Codename: Sailor V Volume 2

Codename: Sailor V Volume 2 by Naoko Takeuchi

The fun part of Sailor V for me continues to center around seeing Takeuchi work out some of the plot lines and characters that are explored more fully in Sailor Moon, with the benefit of a more breezy angst-free heroine. The most hilarious aspect of the book is the sudden appearance of Sailor V’s latest crush, Phantom Ace. I know some people may find Sailor Moon’s boyfriend Tuxedo Mask, what with his tuxedo, mask, and habit of throwing roses everywhere, but Phantom Ace seems to enjoy running around town throwing playing cards while wearing some sort of bizarre girdle over his clothes. It is truly something else. Sailor V fights off evildoers who are trying to make girls pudgy with mysterious candy, deals with her own loss of popularity when she slacks off on her public appearances, foils a plan involving brainwashing kittens, and even assists a hapless mangaka.

Gradually the threats that Mina has to deal with move from being the typical formulaic monster of the week to adventures that involve a little more of the emotions and personalities of the characters. Mina intervenes in the life of one of her classmates who has always been a loner. She tries to pursue Phantom Ace and in the process learns that she’s going to have to choose duty over love, which is about as unshoujo-like an ending as I’ve ever read in shoujo manga. Perhaps because Mina is fated to become a supporting cast member in another character’s manga, she’s not going to get the typical happy ending in her own series. While the storylines in Sailor V were not particularly complex, I do think that reading this series gave me more of an appreciation of Sailor V when she makes her dramatic appearance in Sailor Moon. Mina appears as a character who is already familiar, and it was fun to see how much she’d evolved between the ending of her own series and her new supporting role in Sailor Moon.

Sailor Moon Volume 2

Pretty Guardian Sailor Moon Volume 2 by Naoko Takeuchi

A ton happens in this volume! It takes a bit of an adjustment to get into the story pacing of Sailor Moon because everything moves so much more rapidly than most recent shoujo manga I’ve read. Usagi/Sailor Moon and Mamoru/Tuxedo Mask are inexplicably drawn to each other. Usagi knows that she should tell the rest of her team that Tuxedo Mask is aware of her secret identity, but she can’t bring herself to talk about it. The sailor senshi speculate about the crescent-shaped mark on the mysterious Sailor V’s forehead and wonder what her significance is to the lost Moon Kingdom. They fight a typical monster of the week scenario when they go up against an evil video rental shop and Sailor V finally makes an appearance, and Luna introduces her as the heir of the Moon Kingdom, the Princess Serenity. I have to say it was amusing to see Sailor V in her fully awakened state in this series, because it stands in stark contrast to the way she was portrayed in her own series. Here’s she’s calm and cool, immediately assuming the role of mentor to the other sailor senshi.

Usagi has been slowly losing her innate silliness as the series progresses, and with the appearance of Sailor V she willingly assumes the protector role she thinks she should have in her role as Sailor Moon. When she’d act like a wimpy crybaby about going into battle before, she announces “Then it’s our job to protect you!” when Sailor V is determined to investigate a mysterious disturbance on Tokyo Tower. Sailor V’s role as royal decoy doesn’t last long as it is quickly revealed that the real Princess Serenity is Usagi. She and Mamoru are playing out the lives previously lived by a princess of the Moon and a prince of Earth. By the end of this volume the Usagi and the sailor senshi have been to the moon (TO THE MOON!), encountered a hologram of Princess Serinity’s mother in a past life, experienced mystical hair growth, and dealt with the terrible heartbreak that happens when your desired future boyfriend has been turned into a minion of evil (MINION OF EVIL!). It is almost on the verge of being a little exhausting, but I find myself amused by all the little quirky touches in this manga, like the way Sailor Mars is always glaring off into the distance and making pronouncements that she senses evil, right before something evil appears. Sailor Moon continues to be both fun and cute, and the more complex mystical bits about mystical reincarnation and the sadness of decrepit architecture on the moon save it from being too sweet for me to enjoy.

