Kakuriyo: Bed & Breakfast for Spirits, Vol. 3

Kakuriyo: Bed & Breakfast for Spirits, Volume 3 by Waco Ioka and Laruha

This is one of those series that ends up getting stronger with each volume. I thought the first volume was okish, liked the way the second volume showed more character development, and appreciated the balance between backstory and new plot elements in the third volume. One thing I tend to look for in series about ayakashi is some interesting character design or art that captures my attention. While the art for this series is fine, I wasn’t getting that same sense of wonder about the spirit world that other ayakashi-centric manga titles have delivered. In this volume, I did find the portrayal of wall demons blocking Aoi’s path to be delightful, as they looked like pieces of wallboard dressed in formal kimonos.

Kakuriyo Bed and Breakfast for Spirits 3

Aoi is slowly finding more of a rhythm to her life in the spirit world with the discovery that her food is unique in bolstering the spiritual energy of the demons that surround her. She becomes more involved in the lives of the spider demon siblings, Suzuran and Akatsuki. They tie in to her own story with her grandfather, as she learns that he took them in and temporarily made them his servants when they were fleeing for their lives. Suzuran wants to go back to the human world to exist near Shiro’s grave, and Akatsuki is absolutely opposed to her dream. Aoi mediates this sibling relationship with nourishing food, and the steps in cooking her dishes are more clearly portrayed in this volume. It didn’t quite deliver the level of obsessive detail that I like to see in a food manga, but I appreciated food preparation getting more attention, since it is so central to Aoi’s identity.

One thing I really enjoy about this series now is how each volume tells a satisfying story while inspiring more questions for the reader to ponder. Shiro’s actions and motivations seem more mysterious the more Aoi learns about him. I’m also curious to find out more about Ginji after seeing him report back to the Odanna. I’m enjoying the measured pace at which this story is developing.

Yona of the Dawn, Vol 17.

Yona of the Dawn Volume 17 by Mizuho Kusanagi

I’m always curious when a new arc of Yona of the Dawn starts, because Kusanagi manages to create situations and plot elements that seem new and fresh in the context of a long-running series. At the same time she continues to explore themes that are present throughout the series with more depth, like Yona grappling with the legacy of her father’s lack of consideration and thought for the people who he used to rule.

Yona and her companions head towards the border of Kai, where they meet a young boy named Kalgan who proposes marriage to Yona after she shoots a bird to provide him with with some money. Kalgan wandered over from the Kai empire and is stranded, so Yona decides to escort him back to his village, a border town that has been fought over between Kai and Kohka for years. Yona’s Dragon Warriors begin to fall ill, and they need to recuperate for a time in the village where most of the residents are deeply suspicious of them. War is drawing near as well, as Su-Won and his army start to attack the Kai empire.

So far, most of the Dragon Warriors have gotten some solid character development and backstory in Yona of the Dawn, but Zeno has largely been an enigma. This volume finally showcases his unique abilities and role as Yona’s protector. For the Hak fans (and who isn’t a Hak fan!?) there are some great scenes of him taking on a wayward army, determined to take out their anger at losing a battle on innocent civilians. As Yona learns more and more about the dark side of human nature, she becomes more resolute about helping people. I’m curious to see how she manages to resolve the current crisis, I’m not sure if even she can pull of pacifying an angry army. This series is consistently rewarding to read, and one of the best fantasy shoujo series that Shojo Beat has published.

Ao Haru Ride, Vol 4

Ao Haru Ride Volume 4 by Io Sakisaka

Oh, the agony of teenage love triangles! Ao Haru Ride explores this in the form of two best friends having crushes on the same boy, but the unique twist here is that they actually manage to remain friends as they wrestle with their emotions. The fact that one of the characters is dealing with profound loss creates a backdrop of melancholy that makes the teen romance have a timeless and nostalgic quality.

Ao Haru Ride 4

This volume delves more into Kou’s backstory as the recently formed friend group of Futuba, Yuri, Shuko and Aya are determined not to let Kou fail out of school. Kou’s issues are not because of a lack of ability, but he has difficulty getting himself to truly try at anything. Kou is still struggling with the death of his mother, and the reader gets a flashback to see how he was put into a caregiving role during her illness at a young age. Kou’s walls of isolation from his friends don’t last forever as Futuba is determined to get through to him. There’s some great paneling and action sequences as they tumble together down a hill in a scene made for a romantic movie. As Kou embraces Futuba, she stays still so he won’t be embarrassed by her seeing him cry.

