My Love Story!! Vol 6

My Love Story Volume 6 by Kazune Kawahara and Aruko

It is nice to have a go-to manga series to read when one feels stressed out, and My Love Story!! never fails to make me happy.

This volume focuses more on the arrival of Takeo’s new sibling, and the reader gets the treat of seeing a little bit of his parents’ courtship. Takeo’s mom is portrayed as unflappingly capable in her younger years, and his dad exhibits the same ridiculous amount of enthusiasm that Takeo often channels. When something goes a little wrong with the pregnancy, Takeo starts exclaiming “I’ve got to be reliable!” as he tries to take care of everything for his family. He’s supported all the way by Suna and Yamato.

The old valentine’s day storyline has got to be one of the most overused cliches in shoujo manga, but My Love Story!! pulls off one of the most adorable examples of this storyline, as Takeo is so excited to be receiving “true love’s chocolate from his girlfriend, he finds himself striking random celebratory poses as he walks along and discusses his relationship with Suna. I was glad to see that there are hints Suna might actually become involved with a girl at last. He’s deliberately aloof, and shuns any girl who speaks badly of Takeo, so he hasn’t experienced romance yet either. I’m really looking forward to the next volume now, where more of the focus will be on him.

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QQ Sweeper Vol. 1

QQ Sweeper Volume 1 by Kyousuke Motomi

I’m generally excited for any debut series in the Shojo Beat line, but I was particularly interested in reading the first volume of QQ Sweeper because I enjoyed Dengeki Daisy so much. Motomi’s slightly offbeat and cynical sense of humor makes her series stand out, and I was curious to see how the paranormal and cleaning would come together in this title.

Motomi does cranky heroes well, so I thought the male lead of the series was quite promising. Kyutaro Horikita is a member of the beautification committee at his school, and he’s introduced in the first chapter as a bit of a loner who is obsessed with cleaning. He comes across a girl sleeping in an abandoned room in his school. Fumi Nishioka is a new transfer student who is homeless, trying to hide evidence of how poor she is, and on a mission to become a real life Cinderella by snagging a rich guy. This doesn’t sound like the most flattering character description, but Motomi also is able to easily create sympathetic yet quirky heroines. Motomi’s slightly offbeat humor is on display in the first few panels, when Kyutaro seems to rely on threatening people with cucumbers a bit too much, and Fumi enters into a dangerous fugue state when she’s assessing the material possessions of a male student/mark.

I don’t even find shoujo cliches all that annoying when Motomi is executing them. In very quick order, Fumi finds herself interviewing for and getting a position as housekeeper for her school principal, who just happens to be Kyutaro’s older brother. Fumi quickly discovers that Kyutaro’s obsession with cleaning extends to cleansing the spiritual plane, and she also has the ability to help him. Motomi packs a great deal of plot and character development into this single volume, setting up the relationships between the characters, and establishing the background for the supernatural aspects of the manga. This is a very solid addition to the Shojo Beat lineup, and I’m very much looking forward to Motomi’s slightly twisted take on the supernatural romance genre in future volumes.

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So Cute it Hurts! Vol 3

So Cute it Hurts! Volume 3 by Go Ikeyamada

This is an excessively silly series, but I’ve been enjoying it, mostly because of the amount of plot twists that get resolved in each volume, so more goofy subplots can promptly develop. Also, I feel like Shojo Beat should always be publishing at least one title where the heroine cross dresses just on principle.

I feel like in many shoujo series, the fraternal twins’ cross dressing antics would fuel plot lines for 4-5 volumes, but in So Cute it Hurts! their true identities were unmasked at the end of the second volume. Aoi, the delinquent boy with a crippling physical aversion to female contact is surprised when the boy he’s been hanging out with is unmasked as Mitsuru’s sister Megumu. At the same time, Mitsuru’s masquerade is uncovered by mean girl Azuza. Aoi deals with the psychological impact of being around a girl unknowingly, and Azuza blurts out a confession of her crush to Mitsuru instead of revealing his secret. Meanwhile, Mitsuru is struggling with his feelings for Shino, but doesn’t want to ruin their friendship by telling her that he’s actually a boy. Oh, the tangled storylines of cross dressing shoujo romance!

When the week-long switch ends after Megumu has taken Mitsuru’s tests for him, there’s still plenty of emotional fall-out as Megumu pines for Aoi, and he begins to come to terms with his own feelings. Aoi’s allergy to girls causes some hilarious reactions when he and Megumu get closer, although they have to stay a certain distance apart to avoid triggering him. Their budding romance is indeed ridiculously cute, and while this manga in no way approaches both the hilarity and emotional depth of My Love Story!!, it is still entertaining. Ikeyamada ratchets up all the emotional reactions of her characters for added hilarity. While this volume focused a bit more on Megumu, I can see how the next volume is going to be focusing more with the love triangle Mitsuru is in since the object of his affections does not even know him as a boy while Azuza continues to have a violent crush on him. So Cute it Hurts! continues to be a fun read for those who enjoy romance with broad comedy.

