Last Quarter Vol. 1 by Ai Yazawa

Last Quarter Volume 1 by Ai Yazawa

Last Quarter is an appropriately spooky manga for October, but it begins with a familiar story of angsty love between a Japanese schoolgirl and a foreigner who likes to lurk around Shibuya playing the guitar. Mizuki is struggling with a change in her family’s circumstances and becomes entranced by Adam’s music. Adam latches on to Mizuki as though she’s a life preserver, they quickly grow close. This type of self-destructive romance is done much much better by Yazawa herself in her later series, so seeing a similar story compressed into a chapter with less time to become invested in the characters made me just want to yell at Mizuki “Run Away Girl!!!” rather than hoping for a happily ever after scenario.

Last Quarter Volume 1

Mizuki’s story is cut short and Last Quarter shifts to exploring the ghost investigations of Hotaru and her classmates. Hotaru meets a mysterious ghost girl in an abandoned mansion. The girl has few memories of who she is or why she’s tied to the mansion, except she keeps playing the same song over and over and has strong memories of a long-lost love. Hotaru starts to investigate, and pulls in some of her friends, who are quite startled when they see that the ghost that only Hotaru can communicated with is capable of influencing the physical environment of the abandoned house. Hotaru nicknames her ghost Eve and they strike up a warm if somewhat disconcerting friendship.

Yazawa’s character designs are as always on-point and stylish, and it is nice being able to read earlier works of hers and compare them to Paradise Kiss and Nana. There’s a real sense of emptiness and distance as Eve continues her diminished existence in the mansion with only half-remembered feelings tying her to Earth. The dynamics in Hotaru’s friend group are engaging as they throw themselves into figuring out what happened to Mizuki/Eve, but Adam very much remains a cypher. I’ll be curious to see how the story continues to develop.

Like a Butterfly, Vols 1-3

Like a Butterfly, Volumes 1-3 by Suu Morishita

Suu Morishita series are an automatic buy for me, after Shortcake Cake, I went against my self-imposed ban on buying digital first series to get A Sign of Affection (one of my favorites of all time), so I was delighted to have a chance to read an earlier series, Like a Butterfly. It deals with communication issues in a different way than Sign of Affection but is extremely compelling.

Like a Butterfly

Suiren is incredibly beautiful, but her beauty is actually a burden. People have an oversized reaction to her outward appearance, and she chose to go to an all girls middle school because of the unwanted attention. Unfortunately she received just as much attention there, but did have the benefit of some fierce female defenders who would fend off boys at the school gates. Over time, she began to develop a self-defense mechanism of speaking very little and having almost no self expression in order to not provoke any type of unwanted attention. She thus has the nickname “the mysterious flower”. Suiren’s old friend Aya is her main companion, and helpful social navigator. Suiren notices Kawasumi, a quiet boy with glasses who is consumed by karate a couple times at school. He comes to her rescue when an upperclassman takes her bag and announces that he’s going to walk her home. His method is to use some karate moves but expertly pull his punches so his opponent knows full well that Kawasumi could absolutely destroy him. With Kawasumi, Suiren has found someone that she wishes would notice her, but he’s not really able to talk to girls either, even though he notices her back.

An additional complication is introduced in the form of Koharu, a forthright girl who has developed a crush on Kwasumi and starts asking him out. She comments to Suiren that she doesn’t want to be a passive flower but a butterfly who will fly towards whatever she wants. Suiren is struck by the contrast in their personalities and also wants to go after what she wants. Like a Butterfly develops at a glacial pace, but due to the nature of Suiren and Kawasumi’s communication difficulties any interaction between them is charged with meaning. Their friends serve as both cheerleaders and sources of running commentary when they aren’t really able to express their feelings. Suiren gradually makes some overtures, but Kawasumi’s radar for dealing with attention for girls is so broken that he isn’t able to understand what’s happening very well. By the third volume, the not-quite-a-couple has been to a festival and Suiren has actually cheered Kawasumi on at a Karate tournament. The art for this series is great, I was continually amused by the many variations of Suiren’s expressionless face that end up actually telegraphing her feelings. I was predisposed to like this series and the first three volumes did not disappoint.

Frieren: Beyond Journey’s End Vol 1

Frieren: Beyond Journey’s End Volume 1 by Kanehito Yamada and Tsukasa Abe

I’m always curious about new Shonen Sunday titles since some of the series that I’ve enjoyed from the magazine just end up having more emotional and narrative depth than the more formulaic series in Shonen Jump. Frieren: Beyond Journey’s End is a deliberately paced fantasy story that examines the question of what happens next after a group of heroes succeeds in their ultimate mission. The party of friends on the verge of retirement includes character types that would not be out of place in any DnD campaign: Frieren, an elven mage, Himmel the Hero, Heiter the priest, and Eisen, a dwarf warrior.