One of the earlier themes in Ao Haru Ride is Futuba’s difficulty relating to traditionally feminine behaviors, and this is brought out again when the group decides to attend a summer festival together. Yuri shows up looking strategically adorable in a yukata, and Futuba starts to feel jealous. But when Kou sees another boy talking to Futuba it is clear that he’s not as indifferent as he pretends to be. Yuri observes his reactions, but the girls continue to affirm their own friendship even while navigating their crushes. Overall, this series just continues to be wonderfully executed shoujo. Sakisaka excels at capturing quiet moments between the characters that show the glimmerings of first love.

Kakuriyo: Bed and Breakfast for Spirits, vol 2

Kakuriyo: Bed and Breakfast for Spirits, Volume 2 by Waco Ioka, Midori Yuma and Laruha

I found the first volume of this series pleasant enough, but I wasn’t sure how well it would measure up to the heights of other Shojo Beat series like Kamisama Kiss or Demon Prince of Momochi House. Reading the second volume of Kakuriyo reminded me that it is always good to give a manga series a couple volumes to settle into itself, and I found some of the mysteries being set up in the second volume broadened the world building a bit more to capture my interest.

Kakuriyo 2

The volume opens with Aoi stumbling across a Tengu in front of the abandoned cafe that she’s temporarily inhabiting in the spirit world. The elderly man reminds her of her grandfather, and she proceeds to feed him her extra food. As she introduces herself to Lord Matsuba, he realizes that she’s Shiro’s granddaughter and starts laughing with his recollections. He shares some of his memories and goes on his way. The next morning Aoi finds out that she’s stumbled into spirit world diplomatic relations, as Lord Matsuba is extremely powerful. He finds it outrageous that she’s sleeping in a storeroom and cooking, and offers to bring her to his mountain where she can be a bride for one of his sons. He also gifts her with a special fan. Aoi is determined to find her own path and declines his offer, but her worth in the spirit world has definitely increased.

The world building in this volume was also entertaining, as Aoi gets a chance to see the spirit world outside of the inn, and meets Suzuran, a geisha who is also the sister of the receptionist. It turns out that Kijin is much more protective towards the people who work for him than Aoi was assuming. She also gets a chance to win over one of her earlier enemies in this volume, again due to the power of her cooking tailored towards the individual. Seeing the world open up a little more in this second volume drew me into the story much more than the first, and I’m intrigued by the references to Aoi’s grandfather and her growing friendship with the fox spirit Ginji, who seems to remind Aoi of her grandfather in mysterious ways. Seeing Aoi’s human ways start to influence the existing relationships between the spirits is interesting, and I’m curious to see how she begins to wield more influence due to her cooking habits and approach to human-spirit world relationships.

I still wish the art for this series had a bit more of a unique twist to it, but I enjoyed seeing the airships of the spirit world, the faceless handmaidens who prepare Aoi for an outing, and the continued practices of wearing masks, as Aoi has to hide her human nature when she’s away from the relative safety of the inn. I think I’m starting to see more signs of a deeper story emerge in the second volume of Kakuriyo: Bed and Breakfast for Spirits, so I am curious to see how it unfolds.

Everyone’s Getting Married, Vol. 9

Everyone’s Getting Married Volume 9 by Izumi Miyazono

I’m always glad when Viz puts out stealth josei under the Shojo Beat imprint, and while it might mean only one josei series from them running every year or so, I’ll take what I can get. The final volume of Everyone’s Getting Married reminded me a bunch of a last episode of a Korean drama, because Ryu and Asuka keep quasi breaking up and getting back together after long periods of time pass. Couples separating and reconciling in a dramatic fashion after many years is such a Korean drama staple!

everyone's getting married 9

All along, Ryu’s fervent opposition to marriage and Asuka’s total commitment to becoming a homemaker as her ultimate goal created plenty of dramatic tension throughout the series. It was difficult to envision a happy ending where both of them would be fulfilled, but this final volume showed in an episodic fashion how their personalities shifted a bit after they paused their relationship. Asuka started finding more fulfillment and rewards at work, while Ryu realized that he can’t be solely committed to his career. It takes the wedding of an equally unlikely couple, Rio and Hiroki, to bring Asuka and Ryu back together for good. This volume was much more episodic in nature than previous volumes, with the story unfolding more like a series of vignettes. I put down this volume appreciating all the emotional depth Miyazono brought to the story. Since most of the Shojo Beat imprint focuses on high school romance, it was refreshing to have a series featuring adults dealing with relationships and commitment issues. Now I’ve just got to be patient for fall when the Maki Enjoji series An Incurable Case of Love comes out for my next mainstream josei fix from Viz.