Maid-sama! Vols 1 and 2

Maid-sama! Volumes 1 and 2 by Hiro Fujiwara

It has been some time since I’ve read this series. I think I read around 4 or 5 volumes or so of the Tokyopop release, so the new omnibus from Viz provided a good excuse to give the series a second try. I totally understand why Maid-sama! would be a strong title to re-release since it has an anime adaptation too. However, a tiny part of me will still hope in vain for some reissues of some of the other less commercial series that got cut off when Toykopop went under.

The maid in this title is Misaki Ayuzawa, a high achieving girl who has become president of a school that has only recently gone co-ed. She’s uncomfortable around boys and has made it her mission to clean up the school and abolish delinquent behaviors in order to protect the small female population. She’s super stern and has great physical prowess when it comes to beating up her fellow students. While she’s a perfect student at school, Misaki has to make ends meet by working as a waitress at a maid cafe as her part-time job. In the first few pages of the manga, Misaki’s secret is discovered by Takumi Usui, a popular and somewhat cynical boy who attends her school. He promptly decides to hold Misaki’s secret over her head and begins to pop up now and then whenever something might go wrong.

Misaki navigates issues with student-council relations, dealing with a rival school, and navigating random cross-dressing events at her part-time job. Aside from the relationship between Misaki and Usui, the manga is pretty entertaining, as Misaki’s outsize reactions to everything gradually begin to mellow out a bit as she begins to relate to all the students at her school as human beings, not just the girls. I had also totally forgotten about the idiot trio, a group of background characters that also discover Misaki’s secret identity as a maid and mostly function to gaze at her adoringly and act occasionally like a slapstick Greek chorus. Fujiwara’s art is clear and easy to follow, and very dynamic when Misaki is leaping into action to defend womanhood or juggling a ton of customers at her part-time job.

The part of this manga that bugs me and I think contributed to my decision to stop reading it before, is that Usui is utterly unappealing as a shoujo male lead to me. His general mode of interaction is to randomly show up, invade Misaki’s space, and make her feel confused and flustered. He also keeps forcing physical affection on Misaki when she’s not a willing participant, as some sort of power game. Also, Fujiwara goes to great length to demonstrate Misaki’s physical prowess when her being strong is funny or over the top, but Misaki suddenly becomes weak and incapable when it serves the purpose of the plot to have Usui rescue her from herself. He’s also constantly reminding Misaki that she’s a girl who needs help, and it only serves to make it appear like the main message of this manga is that a girl with strong type A tendencies needs a man to help her out. For folks who aren’t put off by this relationship dynamic, I do think that Maid-sama! is plenty entertaining. I just find series like Oresama Teacher or My Love Story! much more amusing if I’m looking for something fun to read in the shoujo comedy genre.

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Komomo Confiserie Vol 1

Komomo Confiserie, Volume 1 by Maki Minami

So far, Maki Minami’s shoujo series haven’t totally connected with me as a reader. I didn’t care for Special A very much, and while I liked the first couple volumes of Voice Over!: Seiyu Academy, I haven’t gone on to read the entire series. Maybe Komomo Confiserie will finally be the Minami series that I actually finish!

The series starts out with a flashback, as the incredibly spoiled and rich little girl Komomo picks on a young boy named Natsu. He’s the son of her family’s chef, and Komomo only likes the sweets that Natsu prepares for her. Komomo is ungracious and bossy, but she has an emotional connection to Natsu’s food, it serving as a substitute for companionship as she lives in a huge mansion abandoned by her parents. In just a few panels, this rich yet emotionally empty life is overturned, as Komomo’s father announces that he’s lost their fortune, and Komomo has to work to support herself with a part time job. Life as a rich heiress hasn’t prepared Komomo with the social graces or work ethic to be able to handle any type of employment and she keeps getting fired over and over again.

It wouldn’t be a shoujo manga if Natsu wasn’t about to return to Japan a triumphant celebrity from studying pastry abroad, determined to seek out his old “friend” to exact revenge, only to find that their positions have been reversed in an ironic twist of fate! Natsu has an exceedingly charming pastry shop to run, and he runs in to Komomo just as she is tossed out into the street from her latest misadventure in employment.

If Komomo was absolutely unrepentant and spoiled, this manga wouldn’t work very well, but what I enjoyed most about this series were the cracks in the facades for both Natsu and Komomo. Komomo gradually begins to realize how superficial her previous life was, when none of her old friends come to her aid. While Natsu initially appears to be slightly psychotic in his pursuit of revenge, he is actually moved a few times when seeing Komomo eat his food and try to adjust to her new life. Komomo’s rich girl attitudes come in handy when she’s faced with a new high school. Mean girl bullying just slides off of her, and she sails through unaffected. Komomo is gradually learning to be a real human being, and as her personality changes, Natsu begins to find her more and more adorable.

Minami is a solid shoujo artist, and I particularly appreciated her being able to dramatize facial expressions that are a bit off, for example when Natsu’s kindness is a facade for his evil plans. I’m hoping that Komomo will become more and more adept with dealing with the real world, changing the power dynamic between her and Natsu more in the next few volumes.

Kiss of the Rose Princess, Vol. 5

Kiss of the Rose Princess Volume 5 by Aya Shouto

I find myself enjoying this series more and more, mostly because with each new volume my suspension of disbelief grows, and I just kick back and enjoy the ridiculousness of this reverse harem fantasy manga. This volume did a good job balancing out which knights were featured, with a bit more attention given to Tenjo the White Rose Knight. As ever, Kaede the Red Rose Knight lurks around and smolders in a few panels for each chapter.

