Archives for January 2018

SP Baby Vol. 2

SP Baby, Volume 2 by Maki Enjoji

I hadn’t realized before that this was only a two volume series! The second volume of SP Baby does exhibit some typical final second manga volume characteristics of plotlines going kablooie, but overall I enjoyed it as a peak into the possibilities of a slightly more lighthearted Maki Enjoji series.

Story wise, the pacing in this volume is a bit on the frantic side, as each chapter races through events that might have taken an entire volume to play out in a series with a bit more space. Tamaki deals with her infatuation for the florist next door, there’s an incident where she’s suddenly a maid for a short period of time, she continues to demonstrate her unerring bodyguarding instincts, the reader gets a little bit of information about Kagetora’s mysterious past connection to her, and a mysterious random fiancee is quickly disposed of. That’s a crazy amount of stuff to happen in one volume! Still, I liked the more comedic touch Enjoji brought to this series. Everyone’s Getting Married has me much more anxious about what will happen to the characters, but SP Baby was much lighter in tone, so I wasn’t reading every volume with a slight feeling of dread.

I enjoyed Tamaki’s frequent aggressive kicking and Kagetora’s intrinsic endearing weirdness and disconnection from reality. Enjoji’s art is always solid, easily portraying Tamaki’s swings of emotion from unchecked aggression to more tender feelings towards Kagetora. I really think that with 3 or 4 volumes and more time for the pacing to be more deliberate, SP Baby would have been so much better. As it is, it is a nice brief read that doesn’t quite come together in the end. Still recommended for fans of light and fluffy josei.

Queen’s Quality Vol 2

Queen’s Quality Volume 2 by Kyousuke Motomi

Kyousuke Motomi shoujo series are entertaining and refreshing for me to read, because while romance certainly is a feature, it often takes a backseat to subversive humor and action oriented plots involving hackers or the demons that lurk inside the souls of humans. This volume of Queen’s Quality continues the exploration into the twisted soul of a teacher who was bullying students, and Fumi and Kyutaro have to combine their abilities yet again in order to root out the bugs that cause a sort of soul malaise to spread to people like an infectious disease.

Motomi’s humor is on full display in a scene where Fumi is going to pick her sacred psychic weapon and instead of summoning a spear of light or magic sword she conjures a long-handled scrub brush. Kyutaro suggests that she try for another weapon but Fumi is delighted with her weapon because it is perfectly balanced and the best possible implement for cleaning toilets. Fumi’s cartoonish enthusiasm as she waves her brush around in the air is one of the few light-hearted moments in this volume, because once the Sweepers head into the brain of Ms Hayashi, things get both scary and surreal.

Kyutaro’s role as a steady emotional support to Fumi becomes even more important as she reveals another aspect to her hidden power as they battle their most challenging bugs yet. The layers of protection that exist in Fumi’s mind that hide her memories as well as her ability to consciously manifest her role as a “Queen” make Queen’s Quality an intriguing character study. The violent psychic landscape that the couple has to navigate contrasts with the more mundane chores of cleaning and making rice porridge back in the real world. Motomi is great at portraying slightly broken characters with great nuance, and it’ll be interesting to see if Fumi and Kyutaro manage to heal each other and achieve some sort of peace by the end of the series.

Water Dragon’s Bride Vol. 4

Water Dragon’s Bride Volume 4 by Rei Toma

One of the reasons why this manga is so fun to read is that each volume starts out with a slight change in circumstances for the characters. In volume 4 the Water Dragon is now undercover as a human, and Asahi is looking at him as a odd experimental subject, as she teases him into eating human food, even though it isn’t going to have an effect on him. Subaru is a bit creeped out by this new arrangement, but still determined to serve as Asahi’s human protector.

As Asahi completes her yearly ritual, she requests that the Water Dragon God take her and Subaru on a trip during her usual three days of disappearance after the ritual is completed. One of the areas on narrative tension in this series is contrasting the Water Dragon God’s basic inhumanity with the inhumane behavior of humans to each other. When the trio travel to a distant country that happens to be under threat from a natural disaster, the villages there try to offer up a girl as a sacrifice. Asahi can’t get the Water Dragon God to intervene, so she offers herself up as a substitute. She relies on her power to make it rain when she cries to fend off the threatening fire.

Asahi’s powers end up placing her in a priestess role again, and she has to intervene in an outbreak of illness and contend with the local boy emperor. Toma’s illustrations, which often contain little to no backgrounds when the characters are experiencing emotional turmoil, help the reader appreciate the symbolic and otherworldly nature of the situations Asahi finds herself in. Asahi attempts to shield Subaru from her intense sadness, but he understands what she’s trying to hide from him. The Water Dragon God gradually seems to be taking on more human emotions, so it will be interesting to see how his personality continues to evolve, and if Asahi will ever be able to find her way home.