The manga opens as the companions have completed their ten year quest to defeat the Demon King. The group splits up, with Frieren not quite understanding how time is going to pass much more quickly for her companions. She promises to check back with everyone in 50 years with the air of someone who’s going to drop by again next month, and leaves to continue her journey doing magical research. When she does return she finds Himmel transformed into a bald old man with an impressive white beard. When Himmel dies shortly after their reunion, Frieren finds herself more interested in reexamining her memories and trying to think the way humans do. She begins to retrace her party’s previous path and finds some low key magical adventures along the way as she starts to engage more with the idea of time passing for humans. Heiter tricks Frieren into taking on a human apprentice mage named Fern, so Frieren has a new companion along as she begins to come to terms with her past.

There’s a slow and gentle quality to the pacing of Frieren: Beyond Journey’s End. I think it would appeal to anyone who also enjoys Snow White with the Red Hair. There’s also plenty of humor as Frieren attempts to get better at understanding emotions and the human pace of the world. The art is attractive, capably portraying the medieval fantasy settings and capturing the emotional dynamic between the characters. I found reading this first volume both diverting and relaxing.

Rosen Blood, Vol 1

Rosen Blood Volume 1 by Kachiru Ishizue

The phrase “gothic reverse harem vampire shoujo manga,” is jam-packed with many plot tropes and Rosen Blood certainly manages to be all of those things. I might wish for slightly more character development, but I found myself sufficiently diverted by all the vibes this manga serves up. The manga opens with heroine Stella Violetta waking up in a luxurious bed with a handsome man with slightly outsized canines introduces himself as her host, Levi-Ruin. Stella was on the way to take up a position as a maid after her sister died and she’s completely destitute. She begs Levi-Ruin to let her work in his mansion and he promptly takes her on a tour.

Levi-Ruin’s house is inhabited by a number of men with outsized canines. There’s Friederich, who is flirty and a bit handsy, the exceptionally pretty Yoel, and the nearly psychotic Gilbert. Levi-Ruin warns Stella that she can’t go outside because the estate is surrounded by a forest of thorns, and she’s not supposed to go into the basement. It takes Stella quite a bit of time to figure out what might be happening, even with Gilbert exclaiming over her “elegant, pulsing veins…” But I suppose most gothic heroines wouldn’t automatically assume the worst when they head into a life of servitude in a creepy yet luxurious mansion. The art in this series is delicate and well-executed to produce plenty of surreal and emotionally overwrought scenes as Levi-Ruin and his companions struggle with having a human in their midst. If you enjoy spooky romances, Rosen Blood packs plenty of atmosphere into one volume. I’d like to see a bit more complexity in Stella’s personality, but I enjoyed the first volume and I’m curious to see where the story goes.

Fist of the North Star, Vol. 1

Fist of the North Star, Volume 1 by Buronson and Tetsuo Hara

Here’s a flashback for you and a demonstration of my advanced age, Fist of the North Star as it was produced back in 1989 as a flipped monthly comic and the new hardcover edition. I was curious what it would be like to read a whole volume of Fist of the North Star, after all the idea of a delayed attack (“You’re already dead!”) that results in blood explosions is pretty much a shonen cliche at this point, but what’s the source material like? While I did read the first chapter way back in the day I’d never read more of the story although I’ve read plenty of references and jokes about Fist of the North Star since then.

Fist of the North Star

Fist of the North Star takes place in the future after a cataclysmic event in the late 1990s has produced a world where water is scarce and people attempt to survive in a post-apocalyptic landscape of city-states. The enigmatic Ken travels from town to town, demonstrating is extreme stoicism and manliness as a practitioner of the martial art Hokuto Shinken. I was immediately struck by how much Fist of the North Star reminded me of the Mad Max series due to the roaming bands of motorcycle gangs. As the story opens a motorcycle gang called the Zeed discovers that their scouts have been killed with some sort of localized explosions coming from inside their bodies, and a parched Ken gets caught in a trap as he approaches a town. A young girl approaches his cage to give him water, and when another prisoner grabs her Ken fends him off easily in his weakened condition. Ken soon finds himself battling the Zeed for the town that captured him. The action scenes are dynamic and gory, with the lack of expression on Ken’s face contrasting with the horror and surprise of his enemies as they find vital parts of their bodies exploding. I enjoy all of Ken’s calm proclamations as he informs his enemies of his impending demise by naming martial arts techniques and flatly declaring “Scum like you cannot possibly kill me.” The art often plays with perspective, with Ken fighting enemies that appear to be two or three times his size, which creates a little bit of dramatic tension in the battles even though Ken’s victory is always assured.

Ken sets out on further adventures, accompanied by the young former prisoner named Bat, who provides ongoing amazement and commentary on Ken’s martial arts feats. As he approaches the city of the Southern Cross, he has to deal with confronting his past and the reader learns more about the pain and trauma that lead Ken to be the master of martial arts who still stops to protect the weak throughout the dystopic remains of human civilization. This volume packs in so much origin story I’m curious to see if the rest of the series is more episodic, or if even more of Ken’s past is revealed in future volumes. This is a great hardcover edition that historic shonen collectors should appreciate that will look nice on a bookshelf with the other recent deluxe volumes Viz has been producing.