Pretty Guardian Sailor Moon Volume 1

Pretty Guardian Sailor Moon Volume One by Naoko Takeuchi

Sailor Moon is back in print! When I was reading these new editions from Kodansha I decided to start chronologically, so I read Sailor V first and Sailor Moon second. It is interesting seeing the contrasts in character present from the first few pages. In Sailor V, Mina gets in trouble for attempting a daring gymnastics move. In Sailor Moon, Usagi is running off to school with tears in her eyes from dismay at being late. Usagi is presented as the typical not very bright, somewhat ditsy shoujo heroine that most manga readers will be familiar with. But part of the reason why I like Sailor Moon so much is that Takeuchi does manage a couple subtle spins on the well-worn formula that she’s working with.

Usagi has a fateful encounter with a mysterious cat, then goes to school for a typical day. She gets punished and gossips with her classmates about Sailor V. She visits the jewelry store belonging to the family of her friend Naru. Outside, she throws one of her abysmal school papers into the face of a boy wearing a tuxedo and sunglasses. She thinks he’s a pretentious jerk for being so dressed up during the day, and he tells her to “study harder Miss bun-head!” IT IS TRUE LOVE! Later that evening the mysterious cat Luna visits Usagi and tells her that she’s been chosen to be a guardian. She gets her magical girl accessories and the phrase that triggers her transformation sequence (Moon Prism Power Make Up!) and she is off to fight the forces of evil at the jewelry store. This first chapter shows how Takeuchi’s storytelling has improved in contrast to Sailor V. By starting out with an enemy that could be directly hurting one of her friends, there’s more dramatic tension in Sailor Moon as opposed to the endless progression of pop idols that Sailor V fights. Of course, Usagi as Sailor Moon barely fights at all on her first outing. She halfway thinks that she’s dreaming and is surprised that she’s getting hurt, then she reacts to the fight by throwing a tearful temper tantrum. Fortunately her tiara boomerang vanquishes her enemy, and she finds out that she’s being watched by a mysterious man who introduces himself as Tuxedo Mask and says “Sailor Moon, I’ll certainly take note of you.”

Now that Usagi’s general situation is set up, she has to deal with Luna’s demands that she train and gather allies. There are other sailor scouts out there and Usagi has to collect them all (like Pokemon!) while struggling with her feelings for Tuxedo Mask and her own ineptitude. Usagi’s companions are generally in some way more capable than her, but you can see how their different personality traits would contribute to the formation of a good team. Sailor Mercury is a teen genius. Sailor Mars has the moral certainty of a shrine maiden. Sailor Jupiter is strong and brave. The sailor scouts are going after the “Legendary Silver Crystal”, as are their mystical enemies and Tuxedo Mask. Usagi is uncertain if Tuxedo Mask is an enemy or an ally, because while he certainly seems to appear often if she’s in the need of a rescue his motivations are unclear.

Takeuchi’s art seems to have grown a bit smoother when comparing Sailor Moon with Sailor V. The paneling is slightly more complex, although it is still a manga the focuses most on the faces of the characters without much attention paid on setting scenes or background images. The battles and team building in Sailor Moon seem to owe a lot to shonen manga, but being as girly as it is the battles involve costume changes and awesome battle cries instead of violence. While it might be pretty silly for girls to don sailor suits to fight evil, there’s a certain exuberant girl power vibe about the scenes when Sailor Moon and her allies line up to announce that their enemies are about to be punished. I do not know how it is possible not to love a manga that features a girl yelling “You will refrain from underestimating women! And with Mars Power, you will burn! These high-heeled legs will deliver your punishment!”

Codename: Sailor V Volume 1

Codename: Sailor V Volume 1 by Naoko Takeuchi

I’ve had Sailor Moon and Codename: Sailor V in my house for a week, but even though I’ve read them for some reason I am still having a hard time believing that they’re real. Since Sailor Moon has been the holy grail of out of print manga series, it just seems wonderfully surreal that this series is finally getting a decent omnibus style release with a new translation. Sailor V was the prototype series for Sailor Moon, and Sailor V appears in Sailor Moon at first as a shadowy mentor figure. So many of the storylines that are explored more fully in Sailor Moon are introduced in Codename: Sailor V, which might not have as much depth but is still fun.