The first part of this volume picks up at an area that is fraught with terror in most shoujo manga – an amusement park. Meek classmate Mikage with her overwhelming crush on Kaede has been hiding an even worse secret. Even more fake Rose Knights appear, leading to an excess of flower avatar people everywhere! Anise powers up a bit, triggering an awakening in Tenjo the White Rose that allows him to deal with their enemies easily. This throws off the balance of power and changes the dynamics in the group a little bit.

The fake rose idols Rhodecia make a brief appearance again, and there’s an extended comedy bit when Anise, Kaede, and Seiran dress as servants in an attempt to infiltrate Tenjo’s mansion to check up on him. There are plenty of gags involving both maid costumes and the odd decorating habits of the rich. One of the things I enjoy about the series is the way it switches back and forth between more lighthearted scenes and hints of upcoming ominous events. Shouoto’s dramatic art has plenty of flourishes that suit the dramatic and silly situations the protagonists find themselves in. Even though evil fake roses keep popping up, the mystery around Anise’s diabolical father is still touched on briefly with each volume, hinting at larger issues Anise is going to confront eventually. With the Black Rose Mutsuki seeming to take center stage at the end of this volume and I’m assuming the start of the next, it looks like there’s going to be more grim vampirific backstory to look forward to.

Meteor Prince Vol. 2

Meteor Prince Volume 2 by Meca Tanaka

I enjoyed the first volume of Meteor Prince very much, and after reading the second, I’ve found it to be a great, self-contained two volume series. Sometimes shorter series suffer a bit from having an unfinished feeling, with an abrupt final chapter, but Meteor Prince pulls off the trick of telling a short, self-contained story with a satisfying conclusion. After the perpetually enthusiastic alien prince Io and earth girl with bad luck Hako got together in the first volume, it is time for some additional obstacles to be thrown in their path.

Io’s intended alien fiancee abruptly appears on earth to claim her man, and she is not happy that Io has pledged himself to a human. Tania’s flowing hair and imperious attitude, combined with her tendencies to transform into a giant ape-like creature makes her a formidable opponent. Tania’s relentless approach to winning Io back doesn’t fare well when faced with the strength of the couple’s bond, and she ends up reduced to lurking in the background and plotting slightly more quietly.

The next trial for Io and Hako is when he meets her parents and her extremely protective younger brother. There’s plenty of cuteness and comedy when Io makes some over the top attempts to be extremely polite to his future wife’s parents. The family issues don’t stop there, as Io’s younger brother Yuro decides that the best way of getting his older brother back is to come to earth and disintegrate everything.

Tanaka’s facility with art portraying both wacky alien landscapes and blushing high school students in the first stages of romance ensures that Meteor Prince is whimsical without being overly wacky or too sweet. She balances heartwarming moments with humor, making this a great feel-good short series. I would have been happy to read several more volumes of Io and Hako’s adventures, but the last volume wrap up the storyline nicely. Highly recommended for people who enjoy their shoujo with a bit of humor.

So Cute it Hurts! Vol. 1

So Cute it Hurts! Volume 1 by Go Ikeyamada

There has been a gap in cross-dressing shoujo series in the current shoujo beat line up recently, so I was intrigued by this series, which features both cross-dressing twins and juvenile delinquents.

The twins in this series are a pair of fraternal twins named Megumu and Mitsuru. Megumu is devoted to history simulation games featuring historical figures with eye patches, and has found a small group of kindred otaku spirits at her all-girls school. Mitsuru has a much more casual approach to studies, a bit of a womanizing personality, and a penchant for fighting thanks to his attendance at an all-male school crawling with juvenile delinquents. Megumu and Mitsuru are an odd kind of opposite gender fraternal twins that might only exist in manga or k-dramas due to their identical appearance that allows them to swap identities. Mitsuru is struggling with make up work in history and proposes a week long switch to Megumu so she can take his tests for him. Megumu is not thrilled with this idea, but she finds herself going along with it when she wakes up one day to find that Mitsuru has stolen her uniform and left his clothes behind.

This volume focuses a bit more on Mitsuru’s undercover operation at Megumu’s school. He is taken aback when he realizes that the girls he usually relates to in superficial ways actually have personalities, and is particularly surprised when he sees the most beautiful girl in the school bullying a deaf student. He has a blunt way of relating to girlish clique problems, and promptly develops a crush on Shino Takenaka, actually deciding to study sign language on his own so he can communicate with her. The bullying plot is a bit standard for a shoujo manga, but it was nice to see Mitsuru deal with mean girl antics with refreshing directness, and when his enemy attempts to shun him, all the otaku girls band together and are not particularly concerned at any loss of social status.

Megumu’s storyline is a bit less dynamic, and more reliant on shoujo plot cliches where she accidentally stumbles into the embrace of Aoi Sanada, the eyepatch-wearing top delinquent at her brother’s school. Aoi is a bit annoyed and bemused at the sudden appearance of an underclassman who seems to not follow the usual social conventions at their school. Her habit of tripping does actually come in handy when she finds herself in the middle of a schoolyard brawl. So far, Megumu and Aoi aren’t given as much page time or character development as Mitsuru and his new friends, and I hope this gets balanced out a little bit in future volumes.

I found it amusing that towards the end of the chapters, there were over-the-top summations of love standing in stark contrast to the gender-bending comedic hijinks in the rest of the manga. Ikeyamada’s art is attractive, if a bit generic, but she portrays the action scenes and the highs and lows of teenage emotions with ease. I found this volume amusing, and there were some interesting hints of a love quadrangle developing that I’m guessing will be explored more in the next volume. So Cute it Hurts! might not have very much depth so far, but the first volume seems like a nice comedic addition to a summer manga reading list.