the symbolic and otherworldly nature of the situations Asahi finds herself in. Asahi attempts to shield Subaru from her intense sadness, but he understands what she’s trying to hide from him. The Water Dragon God gradually seems to be taking on more human emotions, so it will be interesting to see how his personality continues to evolve, and if Asahi will ever be able to find her way home.

Yona of the Dawn, Vol 9

December 29, 2017 by Leave a Comment

Yona of the Dawn Volume 9 by Mizuho Kusanagi

Excellent manga continues to be excellent isn’t the most earth shattering reaction to the latest volume of Yona of the Dawn, but it is absolutely true. This latest episode swings between pathos and humor with the ease that I expect from Kusanagi. After meeting up with the Yellow Dragon, all of Yona’s guardians are assembled. What’s going to happen next? They wander into a village that Yun had adopted in the past only to find out that their food stores are low. Yona’s group immediately starts competeting to see who can deny that they are hungry the longest as they help to fix up the village, despite plenty of evidence of rumbling stomachs. Yona wants to see how the people are living as a manifestation of the poor choices her father made when he was king. The villagers are being preyed upon by a local gang of bandits, and Yona promptly proclaims that she’s the head of a rival gang called “The Dark Dragon and the Happy Hungry Bunch” in order to banish the bandits.

This is all pretty hilarious, especially the way the new gang starts threatening the villagers by forcing them to take extra portions of supplies and candy. But the local bandits once driven off come back in force, and things get serious. Sinha ends up confronting his terrible destructive power with Yona’s help. He’s drawn in shadow, with the focus on his eyes that allow his powers to manifest, seeming almost monstrous until Yona prevents him from using his powers in a way that he might later regret. As always with this series, while Yona has been training to build her capacity to fight, it is her insight into human nature and her genuine support of her companions that allow them to get through difficult moments.

This is such a pleasure to read, and I’m happy that Viz decided to all in on a multi-volume fantasy manga series. Seeing how the characters evolve in a series where there’s time for the mangaka to do slow and deliberate character development is extremely rewarding.

Idol Dreams, Vol. 4

December 3, 2017 by Leave a Comment

Idol Dreams Volume 4, by Arina Tanemura

I’m always up for any Arina Tanemura manga, but I do spend a great deal of time while I am reading Idol Dreams mentally preparing for disaster to strike, as the storyline of a hapless editor with no self confidence and few social skills reliving her teen years as an aspiring idol singer named Hikari with the help of magic pills just seems fraught with traumatic situations. This volume definitely went somewhat into the danger zone, as Chikage in her 15 year old persona decides to go out on at date with her fellow teen idol Ru. The volume opens with Chikage telling Tokita all about her teen romance plans, and he doesn’t point out the inherent problems of Chikage dating someone half her age very strongly, but he does ask the pointed question, “Are you going to tell him that you’re actually 31?” GOOD QUESTION TOKITA!

Chikage is nervous about her upcoming date and gets some tips from one of her coworkers. Quite frankly, as a reader, I was nervous about this date too as it seems like a horrible idea, but my anxiety was blunted somewhat when Ru decided to cross dress so his fans wouldn’t recognize him. Chikage and Ru go out, looking like a couple of girlfriends. Really, the only possible happy ending for this manga is for Chikage to not emotionally damage any of the teenagers she’s hanging out with, and gain enough confidence to actually become a functional adult. There are some slight signs of progress with her adult life in this volume, as she shows how adept she is at dealing with an editorial emergency at work.

As Chikage learns more about Ru, she realizes that she can’t continue to go out with him, but she chooses to break up with him in a particularly cruel way. Chikage’s lack of emotional intelligence is leaving plenty of distress in her wake, but I’m not sure if she realizes what she’s doing. I do miss Tanemura’s more teenage-centric manga, but I’m certainly curious about what will happen next in Idol Dreams.