Like most shoujo heroines, Mina (short for Minako) is an aggressively average student. She prefers athletics and nursing crushes on unobtainable boys to her schoolwork. Her life changes dramatically when she meets a talking cat named Artemis who informs her that she’s been chosen as a protector of Earth. Once she’s equipped with some magical accessories she announces what she has become, “Champion of Justice! The Pretty Guardian in a Sailor Suit! Sailor Venus has arrived!” One of the things that I enjoy about magical girl manga is that although there’s certainly an element of makeover fantasy in the transformations, part of story also is all about power. When Mina transforms for the first time she says “I feel liberated! I’m overflowing with power! I’m struck with the urge to act!”

Unfortunately for Mina, the action she’s presented with gets repetitive. There seems to be an unending supply of demonic idol singers who are out to enslave the Japanese populace and feed off their energy, and Sailor V must battle all of them. In this way, Codename: Sailor V resembles a very simple shonen manga, except for the battles here are always needing to involve lots of cosplay and battle cries instead of actual punching. Still, there are flashes of humor on display that make the overall experience of reading the book a lot of fun. Mina seems to be very protective of governmental regulations, as when she’s battling one of her many rounds of evil idol singers she remarks that brainwashing is bad and “these are horrendous business practices and the Japanese Tax Office will not stand for it!” Later on when she’s talking to her mysterious boss about an enemy she encounters during a vacation she flies into action after the comment “I don’t know who he is, but I do sense a deep-seated grudge regarding Hawaii.” People with grudges regarding Hawaii must be punished!

One of the things that enlivens Codename: Sailor V is the supporting cast. As Sailor V grows in notoriety she is starting to get noticed by the police. The female Inspector General nurses her crush on V with giant posters in her office, and she arbitrarily orders around her more skeptical male sidekick. Mina gets an eye rolling reaction from one of her enemies to her proclaimed title of “Pretty Guardian.” I tend to grade magical girl shoujo for what it is. If there’s humor, costume changes, and a little bit of action I’m a satisfied reader. While I don’t think that Codename: Sailor V has all the elements that made Sailor Moon such a long and successful series, it was fun getting a glimpse of Sailor Moon’s origin and more of the origin of Sailor V.

Papillon Volume 5/6

Papillon Volume 5/6 by Miwa Ueda

I was happy to see signs of life in Kodansha’s North American arm with the recent summer lineup, but I was a little disappointed that the only ongoing Kodansha title that I actively purchase was left off the list. I’ve slacked off on getting Tsubasa and xxxHolic just because they seem to have gotten so weighed down by continuity. Wallflower is so episodic that I don’t feel like I’m missing much if I skip volumes, and while I enjoyed the first few volumes of Nodame Cantible, I haven’t gotten back into collecting that series. Papillon is pure trashy fun.

As I was reading this omnibus volume I was struck with how addicting Ueda makes this series despite the fact that none of her characters are sympathetic. Nice girl Ageha may be the heroine, but she’s essentially spineless and prone to collapsing under the weight of her own drama. Ageha’s twin Hana has a myriad of psychological issues that lead her to dress up as her sister to see if her boyfriends will fall for her twin, and she’s now trying to steal Ageha’s boyfriend away. Ageha’s boyfriend Ichijiku is a guidance counselor in training who somehow finds it appropriate to date a high schooler even though he might be trying to help build up her self-confidence. If the ending of Papillon involved the main characters dying in a fiery bus crash, I would not be all that disappointed. Yet Ueda’s soap opera makes me want to keep reading.

Ageha starts a part-time summer job at a restaurant where Hana’s ex-boyfriend Shinobu Shindo happens to be working. Shinobu used to have a crush on Ageha too, but when he told her about his feelings she thought he was teasing her. Hana confesses her feelings to Ichijiku and he rejects her. Then Ageha talks to Ichikiku in guidance counselor mode, telling him all about Shinobu without realizing that her new co-worker might inspire feelings of jealousy in her boyfriend. Angst and misunderstandings abound, and Hana start to act even more reprehensible than before when she disguises herself as Ageha and attempts to seduce Ichijiku. Meanwhile, a woman from Ichijiku’s past makes a sudden return, bringing yet another set of psychological problems for him and Ageha to deal with.

Ageha begins to show vague signs of self-awareness as she begins to analyze her own behavior. She actually helps Ichijiku with some of his problems, instead of being her usual flailing and helpless self. Hana keeps acting out so much, I am really hoping that she gets hit by a meteorite and dies. I hope that Kodansha decides to wrap up this series because even though I doubt my hopes of fiery death will be satisfied, I do want to see what happens next.