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Requiem of the Rose King Vol 2

Requiem of the Rose King Volume 2 by Aya Kanno

This has been one of the manga series that I’ve been anticipating very impatiently, I enjoyed the first volume very much, and was eager to see how the story would develop in the second volume. Kanno is still in the initial stages of developing the story, but this volume provides more insight into the psychological pressures afflicting the people who rule during the Wars of the Roses.

If Richard didn’t have enough to deal with in the first volume, his situation grows even more unbearable when his beloved father is captured by the House of Lancaster and tortured horribly. Richard is left behind by his family’s army, left alone to deal with the torment of knowing his father has been captured. He crosses a line when he realizes that murder is the only way for him to gain the disguise and weapons he needs to journey behind enemy lines. Richard encounters Henry again when he’s struggling with the emotional aftermath of his actions. While Richard deals with his problems by enduring horrible visions and taking violent action, Henry’s passivity and desire to escape his responsibilities serves as a strong contrast to Richard’s more decisive nature. While Richard is clearly heading down a path of madness and despair, it also seems like his actions are going to have a strong impact on the world around him. Henry just wants to withdraw and allow his insane wife Margaret to make all his decisions for him.

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When Richard discovers his father’s fate, Kanno’s paneling decisions underscore the emotional impact. Richard’s face is shown with a blank expression with his eyes hidden to underscore the shock he initially feels, followed by single panels showing his whole face, zooming in on his surprised eyes and clenched mouth as he confronts his father’s death. Richard begins a transformation into the monster that people have labeled him as before, as he’s absolutely consumed by the need for vengeance. As the events later in the volume unfold, Richard is portrayed in a more and more stylized fashion, becoming a living embodiment of a curse and less like the tortured human the reader encountered in the first volume.

The emotional stakes have certainly been raised in this volume, and Kanno’s illustration style is really stretched way beyond what I expected from the author of Otomen. There’s certainly more and more tragedy ahead, but Kanno’s take on the story of Richard the Third is a fresh and incredibly interesting adaptation. The tragedy and emotional trauma feels entirely justified and in service to the plot Kanno is developing. If you haven’t checked out this series yet, now is a great time to jump on and read two volumes with no waiting.

Maid-sama! Vols 1 and 2

Maid-sama! Volumes 1 and 2 by Hiro Fujiwara

It has been some time since I’ve read this series. I think I read around 4 or 5 volumes or so of the Tokyopop release, so the new omnibus from Viz provided a good excuse to give the series a second try. I totally understand why Maid-sama! would be a strong title to re-release since it has an anime adaptation too. However, a tiny part of me will still hope in vain for some reissues of some of the other less commercial series that got cut off when Toykopop went under.

The maid in this title is Misaki Ayuzawa, a high achieving girl who has become president of a school that has only recently gone co-ed. She’s uncomfortable around boys and has made it her mission to clean up the school and abolish delinquent behaviors in order to protect the small female population. She’s super stern and has great physical prowess when it comes to beating up her fellow students. While she’s a perfect student at school, Misaki has to make ends meet by working as a waitress at a maid cafe as her part-time job. In the first few pages of the manga, Misaki’s secret is discovered by Takumi Usui, a popular and somewhat cynical boy who attends her school. He promptly decides to hold Misaki’s secret over her head and begins to pop up now and then whenever something might go wrong.

Misaki navigates issues with student-council relations, dealing with a rival school, and navigating random cross-dressing events at her part-time job. Aside from the relationship between Misaki and Usui, the manga is pretty entertaining, as Misaki’s outsize reactions to everything gradually begin to mellow out a bit as she begins to relate to all the students at her school as human beings, not just the girls. I had also totally forgotten about the idiot trio, a group of background characters that also discover Misaki’s secret identity as a maid and mostly function to gaze at her adoringly and act occasionally like a slapstick Greek chorus. Fujiwara’s art is clear and easy to follow, and very dynamic when Misaki is leaping into action to defend womanhood or juggling a ton of customers at her part-time job.

The part of this manga that bugs me and I think contributed to my decision to stop reading it before, is that Usui is utterly unappealing as a shoujo male lead to me. His general mode of interaction is to randomly show up, invade Misaki’s space, and make her feel confused and flustered. He also keeps forcing physical affection on Misaki when she’s not a willing participant, as some sort of power game. Also, Fujiwara goes to great length to demonstrate Misaki’s physical prowess when her being strong is funny or over the top, but Misaki suddenly becomes weak and incapable when it serves the purpose of the plot to have Usui rescue her from herself. He’s also constantly reminding Misaki that she’s a girl who needs help, and it only serves to make it appear like the main message of this manga is that a girl with strong type A tendencies needs a man to help her out. For folks who aren’t put off by this relationship dynamic, I do think that Maid-sama! is plenty entertaining. I just find series like Oresama Teacher or My Love Story! much more amusing if I’m looking for something fun to read in the shoujo comedy genre.

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