Anonymous Noise, Vol. 5

December 1, 2017 by Leave a Comment

Anonymous Noise Volume 5 by Ryoko Fukuyama

I think Fukuyama should give other mangaka lessons on designing compelling covers. The cover for this volume of Anonymous Noise features a great image of Miou rocking out with her guitar. Speaking of Miou, in my mind, I think the best possible ending for this series would be for Nino and Miou to forswear all men, and run off to form an all girl supergroup. This being shoujo manga, I think the series is going to continue along with some conventional love triangles until everything is resolved.

I tend to prefer Anonymous Noise when it focuses more on the music than the romantic drama aspects of the story, so I was looking forward to this volume, where Nino and Yuzu’s band In No Hurry goes up against Momo and Miou’s Silent Black Kitty in a battle of the bands. At 5 volumes in, I’m still not finding the romance storylines in this series very compelling, as Nino is revered as a muse and pulled back and forth by her two childhood friends as though they are squabbling over a shiny toy. I did enjoy seeing Nino’s determination as she approaches practicing for her big concert, and there was a great scene of sassy comebacks as the rival bands unexpectedly find themselves on a radio show together, where they argue about who is the most angsty. I wish the series had a few more self-aware humorous bits like this.

Momo has an emotional confrontation with Nino right before she’s about to perform, which is an action I think is so overwhelmingly selfish, it causes me to not be very invested in the whole Nino/Momo romance that this series has built up over several volumes. Nino’s reaction to her emotional trauma is to take her fugue-like state while singing to the next level, and she responds with an incredible performance, even if she is emotionally out of control. The art is consistently super stylish, and I enjoy the dynamic performance scenes of Nino scream-singing. While I might not be very invested in the romance side of Anonymous Noise, it reliably brings the drama with every volume, and I do enjoy the series when the focus is centered more on the music that the characters all love.

SP Baby, Vol. 1

November 15, 2017 by Leave a Comment

SP Baby Volume 1 by Maki Enjoji

I’m a pretty big fan of Enjoji’s series Happy Marriage so I was excited when it was announced that Shojo Beat would be bringing out another series of hers. While Happy Marriage has an undercurrent of tension (spoiler alert! no one is getting married yet), the first volume of SP Baby is more of a comedic workplace romance.

Tamaki Hasegawa is struggling to find a full-time job. She needs to better support both herself and her little brother who is about to enter college. She has an ordinary life where one of the highlights is her helpless pining for her long-time friend Natsu who works in a flower shop. One day she sees one man chasing another on the street and jumps in to help by attempting a kick to the head of the threatening man. He promptly catches her ankle, leaving her at a loss on what to do next. After it becomes clear that the two men in question know each other, Tamaki apologizes for interrupting a lover’s quarrel and runs away. Her adventures are not over because the next day she’s shoved into a car carrying Kagetora Sugou, the man who she attempted to defend. He gives her a suit with a short skirt and announces that he’s going to interview her for the full-time job of being his bodyguard.

Kagetora is a nice contrast from Ryu in Everyone’s Getting Married. Kagetora is of course rich, but there’s an odd open-hearted innocence in his mannerisms and actions, like when he gives the people he works with nicknames that are usually reserved for cats. He alludes to having met Tamaki in the past, which is something that she has no memory of. Tamaki embarks on her new job, which necessitates dealing with some intense training in martial arts as well as finally getting her driver’s license. While it is obvious that her new boss is romantically interested in her, Tamaki keeps reminding herself of her so far one-sided affection for Natsu.

Enjoji’s art is always solid, and she easily captures the extreme emotions that Tamaki deals with as she ends up on an impromptu date with Kagetora or gives in to her lighting-fast violent reflexes. By the end of SP Baby, I was rooting for this very odd couple and wanting to see more of this story unfold. February is a long time to wait for the next volume! I recommend this title if you enjoy josei comedies with heroines who have a tendency to kick people in the head.

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